Rachmaninoff's etudes-tableaux, Op. 39 is a masterpiece of late Romanticism, full of extreme contrasts with an overwhelming melancholy. Ravel's Miroirs explores a concise and colourful language, exemplified by sonic experiments, rarefied timbres and a refinement of utterance demanding meticulous technical clarity. Pianist Catalin Serban has long wanted to present these two great piano cycles juxtaposed, exploring the tensions between them and finding an inner arc that spans both cycles.