Waterloo Records

"‘In Times New Roman...’, the 8th studio album from Queens of the Stone Age is raw, brutal & rough around the edges but with a refinement that reveals itself further with each successive listen — and QOTSA founder Joshua Homme’s lyrics are as witty and withering than ever. The results are instantly identifiable ; QOTSA’s sonic signature, expanded and embellished with new and unprecedented twists in virtually every song, a live in-a-room recording that showcases a band at the height of their creative powers.

‘In Times New Roman...’ is a party for the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between. One of the most important bands in recent rock history is B A C K but it’s no exaggeration to call this album a devastating rebirth."

Three-time Grammy Award winner Lucinda Williams will release her highly anticipated new album Stories from a Rock n Roll Heart on June 30th (Highway 20 Records/Thirty Tigers). 2023 will be a special year for Williams: she turned 70 in January and on April 25th will release her long-awaited memoir Don’t Tell Anybody The Secrets I Told You (Crown, a division of Penguin Random House LLC).

The last couple years have been challenging for Williams. In 2020, a tornado damaged her new home in Nashville, followed two weeks later by the beginning of the COVID lockdown. Later that November, Williams suffered a stroke that partially impaired some of her motor skills on the left side of her body, forcing her to learn to walk again and taking away her ability to play the guitar. Stories from a Rock n Roll Heart marks a triumphant return from one of our most revered artists and songwriters. Williams is in great form as heard on her new single “New York Comeback,” written by Williams, Tom Overby and Jesse Malin, with Patti Scialfa and Bruce Springsteen on backing vocals.

Stories from a Rock n Roll Heart was produced by Williams, Overby and Ray Kennedy, who also engineered. The album includes guest backing vocals by Jeremy Ivey, Jesse Malin, Buddy Miller, Angel Olsen, Margo Price and Tommy Stinson.

If 2021’s “Sometimes I Might Be Introvert” catapulted Simz into the big leagues, crashing into the top 5 of the albums charts, collecting Mercury Music Prize, Mobo, Ivor Novello and Brit Award wins and earning her the biggest live audiences yet in the UK and Europe yet, “NO THANK YOU” is yet another delicious left field turn for 29-year old Simbiatu Ajikawo. Sleek, succinct and utterly propulsive, it’s Simz’ defiantly punk rock, two fingered salute to conformity and fame, and all the expectations and restrictions that come with. Recorded with her regular collaborator Inflo, this is Simz at her most free, daring and spontaneous. In her own words: 

'emotion is energy in motion.
honour your truth and feelings.
eradicate fear.
boundaries are important.’

Produced by Brian Eno and Fred Gibson 4th April 2020 - 23rd December 2022.

“As we enter into The Age Of Pleasure, “Lipstick Lover” is our freeassmothafucka anthem inspired by f.a.m. for f.a.m. This is our oasis made with love, rooted in self acceptance, throbbing in self discovery, and signed with cherry red kisses from me to you.  ” 
- Janelle Monáe

Janelle Monáe, music’s foremost freeassmuthafucka, has shared her scintillating new single, “Lipstick Lover,” available now. 
Arriving on the heels of her showstopping Met Gala appearance, “Lipstick Lover” heralds the arrival of Monáe’s hugely anticipated new album, THE AGE OF PLEASURE, due out June 9th. Pre-orders/pre-saves – including limited edition vinyl – are available now.
 
THE AGE OF PLEASURE also includes the acclaimed new single, “Float (Feat. Seun Kuti + Egypt 80).” Hailed by Pitchfork as “swaggering, brass-heavy…the sound of a top-tier talent doing a little victory dance,” the track is joined by an official dance video.

Janelle Monáe is without question one of the most celebrated artists of the modern era, an 8x GRAMMY® Award-nominated singer, songwriter, producer, performer, and fashion icon known worldwide for her inimitable style and visionary sound. With multiple celebrated albums, THE ARCHANDROID (2010), THE ELECTRIC LADY (2013), and DIRTY COMPUTER (2018), numerous critically-acclaimed theatrical and television performances,  and her unwavering activism for social justice and the LGBTQIA+ community, Monáe continues to be one of the most compelling and important artists of this generation.

Rap phenomenon Yeat returns with AftërLyfe, the explosive follow-up to 2022’s acclaimed project Lyfë via Field Trip/Geffen Records. Spearheaded by “Shmunk,” an undeniable collaboration with YoungBoy Never Broke Again, the 22-track project picks up where Yeat’s previous project Lyfë left off, expanding on his talent and reaching towards an even more experimental sound. Available on Translucent Black Ice 2 LP.

Awash in full-throttle fiddle, weeping steel guitar, a sprinkling of heavenly backing vocals, and anchored by her warm, expressive vocals, Brennen Leigh's latest album is an emotion-packed revelation. Rooted in vintage country, Ain't Through Honky Tonkin' Yet is an unapologetically beer- and tear-soaked homage to an era when hard-country weepers burst forth from AM transistor radios. "I'm in love with this idea of the real Nashville, " says Leigh. "The idyllic golden age, which, to me, is around 1967, 1968, because of the alchemy, the explosion that occurred, with the best country music songwriters ever, the best singers in country music." The album's country roots run deep, with guests like Marty Stuart and Rodney Crowell and a lineup of top-flight musicians, yet each track soars with abandon. With thoughtful, incisive lyrics and vibrant melodies at the forefront, Leigh has successfully created a modern gem, while honoring country music's enduring golden era.

Time Ain’t Accidental is the sound of a woman running into life and art head-on, on her own terms, for the first time in a while. Blending the vocal power and emotional immediacy of mainstream country with the honest transmissions of writers like Townes Van Zandt and Terry Allen, the album's reckoning with loss, isolation and personal reclamation signals a tectonic shift for Williamson: from someone who once made herself small to a woman emboldened by her power as an individual.

SOS is the second studio album from GRAMMY award winning singer SZA, and the follow up to 2017’s major label debut album Ctrl. The genre-blending album contains elements of pop, R&B, soft-rock, gospel, and hip-hop. SOS features guest appearances from Travis Scott, Don Toliver, Phoebe Bridgers, and the late Ol’ Dirty Bastard. SZA worked with a variety of hitmaking producers including Ctrl collaborators ThankGod4Cody and Carter Lang, along with Jeff Bhasker, Rob Bisel, Benny Blanco, Kenny “Babyface” Edmonds, Emile Haynie, Rodney “Darkchild” Jerkins, Jay Versace, and more.

Brooklyn bedroom-pop trailblazers Beach Fossils' new album Bunny is a triumphant return for one of the 2010s most influential NYC bands. Bunny is a precise blend of the luscious dream-pop atmospheres they notoriously honed on their earliest projects, the post-punk vigor expressed on Clash The Truth, and the warm sophisticated songwriting of Somersault. Composer Dustin Payseur peppers the album equally with descriptions of the joy of fatherhood and the existential pleasure of smoking cigarettes out of a car window with friends -- Bunny features Beach Fossils' most personal lyrics to-date.

Wild Creatures is a career retrospective album containing twenty-three of Neko Case’s most impactful tracks from her discography, and will now be available on CD and 2x LP.

With a career spanning over twenty years, she has famously collaborated with The New Pornographers and Case/Lang/Veirs in addition to releasing many critically acclaimed solo albums, including ‘Fox Confessor Brings The Flood’, ‘Middle Cyclone’ and most recently 2018’s ‘Hell-On’.

Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it’s almost visible, like sparks at night. “I never knew where I wanted to go or what I wanted to do with my voice,” she says, “but I just wanted to do it so bad.”

The Vinyl configurations include: 2 LPs with printed inner sleeves, in a Gate- fold jacket.