2016 release from performer, producer, singer, and composer known for her varied use of classical and modern instrumentation as well as her deft approach to live sampling. Classically trained as a violinist, she also performs using drums, guitars, keys, and beat machines. Wells has described the LP as "a soul record in baroque clothing... a pauper's opera." Expanding upon the idea, she says in a lengthy press statement: "These finished recordings and their live counterparts take their time - and in doing so ask for a bit of grace. I returned often to an interview I'd watched with the light artist James Turrell where he says, '... not everyone will sit in a darkened room for ten minutes before they begin to see.' This idea allowed me be patient with the work, both in process and outcome. When writing, when recording, there is a period where everything is in service of the song, if at times unconsciously. As the song begins to take form, however, it's role shifts: the song is in service of the life it feeds. How then to convey a malleable 'you', interchangeable with the self, with the friend, with the lover, with the listener, the future?"