With Cranekiss, Tamaryn emerges from her past efforts in a way that’s inviting, warm-blooded, and shockingly direct. She’s made a big record, loaded with samples, synth triggers and processing that was missing from her previous efforts, pressed into service of a post-adolescent love letter to all the music that she and her collaborators (Jorge Elbrecht of Violens and Lansing-Dreiden, Shaun Durkan of Weekend) hold dear. Her most personal collection of songs to date, Cranekiss represents a long journey, and a new phase in Tamaryn’s music unfolding before you, a blood-red kaleidoscope of desire and late night abandon.