After the success of 2011s Past Life Martyred Saints and 2014s prophetic The Future s Void, EMA retreated to a basement in Portland, Oregon a generic apartment complex in a non-trendy neighborhood, with beige carpeting and cheap slat blinds. Now, she returns, with a portrait of The Outer Ring: A pitch-black world of dark night highways, American flags hung over basement windows, jails and revival meetings and casinos and rage. In a year dominated by white working-class alienation and anger, EMA a Midwesterner who never lost her thousand-yard stare -- has delivered an album that renders Middle American poverty and resentment with frightening realism and deep empathy.