Everything about this recording is spontaneous and un-choreographed, loose and lethal, teetering and tempestuous. An explosive combination of brinkmanship and barely controlled chaos. Which, in a lip-synched and auto-tuned modern-day music world, comes as a breath of fresh air. The high spots just keep on coming. Jon Lord s heroic keyboard playing on Lazy, the mischievous guitar-vocal sparring between Blackmore and Gillan on Strange Kind Of Woman, the positively progressive vibe of The Mule, before Ian Paice's epic drum solo kicks in, Gillan showing exactly why he gained the proud title of silver-throated screamer on Child In Time and Glover's often under acknowledged bass-lines underpinning each song like a network of steel girders.