With “Suicide Society”, Annihilator goes headfirst into some of the most technically perfect, crisp, and crushingly taut, riffage Waters has ever produced. Although Waters’ vocals keep traces of stylings from his “King of the Kill” album, they now evoke a surprising blend of legends such as Staley, Osbourne, Hetfield and Mustaine. This, in a twisted way, mirrors Waters’ signature blend of riffing, drums grooves and bass; all drawing from multiple sources and genres.