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Ray LaMontagne

Ray LaMontagne

Monovision [LP]

New Vinyl: $23.98 Add to Cart

Digital: $9.99 Add to Cart

Monovision is the new album from Grammy Award winning artist Ray LaMontagne. This 10 track collection is Ray’s his 8th studio album, and finds the artist in the multiple roles of songwriter, singer, producer, engineer, as well as performing all the instruments on every track. The first songs to be released as singles from Monovision are “We’ll Make It Through,” and “Strong Enough.”

All of Ray LaMontagne’s albums, including Monovision – show a vast catalog of music where the artist continues to push himself in different directions, yet with a uniquely signature sound that could only be his. Monovision is available on CD, VINYL, and digitally.

Ray LaMontagne
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Pure X

Pure X

Pure X [LP]

New Vinyl: $19.98 Add to Cart

Digital: $10.99 Add to Cart

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Pure X is the last band, has always been the last band. In 38 minutes, Pure X weave a culmination, all the delays and distortion, the grinding mortar of touring, the low-tide pulling them out from a cult band, to a legacy band, it’s here, understood and forgiven.
Pure X
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Hinds

Hinds

The Prettiest Curse [LP]

New Vinyl: $26.98 Add to Cart

Digital: $8.99 Add to Cart

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Each time they take the stage, Madrid-bred rock band Hinds create a kind of wild magic, a feel-good free-for-all often complete with synchronized dancing and giddy crowd-surfing from the members themselves. While the band s first two albums channeled the euphoric energy of their live show in their gorgeously punchy take on garage-rock, their latest full-length adds entirely new texture to their sound. Produced by Jenn Decilveo (The Wombats, Ben Platt and Anne-Marie), The Prettiest Curse finds the band letting their imaginations run more freely than ever, even as they share some of their most emotionally heavy material to date. The Prettiest Curse takes its title from the sometimes-daunting experience of giving your soul to rock-and-roll. In the making of The Prettiest Curse, Hinds devised a brilliantly unpredictable vocabulary for communicating their most painful feelings. Unfolding in frenetic guitar riffs and buzzing basslines, powerful drumming and delicate piano work, the album endlessly delivers massively catchy melodies and vocals that growl and sigh with equal ferocity. The effect of all that unrestrained expression is fantastically dizzying, made even more so by Hinds constant back-and-forth between their native tongue and English.

Hinds
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Jason Isbell And The 400 Unit

2020 release. His last album - 2017's The Nashville Sound - a #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.

Jason Isbell And The 400 Unit
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Neil Young

Neil Young

Homegrown [LP]

Digital: $11.49 Add to Cart

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Neil Young puts it best: “This album is the unheard bridge between Harvest and Comes a Time”.
 
Recorded between June 1974 and January 1975, Homegrown was intended to come out in 1975 before Neil cancelled the release. The album has remained unreleased until now, achieving a legendary status among Neil Young fans in the process.
 
The album is made up of twelve Neil Young songs, of which seven are previously unreleased - “Separate Ways,” “Try,” “Mexico,” “Kansas,” We Don’t Smoke It No More,” “Vacancy” and “Florida” (a spoken word narration). Also included are the first recordings of “Love Is A Rose,” “Homegrown,” “White Line, “Little Wing,” and “Star Of Bethlehem” – different versions of which would all later appear on other Neil Young albums.
 
Neil plays solo on some tracks (guitar, piano and harmonica), and is joined by a band of friends on other tracks, including Levon Helm, Ben Keith, Karl T Himmel, Tim Drummond, Emmylou Harris and Robbie Robertson.
 
Recorded in analog, and mastered from the original master tapes, this long-lost album is a wonderful addition to Neil’s incomparable catalog.
Neil Young
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Perfume Genius

Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius that will be released May 15th on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. 'I wanted to feel more open, more free and spiritually wild,' says Hadreas, 'and I'm in a place now where those feelings are very close-- but it can border on being unhinged. I wrote these songs as a way to be more patient, more considered -- to pull at all these chaotic threads hovering around me and weave them in to something warm, thoughtful and comforting.'

Perfume Genius
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Holy Wave

For the health and safety of our customers and staff, we have temporarily closed our brick and mortar to the public. In light of this, all available copies of this title are online.

 

IMPORTANT INFO!

Since this title is so limited we may be allocated on our order to the label. This means we may not get the number of copies we need. Online orders will be filled on a first come first served basis until we run out and we'll do our best to fill each one.

 

*** You will not be charged until we are shipping out your order ***

Holy Wave
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The 1975

Notes On A Conditional Form is The 1975's highly anticipated fourth studio album. Available May 22nd, the 22-track epic includes hit singles "People" and "Me & You Together Song". The band worked to use as little plastic as possible in the manufacturing of the product. Double LP pressed on clear-colored vinyl, housed in a 100% recycled and recyclable sleeve.

The 1975
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Car Seat Headrest

Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016's Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful 'collaboration' between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo's alternative persona, 'Trait.' To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs.

Car Seat Headrest
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Jamie xx

Following 2015’s In Colour and global touring with The xx, Idontknow is Jamie’s return to the club. It lived through late 2019 - everywhere from Jamie’s own low-key parties In London and LA to OIL Club in Shenzhen, Caribou’s BBC Essential Mix to Ben UFO on The Lot. Now in uncertain times, it remains a release of energy - to move to, let loose to and to look forward to parties again.

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Norah Jones

Norah Jones

Pick Me Up Off The Floor [LP]

New Vinyl: $21.98 Add to Cart

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Norah Jones’ seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past 2 years as the songs she hadn’t yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

Norah Jones
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Khruangbin

Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.

Khruangbin
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HAIM

Double vinyl LP pressing. 2020 release. Women in Music Pt. III is the third studio album by American band HAIM. Released through Columbia Records. It was produced by Danielle HAIM, Rostam Batmanglij and Ariel Rechtshaid, and was preceded by the singles 'Summer Girl', 'Now I'm in It' and 'Hallelujah'.

HAIM
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Denzel Curry

After releasing two critically acclaimed albums in the span of 10 months (TA13OO  and  ZUU, respectively), Denzel Curry starts off 2020 with a menacing and concise full length produced entirely by Kenny Beats.  Unlocked  is the product of a manic 3 day studio session following Denzel recording for an episode of Kenny's YouTube show, The Cave. The project finds the two mining sounds outside of what prompted their respective rises in recent years. While Denzel pulls influence from various members of The  Wu-Tang Clan, Kenny taps into a sound inspired by the holy trinity of Madlib, Dilla & MF Doom. Despite these classic influences,  Unlocked  sounds like something completel y new and sees Denzel setting the tone for a new decade once again just as he and Raider Klan at the outset of the 2010's.  Unlocked  will also arrive with a half live action, half stop-animation companion film featuring every song from the project.

Denzel Curry
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The Sword

Conquest Of Kingdoms is a compendium of career-spanning live performances, b-sides, covers and rarities, culled from the complete studio album recordings of The Sword. This 3-LP set features 16 previously unreleased tracks. Triple gatefold packaging.

The Sword
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Waxahatchee

Waxahatchee

Saint Cloud

New CD: $12.98 Add to Cart

Digital: $9.99 Add to Cart

4-panel digipak w/ matte coating, includes 16-page lyrics booklet

What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee’s Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved.

Waxahatchee
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Thundercat

Thundercat

It Is What It Is [Red LP]

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Digital: $9.99 Add to Cart

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Thundercat is set to release his new album It Is What It Is on Brainfeeder Records on April 3, 2020, and shares the first music; 'Black Qualls (featuring Steve Lacy and Steve Arrington). The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox. It Is What It Is follows his game-changing third album Drunk (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. 'This album is about love, loss, life and the ups and downs that come with that,' Bruner says. 'It's a bit tongue-in-cheek, but at different points in life you come across places that you don't necessarily understand' some things just aren't meant to be understood.'

Thundercat
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Khruangbin & Leon Bridges

Driving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R&B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends it's name to Bridges and Khruangbin's new collaborative EP. "Big sky country, that's what they call Texas," Khruangbin bassist Laura Lee says. "The horizon line goes all the way from one side to another without interruption. There's something really comforting about that." On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.

Khruangbin & Leon Bridges
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Widespread Panic

EXCLUSIVELY AVAILABLE TO ALL RSD PLEDGED TID CUSTOMERS LIMITED EDITION ONE TIME ONLY PRESSING (3000 COPIES) FIRST TIME ON VINYL. Live Recording of WP show 3/14/2019 Capitol Theater, Port Chester, NY

Widespread Panic
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Lukas Nelson & Promise Of The Real

When we walked out of Shangri-La recording studio on the sixth day, we knew we had captured something special. The process had been simple: we would gather around a coffee table on the lawn, Lukas would present a new song on an acoustic guitar, and then we’d go inside and roll tape. The atmosphere was joyful and mellow, yet intensely productive—we rarely spent more than two takes on a song before moving on to the next one. It was so productive, in fact, that there was simply no way to fit all the material on one release. So think of this project as something of an epilogue to our previous album, Turn Off The News (Build A Garden). Some of these tracks are alternate performances of songs from that record. Others, like “Bad Case”, appear in their early developmental stages. But the majority of this album comprises songs that, for one reason or another, didn’t make the final cut, and yet were just too special to keep to ourselves. Some strings are out of tune. Some lyrics are inconsistent. There’s microphone bleed, tape machine buzz, conversations and laughter between takes… that’s how we like it. Our hope is that Naked Garden offers a glimpse behind the curtain, at POTR in our most raw, honest, and naked state. For our band’s name is truly our mantra, and if nothing else, this project is an attempt to make good on our promise.

Lukas Nelson & Promise Of The Real
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Lady Gaga

Chromatica is the highly anticipated 6th studio album by Lady Gaga. Featuring the single “Stupid Love”. LP pressed on milky clear-colored vinyl. Available May 29th.

Lady Gaga
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Caroline Rose

Caroline Rose

Superstar [LP]

New Vinyl: $22.98 Add to Cart

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Here comes SUPERSTAR the bigger, badder, glitter-driven record by Caroline Rose. Written as a sequel to 2018's LONER, the forthcoming 2020 release 'plays out like an epic movie about the pursuit of fame and fortune,' Rose states. 'I've always been fascinated by this pursuit, but what's even more fascinating is what happens when it fails.' Indeed, gone are the successful Hollywood hunks and starlets of old. SUPERSTAR chronicles a quirky anti-hero, who after receiving a wrong call from the elite hotel Chateau Marmont, decides to leave their old life behind in order to become a big Hollywood star.

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Caroline Rose
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Jess Williamson

Jess Williamson

Sorceress [LP]

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Offering a deep-hued kaleidoscope of dusty ‘70s cinema, ‘90s country music and breezy West Coast psychedelia, Jess Williamson’s ‘Sorceress’ weaves a woman’s wild love letters to a confusing present and uncertain future—with reflections on femininity and the pursuit of perfection, New Age beliefs and practices, critiques of capitalism and social media and more. An album about loss of innocence and acquired wisdom that’s self-critical, self-assured and soul-searching.
Jess Williamson
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Caribou

Caribou

Suddenly [LP]

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Digital: $9.99 Add to Cart

In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.

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Dua Lipa

Vinyl LP pressing. 2020 release. Global Pop superstar Dua Lipa is back with Future Nostalgia. Dua arrived in style in 2015 with her self-titled, chart topping debut album which eclipsed 4 million sales worldwide with single sales reaching over 40 million. Dua Lipa is also officially the most streamed album by a female artist in Spotify history. Dua made Brit Award history in 2018 by becoming the first female artist to pick up five nominations, with two wins for British Breakthrough Act and British Female Solo Artist, all while selling out tours around the world. In early 2019, she received two Grammy awards for best new artist and best dance recording.

Dua Lipa
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Grimes

Grimes started producing music when she had to learn the program Logic for her neuroscience class. Shortly thereafter she had a viral myspace page, which allowed her to start booking shows and focus full-time on music. She lived in a crack den in Montreal with no heat (where she got frostbite twice and her neighbor was bludgeoned to death in the hallway), playing raves until her 2012 breakout, Visions, which was recorded during a 2 week speed binge wherein she did not leave her bedroom. Upon the success of this album, Grimes attempted to enter society as a regular human, which has clearly not gone super well but has nonetheless been entertaining. She’s since become an award winning music video director as well as a music writer, producer, engineer, singer-songwriter. She’s toured globally to sold out crowds, headlined festivals, and is now moving into the space of corporate surrealism. She recently had experimental eye surgery only available to the upper class. She is putting out her final earth album February 21st 2020.

Grimes
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The Strokes

The Strokes

The New Abnormal [LP]

New Vinyl: $25.98 Add to Cart

Digital: $9.99 Add to Cart

The New Abnormal is the long awaited new album from The Strokes, and the band’s first album in seven years. The album was announced with the first track and video, “At The Door.”

The New Abnormal is The Strokes’ sixth studio album and was recorded at Shangri-La Studios in Malibu, California, with producer Rick Rubin. The album’s cover artwork is a painting called ‘Bird on Money,’ by famed artist Jean-Michel Basquiat.

The Strokes are singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr, bassist Nikolai Fraiture and drummer Fabrizio Moretti.

The Strokes
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Tame Impala

Tame Impala

The Slow Rush

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Digital: $9.99 Add to Cart

Tame Impala (Kevin Parker) will release his fourth studio album, The Slow Rush, out February 14th on Interscope. Recorded between Los Angeles and his studio in his hometown of Fremantle, Australia, the twelve tracks were produced and mixed by Parker. The Slow Rush is Parker's deep dive into the oceans of time, conjuring the feeling of a lifetime in a lightning bolt, of major milestones whizzing by while you're looking at your phone.

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Pearl Jam

Pearl Jam

Gigaton [2LP]

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2LP – Double Vinyl w/ 3-sides audio and 1-side etched; includes 32-page booklet

Pearl Jam will release their much-anticipated eleventh studio album, Gigaton, on March 27th. It marks the band's first studio album since 2013. "Making this record was a long journey," explains Mike McCready. "It was emotionally dark and confusing at times, but also an exciting and experimental road map to musical redemption." 2020 officially marks 30 years of Pearl Jam performing live, with over 85 million albums sold worldwide and a 2017 induction into the Rock and Roll Hall of Fame.

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Pearl Jam
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Tycho

With a hugely impressive 1.3 million combined album sales under their belt, Tycho are the two-time Grammy nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada (“To get a sense of their sound, think the same kind of detail-oriented work and continuity of style that made Boards of Canada and Ulrich Schnauss revered artists in their field.” - Exclaim!) and resulted in a 2017 and 2020 Grammy nomination for Best Dance/Electronic Album for ‘Epoch’ and ‘Weather’, respectively.

‘Simulcast’ follows Tycho’s studio album ‘Weather’ and features highly anticipated instrumental versions of ‘Weather’ albums tracks, previously vocal-led by singer-songwriter Saint Sinner. Tycho have gone back to the studio and recorded alternative versions of those original recordings, creating new material from those much loved tracks, while taking a bold step towards their classic sound. This is an unmissable release for any Tycho fan. ‘Simulcast’ will be available on Mom + Pop Music in the US and Ninja Tune worldwide.

Tycho
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Real Estate

Over the last decade, Real Estate have crafted warm yet meticulous pop-minded music, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. The Main Thing dives further into the musical dichotomies they're known for'lilting, bright guitar lines set against emotionally nuanced lyrics, complex arrangements conveyed breezily. What emerges is a superlative collection of interrogative songs as full of depth, strangeness and contradictions as they are lifting hooks.

Real Estate
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Best Coast

Best Coast

Always Tomorrow [LP]

New Vinyl: $22.98 Add to Cart

Digital: $9.99 Add to Cart

2020 sees the release of Always Tomorrow, the hotly anticipated new album from Best Coast. Inspired by the 70s, the LA based duo expand their signature indie pop sound into a harmonic blend of melodic guitars and keyboards as warm and refreshing as a California breeze. Multi-instrumentalist Bobb Bruno, along with the irrepressible Bethany Cosentino, combine to bring her masterful storytelling to new heights, crafting their most eloquent and reflective album to date. It’s the Best Coast you know and love at an entirely new level.

Best Coast
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Mac Miller

Mac Miller

Circles

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Circles is the sixth and final studio album by Mac Miller. Conceived as a sister album to 2018's full length Swimming, the album was completed with the assistance of Jon Brion, with whom Miller worked on Swimming and had been working together on Circles at the time of his passing. While sonically distinctly different than its predecessor, Circles features many of the hallmarks for which Swimming was critically-acclaimed upon its release -- Miller further realizing his singing voice in addition to rapping, live instrumentation and earnest, confessional lyrical content. Listeners will hear shades of some of the album's influences in its songs, from the T-Rex guitar tone of "Surf" to the Plastic Ono Band-era John Lennon feel of its production and the inspired cover of Arthur Lee's 1972 single "Everybody's Gotta Live." It's a momentous final entry into the discography of an artist that remains at the center of reimagining the limits of rap.

Mac Miller
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Harry Styles

Harry Styles

Fine Line [2LP]

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The second album from Harry Styles, Includes the singles “Watermelon Sugar” and “Lights Up.”

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Nathaniel Rateliff

Nathaniel Rateliff has written and recorded his first solo record since the explosive debut of his work together with The Night Sweats. And It's Still Alright, is an intensely personal 10-song album of vibrant country-blues, badland ballads, ornate Americana and jazz-inflected R&B. Rateliff's warm baritone, ranging from gently hushed to a guttural howl, imbues these superbly drawn character studies with raw, naked emotion.


And It's Still Alright was produced by Rateliff, Night Sweats' drummer Patrick Meese and James Barone of the indie band, Beach House and primarily recorded at National Freedom in Cottage Grove, Oregon, the studio formerly owned by the late Richard Swift (who produced both Night Sweats recordings). While Rateliff, Meese and Barone handled much of the album's instrumentation, several friends make contributions including Night Sweats' guitarist Luke Mossman; bassist Elijah Thomson (of the indie band Everest); keyboardist Daniel Creamer (of The Texas Gentlemen); steel guitarist Eric Swanson (touring musician for Israel Nash) and renowned string arranger Tom Hagerman (of the instrumental vocal ensemble DeVotchKa), whose delicate orchestrations beautifully complement the album's deep emotional terrain.
 
And It's Still Alright's many highlights include album opener ''What A Drag,'' which sketches a vivid portrait of a disconnected relationship, ''Tonight #2,'' a haunting, end-of-the-world waltz, ''Time Stands,'' detailing an epic, desperate struggle for love and the elegiac ''Rush On,'' a heart-breaking requiem for Swift.

Unguarded and unflinchingly real, Nathaniel Rateliff's And It's Still Alright expands on the sounds and styles he's used to great affect across both his band and solo careers. It's a commanding next step in Nathaniel's evolution into one of America's most vital and essential songwriters.

Nathaniel Rateliff
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St. Vincent

An eclectic remix package of St. Vincent's Grammy award winning album MASSEDUCTION, curated by Nina Kraviz. From frantic IDM and manic footwork to glistening house and meditative dubstep (via just about everything in between) her selections build an inspired portfolio from an abundance of talent. At times fragmented, at others familiar, it takes the spirit of MASSEDUCTION and runs with it in every way possible.

St. Vincent
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Halsey

Halsey

Manic [LP]

Digital: $11.49 Add to Cart

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GRAMMY Award-nominated, multi-Platinum artist and alternative pop maverick Halsey returns with her third full-length album Manic featuring her 5x Platinum hit "Without Me" and "Graveyard." The success of "Without Me" has made Halsey the first and only female artist to have at least three songs chart on the Billboard Hot 100. It now ranks as the longest-running Billboard Hot 100 top 10 hit by a female artist of this century.

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Halsey
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Lizzo

Lizzo

Cuz I Love You [Deluxe LP]

New Vinyl: $21.98 Add to Cart

Digital: $9.99 Add to Cart

The new album from Lizzo, featuring the hit singles "Juice" and "Truth Hurts"

Lizzo
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Beck

Beck

Hyperspace [LP]

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Digital: $9.99 Add to Cart

Hyperspace’s new dimensions in sound are the result of Beck’s most collaborative efforts to date. Seven of the album's 11 tracks—including single “Uneventful Days” and “Saw Lightning” (as featured in the Beats by Dr. Dre Powerbeats Pro campaign and also included with pre-orders)—feature co-writing and co-production from Pharrell Williams. Elsewhere in Hyperspace, “See Through” is co-written/co-produced by frequent Beck collaborator Greg Kurstin, “Star” is co-written/co-produced by Paul Epworth, “Stratosphere” features back-up from Chris Martin, the album’s title track features guest vocals from Terrell Hines, and “Die Waiting” is co-written/co-produced by Cole M.G.N. with backing vocals from Sky Ferreira. Longtime Beck bandmates Jason Falkner, Smokey Hormel and Roger Manning Jr. feature on much of the album as well.

Beck
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Angel Olsen

Angel Olsen

All Mirrors [LP]

New Vinyl: $26.98 Add to Cart

Video

The descent into darkness is a trope we find time again across history, literature and film. But there's also an abyss above. There's a winding white staircase that goes ever upward into the great unknown - each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance. "In every way -from the making of it, to the words, to how I feel moving forward- this record is about owning up to your darkest side," Olsen said. "Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more."

Angel Olsen
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Drive-By Truckers

Drive-By Truckers is kicking off the new election year with The Unraveling, their first new album in 3 1/2 years (the longest space between a new DBT albums ever). Those years were among the most tumultuous our country has ever seen and the duality between the generally positive state of affairs within the band and the turbulent world outside (or as Patterson Hood puts it: "watching so many things we care about be decimated and destroyed”) informed the writing of this album to the core.

Drive-By Truckers
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FKA Twigs

The follow up to FKA twigs’ critically acclaimed Brit Award and Mercury Prize nominated debut LP1 (2014, Young Turks). Widely regarded as one of the best albums of 2014 and selling over 340,000 records globally. Top-40 rapper Future appears on the album’s second single “Holy Terrain”, continuing a run of rap collaborations including an appearance on A$AP Rocky’s ‘Testing’ LP. Twigs will tour the US in November with a theatrical performance that debuted in May to universal acclaim as well as several major festivals (Afropunk Brooklyn and Atlanta, Flog Gnaw) Press campaign includes September i-D cover, multi-page feature in Vogue October issue, television appearances and more. Twigs is a cultural figure outside of the music realm as well: appearing in the feature film “Honey Boy” out 11/8/19, being named a creative director for Nike, and starring in a viral Spike Jonze-directed Apple ad

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...And You Will Know Us By The Trail Of Dead

...And You Know Us By The Trail Of Dead are celebrating their 25th year as a band in 2020 and they will be releasing their 10th album "X: The Godless Void and Other Stories" on 1/17 via Dine Alone. This is their first album since 2014.

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PlayARt
Danny Brown

uknowhatimsayin¿ marks a buoyant new chapter in Danny's career, a transitional and celebratory moment. His profile has grown since Atrocity and now armed with a cable TV show and a co-sign from one of rap's icons, we will look to solidify his positioning as a ubiquitous entertainer, independent rap hero, and one of the essential cultural voices of this era, while still retaining the edgy, maverick style that makes him a fan-favorite. The album is executive produced by Q-Tip, and features production by Q-Tip, JPEGMAFIA, Flying Lotus, Paul White, Standing on the Corner and more. 

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Molly Burch

On this collection of holiday songs, Austin chanteuse Molly Burch does Christmas with a twist. Quite an omnibus, the album features classics like "I'll Be Home for Christmas" and "Auld Lang Syne" alongside heartland hits like "Hard Candy Christmas" and "Snowqueen of Texas". "This is the most fun I've had making a record yet," Burch says. And you can hear that joy on tracks like ABBA's "Happy New Year" as well as a playful cover of Wham's "Last Christmas" with two special guests: actor / comedians John Early (Search Party, Wet Hot American Sum- mer) and Kate Berlant (Sorry to Bother You) add a blithe intro and backing vocals throughout. Recorded by Will Paterson (RF Shannon, Jesse Woods) and Jarvis Taveniere (Woods, Martin Courtney, Purple Mountains), the album also features two beautiful originals penned by Burch to add to your holiday canon. "I hope it's a Christmas album for people who love Christmas music and people who don't love Christmas music. May these songs welcome in a fresh new year and many warm, happy nights."

Molly Burch
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Dwight Yoakam

Dwight Yoakam occupies a singular position in contemporary country. No artist has better balanced mainstream commercial success with artistic, alt-country credibility, while somehow managing to embody both the music’s most traditional and its most progressive impulses. Blame the Vain marks a milestone for Yoakam as his first self-produced effort since splitting with producer/guitarist/bandleader Pete Anderson. Released in 2005 to critical acclaim, Blame the Vain has sold nearly 200,000 records to date. In honor of the 15th anniversary of this album, New West Records is proud to present Blame the Vain on vinyl for the first time.

Dwight Yoakam
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The Flaming Lips

On May 26, 2016 The Flaming Lips performed their classic album The Soft Bulletin in its entirety with the Colorado Symphony at Red Rocks Amphitheater in Colorado.

The Flaming Lips (Wayne Coyne, Steven Drozd, Michael Ivins, Derek Brown, Jake Ingalls, Matt Kirksey and Nicholas Ley) were accompanied by a 69-piece orchestra and 56-strong Chorus. The performance was conducted by the internationally celebrated conductor Andre de Ridder.

The Flaming Lips performed the 12-track album in its original sequence with new arrangements for each song that use the orchestra and chorus to great effect.

This entire concert was produced by The Flaming Lips, Scott Booker and their long-time collaborator Dave Fridmann. The resulting live album is being released to celebrate the 20th anniversary of The Soft Bulletin, originally released in 1999. The album was the band’s breakthrough moment and featured the hit singles “Race For The Prize” and “Waitin’ for a Superman”.

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Nick Cave & The Bad Seeds

The songs on the first album are the children. The songs on the second album are their parents. Ghosteen is a migrating spirit. The album was recorded in 2018 and early 2019 at Woodshed in Malibu, Nightbird in Los Angeles, Retreat in Brighton and Candybomber in Berlin. It was mixed by Nick Cave, Warren Ellis, Lance Powell and Andrew Dominik at Conway in Los Angeles. 

Nick Cave & The Bad Seeds
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Cigarettes After Sex

Cigarettes After Sex return with their anticipated sophomore album - Cry via Partisan Records. Recorded during night time sessions in a mansion on the Spanish island of Mallorca, the album is a lush, cinematic meditation on the many complex facets of love - meeting, wanting, needing, losing...sometimes all at once. The album was self-produced and engineered by Greg Gonzalez, and mixed by Craig Silvey (Arcade Fire, Yeah Yeah Yeahs).

Cigarettes After Sex
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Coldplay

7x Grammy Winning Band Coldplay have returned with their latest singles “Orphans” and “Arabesque” from their new album Everyday Life.

Coldplay
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Bonnie 'Prince' Billy

Bonnie Prince Billy is the man who is destined to sing a darkness for the rest of time - but not now. Not today. For I Made a Place, his first album of new songs since 2011, he is bringing the lightness to new- and next-generations as well as his longtime friends and fans. It's a message we dearly need. With a hometown band supplying him the space to be as spare or as expansive as he needs to be, Bonny draws inspiration from a world-spanning set of musics, aiming to lift us up with songs meant to inspire, inform, lend confidence and bring warmth to assailed tribes everywhere. A depth of musical joy as only the Prince can deliver!

Bonnie 'Prince' Billy
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Tool

Fear Inoculum is the long awaited new album from TOOL, and the band's first new album in 13 years. The “Expanded Book Edition” includes five 3D lenticular cards featuring exclusive graphics, 56 page booklet with additional art and an access card to download the groundbreaking immersive visual experience, “Recusant Ad Infinitum.”

Tool
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DJ Shadow

DJ Shadow returns with his new album Our Pathetic Age, releasing November 15th via Mass Appeal, kicking off the project with hit single, 'Rocket Fuel' featuring vocals from legendary rap trio De La Soul, which was also included in EA's Madden 20 Soundtrack. Set to release as a double album, part 1 of Our Pathetic Age includes 11 genrebending instrumental tracks. Part two is a 14track vocal suite with features from the likes of Nas, Dave East, Run The Jewels, and more.

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Jim James / Teddy Abrams / Louisville Orchestra

THE ORDER OF NATURE presents a hypnotic meeting of the classical and folk-rock worlds with both classic and brand-new material by Jim James (lead singer of critically/commercially successful My Morning Jacket) and fused with Teddy Abrams’ inspired orchestrations with the Louisville Orchestra.

Jim James / Teddy Abrams / Louisville Orchestra
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Bradford Cox / Cate Le Bon

For the fourth installment of Mexican Summer's Myths series - albums recorded in residency during the label's annual Marfa Myths festival - luminaries Cate Le Bon and Deerhunter's Bradford Cox came together at Marfa Myths 2018 tto create an EP that is, in Cate's words, "a crude holiday scrapbook shared by all involved, an amalgamation of the changes in mood and light that shaped the days."

Bradford Cox / Cate Le Bon
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Desert Sessions

In 1997, Josh Homme (Queens of the Stone Age) and a handful of friends retreated to the desert of Joshua Tree, CA in order to isolate themselves from the distractions and comforts of their everyday lives. What began as a casual writing and recording session amongst friends has since become a project of legend. Spanning twelve volumes over the course of two decades, Desert Sessions has featured some of music’s most cherished icons stepping out of their comfort zones and collaborating with one another to create some of the most exciting music of their careers.

After nearly sixteen years since its last entry, the longest-running mix tape in existence, Desert Sessions will return this October with two stunning new volumes in its already storied catalog, Vols. 11 & 12, featuring collaborations from Billy Gibbons (ZZ Top), Les Claypool (Primus), Stella Mozgawa (Warpaint), Jake Shears (Scissor Sisters), Mike Kerr (Royal Blood), Carla Azar (Autolux, Jack White), Matt Sweeney (Chavez), David Catching (Co-founder of Rancho De La Luna studio), comedian Matt Berry (What We Do in the Shadows), Töôrnst Hülpft and new comer Libby Grace.

Limited Edition Vinyl packaging includes a one of a kind custom mix & match, body swap booklet!

Desert Sessions
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Turnover

There is a closeness at the heart of Turnover's aptly titled new album, 'Altogether.' Though it's the first collection the trio has written while living on opposite coasts, the record actually represents the group's most collaborative and connected work to date, showcasing the intuitive, near-telepathic relationship frontman Austin Getz has developed over the years with his bandmates. Turnover first emerged roughly a decade ago in Virginia Beach, VA, but the group's critical and commercial breakthrough didn't arrive until six years later, when they cracked the Top 5 on the Billboard Heatseekers Chart with their acclaimed sophomore album, 'Peripheral Vision.' The band-which consists of Getz, his brother Casey on drums, and their childhood friend Danny Dempsey on bass-followed it up in 2017 with 'Good Nature,' a streaming smash that racked up roughly 40 million plays on Spotify alone and which Vice proclaimed to be "their best album yet." 'Altogether' demonstrates the band's eclectic mix of personalities from the very start, opening with a lo-fi, jazzy intro that quickly gives way to the driving drums and delay-drenched guitar of "Still In Motion." Like much of the album to come, the song is a meditation on change and perspective, on learning to quiet your mind and appreciate the moment before it's gone. The bittersweet "No Reply" reckons with guilt over failing to be present with a loved one, while the effervescent "Much After Feeling" recognizes the sacrifices we make to stay connected across geographical distance, and the breezy "Parties" grapples with the kind of self-consciousness that can leave us prisoners of our own design.

Turnover
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Neil Young with Crazy Horse

"Colorado" is the first new Neil Young with Crazy Horse album since 2012's "Psychedelic Pill". The album will be released on October 25th and features 10 new Neil Young compositions. It includes several songs that Neil has been playing live in the past few months (eg: "Rainbow of Colors", "Green Is Blue" and "Milky Way"), and the epic 13+ minute track "She Showed Me Love".

The vinyl version of the album comes with a bonus 7" single, featuring an album outtake "Truth Kills". The 7” also includes a live, solo version of "Rainbow of Colors" from Portland, OR, on May 17, 2019 - the first time Neil ever performed this song live.

This incarnation of Crazy Horse is Neil Young on vocals, guitar, piano, harmonica and vibes, Billy Talbot on bass, Ralph Molina on drums and features the return of Nils Lofgren on guitar and piano, almost 50 years since he last appeared on a Crazy Horse album (1971). 

The album is produced by Neil Young and John Hanlon and was recorded in Colorado in April & May 2019.

Neil Young with Crazy Horse
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Wilco

Wilco

Ode To Joy [LP]

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Ode to Joy - the 11th studio album from the pioneering Chicago rock band Wilco - will be released Oct. 4 via dBpm Records. The album features 11 new songs written and produced by Jeff Tweedy and recorded by Wilco at the bands' own Chicago studio dubbed The Loft.

Wilco
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Sturgill Simpson

Grammy Award winner Sturgill Simpson has announced the release of "Sound & Fury," his much-anticipated new album and accompanying Netflix anime film.  Produced by Simpson, “SOUND & FURY,” the album, was recorded primarily at the McGuire Motor Inn in Waterford, Michigan, with his bandmates Bobby Emmett, Chuck Bartels, Miles Miller, who all serve as co-producers along with GRAMMY nominee John Hill (Cage The Elephant, Portugal.The Man, Bleachers). The album – which Simpson describes as “a sleazy, steamy rock n roll record” – is a marked departure from 2016’s acclaimed “A Sailor’s Guide To Earth,” which won “Best Country Album” and was nominated for “Album of the Year” at the 59th GRAMMY Awards. Merging American rock music and Japanese animation in a revolutionary new way, “SOUND & FURY,” the film, was produced and based on a story by Simpson entitled “Sound & Fury.” Featuring some of the biggest names in the genre, the film was written and directed by Jumpei Mizusaki, founder of renowned animation studio Kamikaze Douga and director for the animated film, “Batman Ninja,” while Takashi Okazaki, creator of Japanese manga series “Afro Samurai,” served as the film’s character designer. Additional directors include Koji Morimoto of Phy (“AKIRA”) / Griot Groove, Michael Arias (“Tekkonkinkreet”), Masaru Matsumoto of Grayscale Arts (“Starship Troopers: Traitors of Mars”), Henry Thurlow and Arthell Isom of D’ART Shtajio (“Indigo Ignited, XOgenaSYS”). Shunsuke Ochiai is co-executive producer. Hiroaki Takeuchi is production executive (“The Animatrix”).

Sturgill Simpson
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Allah-Las

Allah-Las

LAHS [LP]

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On their fourth LP (after Allah-Las, Worship The Sun and Calico Review), drummer Matt Correia, bassist Spencer Dunham, and guitarists Miles Michaud and Pedrum Siadatian A.K.A Allah Las turn their collective gaze outward and toward the horizon. Simply titled LAHS (a reference to a common misspelling of the band’s name), their forthcoming release on Mexican Summer finds the band turning in their most cohesive and ambitious work yet. “We’ve been traveling a lot the past couple years and I think that played a role in influencing the broader variety of songs on this record” Correia explains. And this is precisely what sets LAHS apart from its predecessors -- a record inspired less by time, but by place. “LAHS to me feels like a soundtrack to the past 5 years or so. A sort of audio postcard to anyone who wants to listen.”  

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Thom Yorke

Thom Yorke’s new album ANIMA released summer 2109 was written by Thom Yorke and produced by Nigel Godrich. The album features 9 tracks, with an extra track exclusively on vinyl. A ‘one-reeler’ film, also entitled ANIMA , is available to watch exclusively via Netflix worldwide from midnight 27th June. Made by Paul Thomas Anderson to music from Thom’s album, the one-reeler has a run time of approximately 14 minutes.

Thom Yorke
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Bon Iver

Bon Iver

i,i [LP]

New Vinyl: $26.98 Add to Cart

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i,i is Bon Iver's most expansive, joyful and generous album to date. If 'For Emma, Forever Ago was the crisp, heart-strung isolation of a northern Winter; Bon Iver the rise and whirr of burgeoning Spring; and '22, A Million', a blistering, crazy energy Summer record, i,i completes the cycle: a fall record; Autumn-colored, ruminative, steeped. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music. The sales and accolades are well-known multiple Gold albums, multiple Grammys, chart-topping collaborations and festival headlines. But even more significantly, with each release Bon Iver quietly shifts the state of modern music. From the boundaries of folk, to the rules of autotune, to production work for others, Bon Iver s fingerprint finds its way across the mainstream every time. Vernon has always been a master collaborator, and on i,i that desire becomes maximal, with guests ranging from Moses Sumney and Bruce Hornsby to Wye Oak's Jenn Wasner and the Brooklyn Youth Chorus. Here, the music and band, and themes, and creative space are bigger than ever.

Bon Iver
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The Avett Brothers

The Avett Brothers

Closer Than Together

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The Avett Brothers have announced a new album called Closer Than Together. The band’s tenth full-length to date arrives October 4th via American/Republic Records.

In a lengthy mission statement announcing the album’s release, Seth Avett said the band “didn’t make a record that was meant to comment on the sociopolitical landscape that we live in. We did, however, make an album that is obviously informed by what is happening now on a grander scale all around us… because we are a part of it and it is a part of us. Closer Than Together is a record of obvious American origin – a creation that fittingly could only come about through hard work, measured freedom, awe-inspiring landscapes, and perfectly flawed individualism.

“The Avett Brothers will probably never make a sociopolitical record,” Avett added. “But if we did, it might sound something like this.”

The Avett Brothers
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The New Pornographers

What happens when a nation that was born to run, and to rev engines into the wild frontier, runs into the full stop that is our current social and political climate? The answer, my friend, is somewhere “In the Morse Code of Brake Lights,” as The New Pornographers would have it on their eighth album. There’s a deep climatic unease running through these 11 tracks that’s matched only by the sheer musical glee with which the band addresses the prevailing mood of the moment. It’s an album in which foreboding and bliss somehow go hand in hand—mixing founder A.C. Newman’s nearly symphonic levels of pop arrangement and harmony with a careening quality that feels unsafe at any speed (to quote the famous Ralph Nader phrase that the opening track also borrows).

The New Pornographers
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DIIV

DIIV

Deceiver [LP]

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Rebirth takes place when everything falls apart. DIIV—Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [bass], and Ben Newman [drums]—craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite… 

The same could be said of the journey these four musicians underwent to get to their third full-length album, Deceiver. Out of lies, fractured friendships, and broken promises, clarity would be found. 

“I’ve known everyone in the band for ten years plus separately and together as DIIV for at least the past five years,” says Cole. “On Deceiver, I’m talking about working for the relationships in my life, repairing them, and accepting responsibility for the places I’ve failed them. I had to re-approach the band. It wasn’t restarting from a clean slate, but it was a new beginning. It took time—as it did with everybody else in my life—but we all grew together and learned how to communicate and collaborate.” 

A whirlwind brought DIIV there.

DIIV
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Black Pumas

Black Pumas

Black Pumas [Limited Color LP]

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Black Pumas has announced their highly anticipated debut album set for release on June 21. The band is led by the creative partnership between Grammy Award-winning guitarist / producer Adrian Quesada and 27-year-old songwriter Eric Burton. Burton is a relative newcomer who arrived in Austin in 2015 after busking his way across the country from Los Angeles, while Quesada has a storied reputation for playing in bands like Grupo Fantasma and Brownout. 

After the two connected via friends in the Austin scene, they began to collaborate on a new sound that transmutes soul into something idiosyncratically modern. Reminiscent of Ghostface Killah and Motown in equal measure, this original sound ensured that Black Pumas’ weekly residency at C-Boys quickly became “the hottest party in town” (Austin-American Statesman). 

Black Pumas
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Frankie Cosmos

Frankie Cosmos

Close It Quietly [LP]

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Close It Quietly is a continual reframing of the known. It’s like giving yourself a haircut or rearranging your room. You know your hair. You know your room. Here’s the same hair, the same room, seen again as something new. Close It Quietly takes the trademark Frankie Cosmos micro-universe and upends it, spilling outwards into a swirl of referentiality that’s a marked departure from earlier releases, imagining and reimagining motifs and sounds throughout the album. The band’s fourth studio release is a manifestation of their collaborative spirit: Greta Kline and longtime bandmates Lauren Martin (synth), Luke Pyenson (drums), and Alex Bailey (bass) luxuriated in studio time with Gabe Wax, who engineered and co-produced the record with the band. Recording close to home— at Brooklyn’s Figure 8 Studios— grounded the band, and their process was enriched by working closely with Wax, whose intuition and attention to detail made the familiar unfamiliar and allowed the band to reshape their own contexts. On opener “Moonsea,” an unaccompanied Greta begins, “The world is crumbling and I don’t have much to say.” Take that as a wink and a metonym for the whole album, as her signature vocals are joined by Alex’s ascending bassline and Lauren’s eddying synths, invoking a loungey take on Broadcast or Stereolab’s space-disco experimental pop. There’s much more than “not much” to say here, and it's augmented and expanded by experimentation with synth patches, textures, and other recording nuances courtesy of Wax. As the lineup has solidified into the most permanent expression of full-band Frankie Cosmos, the bandmates have felt more comfortable deviating from their default instruments and contributing bigger-picture ideas to continue pushing the sound forward. The band’s closeness and aesthetic consistency freed its members to take more risks, notes Luke: "Everything will sound like Frankie Cosmos because Greta has such a distinct voice (literally and figuratively). We have so much latitude to experiment with the instrumental music, and this time around we really took advantage of that." Without losing any intimacy of prior albums, Close it Quietly is different, is outer. The album functions as a benign doppelganger, a shadow self of past releases; where other Frankie Cosmos records shine brightest looking inward, Close it Quietly refracts the self into the world, and vice versa, miraculously echoing Thoreau’s assertion that “when I reflect, I find that there is other than me.” Reflection--and refraction--isn’t tidy. “Flowers don’t grow/in an organized way/why should I?” Greta sings on “A Joke.” Growth isn’t linear. Change happens in circles. While recording the album, Alex says, “I closed my eyes a lot.” Stand in the sun, listen to Close it Quietly, and do the same.

Frankie Cosmos
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Charli XCX

Pop futurist Charli XCX has returned with her highly anticipated third studio album Charli. The album is a collection of 15 songs and feature the hit singles "1999 (Ft. Troye Sivan)" and "Blame It On Your Love (Ft. Lizzo)." The album also features collaborations with Christine and the Queens, Haim, Sky Ferreria, Big Freida, Clairo and more!

Charli XCX
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Bat For Lashes

Bat For Lashes

Lost Girls [LP]

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Lost Girls is another brilliant full-length in Khan's incredible, acclaimed discography, mixing sounds she's always loved - heavy bass lines, synth arpeggios, Iranian pop beats, cascading choruses - with some of her finest songwriting to date. It's an album full of romance, a homage to Los Angeles where the album was recorded, to being a kid in the 80's, to films that touched and changed her life. Spanning 10 tracks, Lost Girls sees Khan dreaming up her own fully formed parallel universe, creating an off-kilter coming of age film in which gangs of marauding female bikers roam our streets, teenagers make out on car hoods and a powerful female energy casts spells and leave clues for us to follow. The women of Lost Girls are parallel to one of Khan's previous female protagonists, the tough, darkness-driven Pearl, from her 2009 lauded album Two Suns. Within the women of Lost Girls and the character Nikki Pink, Khan unfolds elements of herself; within these songs, we do the same.

Bat For Lashes
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Chelsea Wolfe

There is a core element to Chelsea Wolfes musica kind of urgent spin on Americas desolation blues thats existed throughout the entirety of her career. Wolfe has always been a conduit for a powerful energy, and while she has demonstrated a capacity to channel that somber beauty into a variety of forms, her gift as a songwriter is never more apparent than when she strips her songs down to a few key components. As a result, her solemn majesty and ominous elegance are more potent than ever on Birth of Violence. The songs stem from humble beginnings little more than Wolfes voice and her Taylor acoustic guitar. Her longtime musical collaborator Ben Chisholm recorded the songs in their own studio and helped fill them out with his modern production treatments and auxiliary flourishes from ongoing contributors Jess Gowrie (drums) and Ezra Buchla (viola). Every Chelsea Wolfe album introduces new unorthodox textures and approaches, and the trajectory of her creative arc has generally aimed for larger and more imposing sounds, but Birth of Violence deliberately alters that course in favor of a more intimate atmosphere. The result yields Wolfes most devastating work to date.

Chelsea Wolfe
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Ty Segall

Ty Segall

First Taste [LP]

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First Taste is, as the title implies, a visceral shot of new flavor from Ty Segall. The followup to last January's extroverted Freedom's Goblin, First Taste cross-fertilizes Ty's antisocial side (think: Emotional Mugger) with the wide-ranging humanism of Manipulator and the pop zazz of the aforementioned Goblin. This means an immaculate sequence of sides with Ty playing multiple parts with and without contributions from the Freedom Band. Ty's songwriting confidence is at an apex, and he moves from style to style, evoking directions in rock, lite pop, experimental, alternative and even afrobeat! Ty at 12 (albums) = his best yet?

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Whitney
Forever Turned Around came together over several sessions across the country.  Though Julien Ehrlich is Whitney's lead singing drummer while Max Kakacek is the lead guitarist, when writing, both transcend their roles to piece together each offering lyrically and compositionally. "The way it ends up working is one of us comes up with a basic idea for a song and the other person serves as the foil to complicate that idea. We ask, ‘What can we change to make it more interesting?’" says Kakacek. Challenging each other is the core of their songwriting partnership. 
It’s these risks and experiments that make Forever Turned Around a triumph. Take opener "Giving Up," which started from a stream-of-conscious revelation when Ehrlich improvised the chorus while Kakacek played Wurlitzer. What began as a nod to Neil Young’s Live at Massey Hall 1971 in an afternoon turned into a heart-rending and relatable song about the ups and downs of long-term relationships. Over twinkling piano, Ehrlich sings, "Though we started losing touch / I’ve been hanging on because / You’re the only one I love." He explains, "In a relationship, you don’t stay at the same level at all times. You go through weeks where you’re closed off.”

Whitney
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Alex Cameron

Alex Cameron's newest and most musically expansive LP, the glistening Miami Memory, takes a surprising turn. Cameron's flair for narrative and character are still on full display; yet Miami Memory's most frequent narrator is, for the first time, Cameron himself - singing with stunning candor of his three-year relationship with visual artist and actor Jemima Kirke. "When you listen to these songs, and you're waiting for the twist, or the joke, or any kind of discomfort, I can assure you none of those things were there when I wrote them," says Cameron. "These are true stories, of actual events. Specific but never esoteric. And graphic but never offensive. Miami Memory is the story of a couple balancing sex positivity with contemporary family values... It's my gift to Jemima, a symbol to hoist on the totem of love." Though remnants of his synth-driven earlier work sneak in to unsettle the tone, the bulk of Miami Memory, produced by Jonathan Rado (Weyes Blood, Father John Misty) and recorded and mixed by Marta Salogni (Björk, Kelela), revels in the emotional overdrive of classic dad rock, it's warm, anthemic songs driven by bass, guitar, sax, and layers of Vegas wedding chapel-ish organ. Cameron's dad rock funhouse of an album ultimately twists and subverts the genre: it recalls classics the white male ego has historically visited for it's regular adrenaline injection, and morphs them into a singular "stepdad" rock that largely turns it's lens away from the dads, celebrating the demise of old norms of gender and power. In his depiction of his relationship with Kirke, Cameron reveals a striking honesty about love and sex in a time where a palpable fleetingness hangs over everything from relationships to human life on this planet - but also where constricting mores have deteriorated enough to let "family life," in all it's morphing forms, exist outside of social obligation. With arresting straightforwardness, Cameron now sings as himself, paying tribute to sex positivity, female empowerment, family and responsibility, and, to his love, Jemima.

Alex Cameron
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Solange

Solange

When I Get Home [LP]

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When I Get Home is the new album from Grammy Award-winning singer/songwriter and visual artist Solange Knowles. This release represents the next phase in Solange's evolution as an artist, and is the follow up to her critically acclaimed 2016 album A Seat at the Table. The album is an exploration of origin. It asks the question how much of ourselves do we bring with us versus leave behind in our evolution. The artist returned to Third Ward Houston to answer this. When I Get Home was written, performed, and executive produced by Solange, and includes contributions from Tyler, the Creator, Chassol, Playboi Carti, Standing on the Corner, Panda Bear, Devin the Dude, The-Dream, and more. It also features samples from Third Ward's own Debbie Allen, Phylicia Rashad, poet Pat Parker, and Scarface.

Solange
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Taylor Swift

Taylor Swift

Lover

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Taylor Swift brings her seventh studio new album, Lover which includes "ME!" featuring Brendon Urie of Panic! at the Disco.

Taylor Swift
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Ceremony

CEREMONY make their Relapse Records debut with their highly ambitious new album, 'In the Spirit World Now'. It will hit stores on CD and LP on 8/23. The album sees CEREMONY at the height of their creative output, as the always-evolving Rohnert Park quintet take various influences from post punk and rock to create one of the summer's most compelling and infectious records.

Ceremony
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Common

Common

Let Love

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Music has been the genesis of Common’s creative life. Let Love is the culmination of a journey. Common spent 2018 and 2019 immersed in self-care and, ultimately, catharsis. In the process, he underwent a transformation as he examined God, faith, fatherhood, community, and love. He unites with prominent forces from different eras of the culture to deliver a timeless dedication to hip-hop. As such, the record details his past and present and shines a light on a bold and bright future. Of hip-hop, Common admits on lead single HER Love, “You gave me a voice in the world, it’s been hard to choose another girl.” “a State of the Rap Union as he addresses the rise and expansion of hip-hop throughout the past 25 years” – VIBE “his most impactful body of work yet,” - OkayPlayer. “Common’s homage to hip-hop” – Rolling Stone

Common
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Sleater-Kinney

“How does brokenness walk? Or move through the world?” says guitarist/vocalist Carrie Brownstein about The Center Won’t Hold, Sleater-Kinney’s tenth studio album. “We’re always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person – ourselves or versions of ourselves or iterations of depression or loneliness – in the middle of the chaos.” The Center Won’t Hold is Sleater-Kinney’s midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock’n’roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won’t Hold drops you into the world of catastrophe that touches on the election,” says guitarist/vocalist Tucker of the title track. “We’re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it’s like we’re finding our way out of that space by becoming a rock band. 

Sleater-Kinney
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Khruangbin

Globetrotting Texan trio Khruangbin are set to release 'Hasta El Cielo', the band's glorious dub version of their second album 'Con Todo El Mundo'. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.

The band's exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won't find this a surprising release. Dubs of tracks from their first album 'The Universe Smiles Upon' appeared on limited vinyl releases of 'People Everywhere' for Record Store Day 2016 and 'Zionsville' on the BoogieFuturo remix 12". The especially eagle-eared will have caught a dub of 'Two Fish And An Elephant' playing over the credits of the track's celebrated video. 

Formed of Laura Lee on bass, Mark Speer on guitar, and Donald "DJ" Johnson on drums; Khruangbin's sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album 'The Universe Smiles Upon You' was heavily influenced by 60's and 70's Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018's follow up 'Con Todo El Mundo', which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran. 

"For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The first dub albums we listened to were records mixed by Scientist featuring the music of the Roots Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo."

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Tycho

Tycho

Weather [LP]

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With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.

Tycho
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Prince

This June, The Prince Estate, in partnership with Warner Bros. Records and TIDAL, will release Originals, a 15-track album featuring 14 previously unreleased recordings that illuminate the vital, behind-the-scenes role Prince played in other artists' careers. The tracks were selected collaboratively by Troy Carter, on behalf of The Prince Estate, and JAY-Z.

By the mid-1980s, Prince was dominating the charts even as a writer/producer with songs he'd composed and recorded for others. In addition to releasing nine of his most commercially successful full-length albums, he also wrote and recorded endless reels of material for proteges The Time, Vanity 6, Sheila E., Apollonia 6, Jill Jones, the Family, and Mazarati. Occasionally, Prince's original demo recordings would be used as master takes on their albums, with only minor alterations to the instrumentation and a replacement of the vocal tracks. Other times, artists would rely on his demos to guide them through their own recording process, with Prince's initial take informing their final version of his song. The aggregate effect was a complete saturation and transformation of the pop music landscape, with Prince both leading and subverting mainstream culture.

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The Black Keys

The Black Keys

Let's Rock [LP]

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The Black Keys’ ninth studio album “Let’s Rock” will be released June 28, 2019 via Easy Eye Sound/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. “Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.

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Cate Le Bon

Cate Le Bon

Reward

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It was on a mountainside in Cumbria that the first whispers of Cate Le Bon’s fifth studio album poked their buds above the earth. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” she says, recounting the year living solitarily in the Lake District which gave way to Reward. By day, ever the polymath, Le Bon painstakingly learnt to make solid wood tables, stools and chairs from scratch; by night she looked to a second-hand Meers — the first piano she had ever owned — for company, “windows closed to absolutely everyone”, and accidentally poured her heart out. The result is an album every bit as stylistically varied, surrealistically-inclined and tactile as those in the enduring outsider’s back catalogue, but one that is also intensely introspective and profound; her most personal to date.

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Bill Callahan

As you listen to Shepherd In a Sheepskin Vest, a feeling of totality, of completeness, steals over you, like a thief in broad daylight. Of course it does – you’re listening to a new Bill Callahan record! The first one in almost six years! What more do you need to complete you?

Or perhaps, after all the time, the obvious needs to be made just a little more explicit?

First, it’s a different kind of record. Bill’s now writing from somewhere beyond his Eagle-Apocalypse-River headspace, and Shepherd In a Sheepskin Vest is very much its own beast. The songs are, by and large, shorter, and there are more of them. It took almost all of the previous three albums to add up to that many. Plus, twenty’s a lot of songs! But again, it goes a lot deeper than that.

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Bleached

Don’t You Think You’ve Had Enough? is what Jennifer Clavin asked herself when she hit a turning point in her life. It’s also the title of the new record from Bleached, Jessie and Jennifer Clavin’s first LP written from a place of sobriety. That newfound perspective serves as the guiding force, yielding a courageous, honest, and sonically ambitious album. It’s a record about fighting both literally and figuratively for your life -- and the clarity born from that struggle.

Writing began in early 2018, both in a Los Angeles practice space, and with friends and co-writers in Nashville. Producer Shane Stoneback (Vampire Weekend, Sleigh Bells) helped open every door to experimentation, wanting to be exploratory while keeping the sound singularly Bleached.

The resulting LP is explosive, grappling with the past; its twelve tracks mark some of the sisters’ most visceral, rawest songwriting to date -- and some of their best. The work glimmers with inspiration found in touring with the likes of The Damned and Paramore. That arena-ready pop, incisively catchy, was a palpable influence helping to push Bleached’s sound in a new direction.

“Writing these songs while sober became somewhat of a spiritual experience,” Jennifer says. “Like I was connecting with a power greater than myself. I had to let go, trust the process, and allow an energy beyond my control to be present.” 

Bleached
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The Flaming Lips

King’s Mouth contains twelve new original Flaming Lips compositions as well as album narration by Mick Jones (The Clash). The record is based on Wayne Coyne’s immersive art installation of the same name - which has seen its psychedelic visuals and soundscapes exhibited in museums all around the U.S.

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Molly Burch

Following the release of her critically acclaimed sophomore album, 'First Flower', last October, Texan chanteuse Molly Burch returns with two heart-stopping tracks. Entitled 'Ballads' in homage to the strong and powerful female vocalists that she admires, this 7" EP embodies what Burch loves to do and what she does best: crafting music with emotion, drama and romance, giving her voice all the room it needs to burn bright.

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Of Monsters And Men

You think you know the Icelandic band Of Monsters and Men, but you have no idea. Within the first minute of their new single 'Alligator' you'll be wondering if this huge anthem is the brainchild of the Yeah Yeah Yeahs fronting Arcade Fire –all thumping drums, brimming guitars and a call-to-arms chorus about taking control. During a day of final mixing at the LA studio of their co-producer Rich Costey (MUSE, Vampire Weekend, Chvrches), the five-piece gather in stages.

Of Monsters And Men
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The Raconteurs

The Raconteurs

Help Us Stranger [LP]

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The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – have announced the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY® Award-winning rock band’s third studio LP and first new album in more than a decade. Out on Friday, June 21, HELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.

The Raconteurs
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Willie Nelson

Ride Me Back Home is another incredible addition to Willie Nelson's legendary catalog that finds him working once again with producer Buddy Cannon. Ride Me Back Home sits beside 2017's God's Problem Child and 2018's Last Man Standing as a trilogy of superior songcraft exploring ideas of mortality with wisdom, empathy and a winking love of life. Nelson and Cannon co-wrote a handful of songs but also call on their favorite songsmiths…great writers with great stories to tell: Sonny Throckmorton, Guy Clark, Mac Davis, Buzz Rabin. The result is a magical collection of tunes with emphasis on the lyric. Backed by an amazing band of Nashville gunslingers, Ride Me Back Home finds Willie Nelson making some of the most inspired work of his career.

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METZ

METZ

Automat [LP]

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METZ, our own widely-adored and delightfully noisy 3-piece punk band from Toronto (ON, CANADA), have been laying waste to stages around the globe for over 10 years. During that tumultuous chunk of time METZ, comprised of Alex Edkins, Hayden Menzies, and Chris Slorach, have cemented their reputation as one of the planet's most exhilarating live acts and trusted providers of bombastic outsider rock. Along the way, they’ve earned enthusiastic support from The New Yorker, Mojo, NPR, The New York Times, KEXP, Pitchfork, Stereogum, The AV Club, Q, Uncut, Exclaim, and a bunch of others. Referring to the trio's tireless tour regime and unquenchable thirst to bring their music to the people, John Reis (Hot Snakes, RFTC, Drive Like Jehu) once said, “your ambition is really unflattering, chill out.” They did not listen. Instead, their love of the road and passion to create uncompromising and challenging music remains unwavering and has only grown over time. Their recorded output to date, a cornucopia of pop-inflected noise punk and damaged fuzz anthems, includes 3 critically-acclaimed LPs with Sub Pop, as well as a plethora of limited-edition releases, collaborations, covers, and rarities. Which brings us to Automat, a collection of non-album singles, B-sides, and rarities dating back to 2009, available on LP for the first time, and including the band's long out-of-print early (pre-Sub Pop) recordings. Included here are the band’s first three 7” singles, recorded 2009-2010 and originally released by We Are Busy Bodies Records; a demo version of “Wet Blanket,” the explosive single from 2012’s METZ; two tracks from the limited-edition bonus single that accompanied preorders of METZ; “Can’t Understand,” originally released in 2013 by [adult swim]; and both tracks from the band’s 2015 single on Three One G. Consumers of the vinyl format of Automat will be rewarded with a bonus single that includes three additional tracks: a cover of Sparklehorse’s “Pig,” from a very limited 2012 Record Store Day split single originally released by Toronto’s Sonic Boom record shop; “I’m a Bug,” a cover of The Urinals’ art-punk classic, originally released on YouTube (not an actual record label) in 2014; and METZ’s previously unreleased rendition of Gary Numan’s “M.E.” All tracks on Automat have been lovingly remastered for maximum soundiness by Matthew Barnhart at Chicago Mastering Service. METZ are currently hard at work on their 4th full-length LP which will be released on Sub Pop when we are all damn good and ready.

METZ
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The Tallest Man On Earth

In Spring of 2019, The Tallest Man on Earth will release his first album in 4 years. I Love You. It's A Fever Dream. Was written, produced and engineered by Kristian Matsson and was recorded almost entirely in his apartment in Brooklyn, NY. When asked for some insight into the album, Matsson says "Here's what I can tell you: Of course there are some love songs and then there are some other songs. Making the album I was thinking a lot about the lenses we view our lives through and that, for some reason, our worst tendencies seem to be carried out so loudly, while our best can go unnoticed. I've come to realize that some of the most powerful, most inspiring moments in my life have been the most subtle and that so often the thing that deserves my attention, is trying the least to get it."

The Tallest Man On Earth
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Lukas Nelson & Promise Of The Real

Co-produced by John Alagia and Lukas Nelson & Promise of the Real and recorded at Shangri-La in Malibu and The Village Studios in West L.A., Turn Off The News features the band’s most mature and absorbing work of their career. Guest turns include background vocal and instrumental support from: Kesha, Margo Price, Sheryl Crow, Shooter Jennings, Lucius, Willie Nelson and Neil Young. On songs like the Wilburys inspired album opener, “Bad Case,” the poignant and relevant title track, “Turn Off The News,” the 60’s infused R&B of “Save A Little Heartache,” and the vulnerable balladry of “Mystery,” Lukas brings his prodigious gifts to bear, as a songwriter, a singer, a guitarist and band leader – an artist at the peak of his powers, ready to seize the tremendous opportunity at hand. Included with this vinyl version is a 7" disc featuring and acoustic version of "Turn Off The News (Build A Garden)" as well as bonus track "Consider It Heaven".

Lukas Nelson & Promise Of The Real
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Titus Andronicus

Titus Andronicus

An Obelisk [LP]

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Single LP on black vinyl in single jacket on uncoated paper w/ eurosleeve. Includes coupon for full download

An Obelisk is the sixth album from Titus Andronicus, which finds the noted rock band under the stewardship of producer and legendary rocker Bob Mould (Hüsker Dü, Sugar, et al.). This trans-generational meeting of the minds has yielded the most immediate, intense, and unadorned Titus Andronicus record to date. Clocking in it a brisk 38 minutes and change, it is also the shortest. Recorded over six breathless days at Steve Albini's world-renowned Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus Andronicus, rock band, at it's most irreducible, as monolithic as the album's titular monument.

Titus Andronicus
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Flying Lotus

Enter Flamagra - a work that sweeps up every quantum advance and creative leap of the last dozen years of Lotus career and takes them even further; the Warp release encompasses hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM, the L.A. Beat scene, but it soars above a specific vortex whose coordinates can t be accurately charted. Other than to say that it is a Flying Lotus record, perhaps the definitive one. An astral afro-futurist masterpiece of deep soul, cosmic dust, and startling originality. He s aided by a dream cast of collaborators: Anderson Paak, George Clinton, Yukimi Nagano of Little Dragon, Tierra Whack, Denzel Curry, Ishmael Butler of Shabazz Palaces, Toro y Moi, and his telepathic kinsman, Thundercat. David Lynch even pops up for an eerie narration wherein he somberly warns that, 'Fire is coming.' But they all naturally bend to the magnetic warp of Lotus spells -- a transfixing hex unto themselves. Limited Edition double vinyl with mirrorboard pop-up gatefold sleeve.

Flying Lotus
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Bruce Springsteen

Bruce Springsteen

Western Stars [2LP]

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Western Stars is the new album from Bruce Springsteen, and his first new studio album in five years. This collection of songs takes his music to a new place, drawing inspiration in part from the Southern California pop records of the late '60s and early '70s. The album was recorded primarily at Springsteen's home studio in New Jersey, with additional recording in California and New York. "This record is a return to my solo recordings featuring character driven songs and sweeping, cinematic orchestral arrangements," says Springsteen. "It's a jewel box of a record." The 13 tracks on Western Stars encompass a sweeping range of American themes, of highways and desert spaces, of isolation and community and the permanence of home and hope. Ron Aniello produced the album with Springsteen and plays bass, keyboard, and other instruments. Patti Scialfa provides vocals and contributes vocal arrangements on four tracks. The musical arrangements include strings, horns, pedal steel and contributions from more than 20 other players including Jon Brion (who plays celeste, Moog, and farfisa), as well as guest appearances by David Sancious, Charlie Giordano, and Soozie Tyrell. Bruce Springsteen's recording career spans over 40 years, beginning with 1973's Greetings from Asbury Park, NJ.' He has garnered 20 Grammys, won an Oscar and a Tony, been inducted into the Rock and Roll Hall of Fame, received a Kennedy Center Honor, and was MusiCares' 2013 Person of the Year. Springsteen's memoir 'Born to Run' (Simon & Schuster) and its companion album 'Chapter and Verse' were released in September 2016, and he was awarded the Presidential Medal of Freedom in November 2016. His historic 236-show run of 'Springsteen on Broadway' at Jujamcyn's Walter Kerr Theatre in NYC ran from October 2017 to December 2018, and also yielded an accompanying soundtrack album and Netflix special.

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Gary Clark Jr.

The GRAMMY® Award-winning maverick channels his signature sense of soul from the crossroads of rock ‘n' roll, blues, jazz, hip-hop, reggae and punk. Clark's most accomplished songwriting and virtuosic performances to date; THIS LAND delivers socially relevant, transcendentally ambitious, and musically rich declaration as unapologetic, undeniable, and unique as he is. He emerges with a body of work that is dynamic in every sense, embodying an ever-evolving sound that transformed him into an artistic force anointed by everyone from President Barack Obama to the late Prince.

Gary Clark Jr.
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The National

I Am Easy To Find is The National’s eighth studio album and the follow-up to 2017’s GRAMMY®-award winning release Sleep Well Beast. A companion short film with the same name will also be released with music by The National and inspired by the album. The film was directed by Academy Award-nominated director Mike Mills (20th Century Women, Beginners), and starring Academy Award Winner Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, which was recorded at Long Pond, Hudson Valley, NY with vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more. On September 3, 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on...something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process. The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically side staged in favor of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.

The National
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Los Coast

On their eagerly awaited debut album Samsara, the visionary Austin, TX combo Los Coast delivers a fresh blast of punchy psychedelic-pop-soul that effortlessly incorporates a wide range of genres. The band's seamlessly soulful songcraft incorporates the band's distinctive grooves along with the inventive compositions and commanding vocals of principal members Trey Privott (lead vocals, guitar) and John Courtney (guitar, keyboards, vocals). Even before Samsara had been recorded, Los Coast had already earned a reputation as one of America's most exciting and inventive young bands. With its lineup rounded out by Megan Hartman on bass, Damien Llanes on drums and Natalie Wright on keys, plus a varied assortment of guest players, Los Coast was already renowned for its rousing, expansive live sets. That same mix of energy and expertise is reflected on Samsara, which features such memorable, no-nonsense tunes as 'Simplify,' 'Monsters,' 'Graves' and the frantic, tongue-twisting '(Everything But) The Kitchen Sink.' The album delivers infectious hooks, ironic lyrical twists and explosive funk grooves in equal measure, providing an irresistible frame for Privott's soulful vocals and the band's explosive grooves. Pressed on clear vinyl.

Los Coast
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Mac DeMarco

Mac DeMarco returns with his newest album, Here Comes the Cowboy, the first album to be released on his new independent label, Mac’s Record Label. The album features lead single “Nobody,” and is available on May 10.

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Esperanza Spalding

Esperanza Spalding has announced an audacious new project called ‘12 Little Spells’ that finds Spalding conjuring in the medium of musical creation, through an exploration of the body, human energy and healing. Esperanza released one new spell per day on her website and social platforms as well as a “Liner Notes Live” hosted on Facebook all resulting in over 3.1 million views. The spells come in the form of new music, which was crafted by Spalding at a castle in Italy last month, and then recorded in sessions completed just yesterday in Brooklyn. Each spell will be presented with song-specific imagery and video spells (short films that will accompany each release).

Esperanza Spalding
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Norah Jones

Norah Jones

Begin Again [LP]

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On April 12, nine-time GRAMMY-winning singer-songwriter Norah Jones is releasing Begin Again, a collection of singles that gathers seven eclectic songs that Jones has recorded over the past year with collaborators including Jeff Tweedy and Thomas Bartlett. Begin Again will be released on 12” vinyl, CD, and as a digital album and features the new song “Just a Little Bit,” which was produced by Jones and features her on vocals, piano, and organ along with Brian Blade on drums, Christopher Thomas on bass, Dave Guy on trumpet, and Leon Michels on tenor saxophone. The singles Jones began releasing last summer ran the gamut from riveting electronic experiments to starkly acoustic folk ballads to organ-and-horn drenched soul songs. With the addition of three more previously unreleased songs, Begin Again presents seven snapshots of creativity from one of the music world’s most versatile and consistently intriguing artists.

Norah Jones
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Jade Bird

Jade Bird

Jade Bird [LP]

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Jade Bird - the debut self-titled debut album via Glassnote Records. Featuring breakthrough singles Lottery, Uh Huh & Love Has All Been Done Before. Twisting big themes of disillusionment, divorce, cheating, sorrow into the realities of an independent-minded, modern British teenager, Jade's music transcends genre with a wealth of influence coming from everywhere, and anywhere. Classic, contemporary, and a total breath of fresh air in the current musical landscape, Jade Bird is that rare, next-generation artist who appears as clued up on the past as she is determined to learn from it's lessons: in control, sometimes in your face, and in possession of gifts beyond her years.

Jade Bird
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Vampire Weekend

Father of the Bride is the highly anticipated new album from Vampire Weekend, and is the band’s fourth full length release. It is the follow up to 2013’s Modern Vampires of the City, which won the Grammy for Best Alternative Music Album in 2014.

Father of the Bride is produced by founding band member Ezra Koenig, and Ariel Rechtshaid (Adele, Madonna, Charli XCX, Usher, HAIM, Solange, and others). The album features 18 songs, with an array of collaborations yet to be revealed. 6 of the songs from Father of the Bride will be released ahead of the full album.

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Khalid

Khalid

Free Spirit

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Free Spirit is the second studio album by Khalid, set to be released on April 5, 2019, through RCA Records. It is the follow-up to his 2018 EP Suncity, and includes the single "Talk". Khalid also announced the release of a short film directed by Emil Nava to accompany the album.

Khalid
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Cage The Elephant

Cage The Elephant

Social Cues [LP]

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140 gram black vinyl, 12 x 24 poster, MP3 code
Gatefold Jacket

Cage The Elephant
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Local Natives

Local Natives

Violet Street [LP]

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If you distilled California into soundwaves and vibrations, it might resemble the sonic and spiritual interplay of the Los Angeles quintet Local Natives. VIOLET STREET revels in its stylistic eclecticism ranging from kinetic and propulsive pop (“When Am I Gonna Lose You”) to sun-drenched grooves (“Cafe Amarillo”) and stark emotive ballads (“Tap Dancer”). Produced by Shawn Everett (Kacey Musgraves, War On Drugs, Alabama Shakes), their 4th full length album proves to be their most diverse and mature set of tunes, from production through song writing.

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Anderson .Paak

While he was working on Oxnard, the ever-ambitious Anderson .Paak was recording Ventura at the same time. As he explains it, both albums showcase the duality that has inspired the Grammy-award winning artist throughout his career. “Growing up in Oxnard gave me the grit and the church to find this voice of mine. One town over I went further and found my depth. [I] held one [album] back because that would have been too many songs to perform live!” Now with a more soulful sound representative of the beautiful, scenic Ventura, Anderson .Paak gives us “King James”, “Make It Better”, and more – with features including Smokey Robinson, André 3000, Nate Dogg among others. Welcome to Ventura!

Anderson .Paak
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PlayARt
Steve Earle & The Dukes

Steve Earle was nineteen and had just hitchhiked from San Antonio to Nashville in 1974. Back then if you wanted to be where the best songwriters were you had to be in there. Guy Clark had moved to Nashville and if you were from Texas, Guy Clark was king.

Flash forward more than forty years. In the fall of 2018, Steve and The Dukes went into House Of Blues studio in Nashville and recorded GUY in six days. 'I wanted it to sound live...When you've got a catalog like Guy's and you're only doing sixteen tracks, you know each one is going to be strong.'

Earle and his current, perhaps best-ever Dukes lineup, take on these songs with a spirit of reverent glee and invention. But in the end GUY leads the listener back to its beginning, namely Guy Clark, which is what any good 'tribute' should do. GUY is a saga of friendship, its ups and downs, what endures. We are lucky that Earle remembers and honors these things, because like old friends, GUY is a diamond.

1. Dublin Blues
2. L.A. Freeway
3. Texas 1947
4. Desperados Waiting For A Train
5. Rita Ballou
6. The Ballad Of Laverne And Captain Flint
7. The Randall Knife
8. Anyhow I Love You
9. That Old Time Feeling
10. Heartbroke
11. The Last Gunfighter Ballad
12. Out In The Parking Lot
13. She Aint Going Nowhere
14. Sis Draper
15. New Cut Road
16. Old Friends

Steve Earle & The Dukes
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King Gizzard & The Lizard Wizard

King Gizzard & The Lizard Wizard return with Fishing for Fishies, perhaps their most perfectly-realized album to date. FfF is a blues-infused blast of sonic boogie that struts & shimmies through several moods & terrains. King Gizz are no longer just a band, they’re a youth movement, a cult, an exploration, a double-drumming trip, a cottage vinyl industry.

King Gizzard & The Lizard Wizard
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Jenny Lewis

The 11 all-new original songs were written by Lewis and recorded at Capitol Records’ Studio B, andfeature a backing band of legendary talent including Beck, Benmont Tench, Don Was, Jim Keltner, Ringo Starr and Ryan Adams.

Jenny Lewis
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Ex Hex

Ex Hex

It's Real

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4-panel gatefold wallet

When Ex Hex exploded onto the scene with their unfettered brand of rock and riffage, the power trio for our generation had finally arrived. Made up of Mary Timony (guitar, vocals), Betsy Wright (bass, vocals), and Laura Harris (drums), the group’s 2014 debut Rips was a gleaming collection of tightly wound gems that scored Best New Music honors from Pitchfork, the top spot on Magnet Magazine’s Best of 2014 list, and No. 11 in that year’s Pazz & Jop critics poll. Near-constant touring throughout 2015 and 2016 established the band as a force to be reckoned with: an audacious three-piece distilling rock music to its essence with formidable skills and a reputation for frenzied and unabashedly fun live shows.

On It’s Real, the group’s forthcoming second album, Ex Hex’s commitment to larger-than-life riffs and unforgettable hooks remains intact, but the garage-y, post-punk approach that defined Rips has grown in scale and ambition. What started as a reaction to the blown-out aesthetic of Rips would test the sonic limits of the power trio and lead the band on a quest for a more immersive and three-dimensional sound. Vocal harmonies are layered ten tracks deep, solos shimmer and modulate atop heaving power chords, and the codas linger and stretch toward new frontiers of sound. On first listen, you might think you’ve unearthed a long-lost LP carved from the space where crunch-minded art rock and glitter-covered hard rock converge, an event horizon at the intersection of towering choruses and swaggering guitars.

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The Drums

The Drums

Brutalism [LP]

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Brutalism is quite possibly the best collection of songs in The Drums’ ten-year career. The album is defined by growth, transformation and questions, but it doesn’t provide all the answers. Brutalism is a form of simplistic architecture defined by blocks of raw concrete. Brutalism is rooted in an emotional rawness but its layers are soft, intricate and warm, full of frivolous and exquisitely crafted pop songs that blast sunlight and high energy in the face of anxiety, solitude and crippling self-doubt. Even the fact that Brutalism sounds intentional, focused and efficient is a symbol of how Pierce’s prioritizing of his own health and wellbeing has bled into how he makes music. For the making of this album, between his lake house in Upstate New York and a studio in Stinson Beach, California, Pierce was more open than ever, keeping his control freakery at bay, working with others to produce and record the album. He brought in Chris Coady (Beach House, Future Islands, Amen Dunes) to mix it. If there was a guitar part he wanted to write but couldn’t play, he brought in a guitarist. It’s also the first Drums record with a live drummer. Delegating freed up Pierce’s time to produce a more specific vision. His intentions were rooted in pop, as they’ve always been. Back in The Drums’ previous iterations, however, the pressure was on Pierce to maintain the innocent and nostalgic sound of this surf-pop indie band and it didn’t allow him to explore sex, drug use, darker emotions or how he felt currently. Abysmal Thoughts was the first occasion he had chance to do that. Lyrically Brutalism is another giant step in that direction. It’s much more cut-throat. “I think there’s a parental advisory sticker on the cover!” laughs Pierce. “I didn’t have the courage to stand up for what I wanted before. I felt I had to keep things whimsical and that’s not who I am. It feels empty.” Sonically he had been devoid of external influences, so afraid of being accused of losing the purism of The Drums’ sound. Now he’s rediscovering music: everything from SOPHIE to 90s band Whale. They inspired the loop-based, breakbeat drums on ‘Kiss It Away’ and ‘Body Chemistry’. “I used to think our songs sounded like they were held together by scotch tape. These are more bulletproof.”

The Drums
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Ryan Bingham

American Love Song finds Bingham honing his creativity on two distinct levels, the personal and the cultural. The record is co-produced with Charlie Sexton, the superb Austin guitarist who has played for years in Bob Dylan s touring band. American Love Song was recorded at Arlyn Studios and Public Hi-Fi in Austin with additional recording at Matter Music/Stella Sound in Los Angeles.

Ryan Bingham
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Patty Griffin

Patty Griffin represents an extraordinary new chapter for this incomparable singer-songwriter and immediately stands among the most deeply personal recordings of her remarkable two-decade career. The album -- which follows 2015's GRAMMY Award-nominated Servant Of Love -- collects songs written during and in the aftermath of a profound personal crisis, several years in which she battled -- and ultimately defeated -- cancer just as a similar and equally insidious disease metastasized into the American body politic. Yet as always, like very few others, Griffin's power lies in how, as Holly Gleason in the Martha's Vineyard Gazette observed, ''her songs seem to freeze life and truth in amber.'' It's in how Griffin can express the strikingly intimate while never making it about herself, all wrapped in sparse arrangements that breathe an incomparable force and import into her songcraft.

Patty Griffin
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Homeshake

Homeshake

Helium [LP]

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Over his first three albums, Homeshake’s Peter Sagar followed his own idiosyncratic vision, a journey that’s taken him from sturdy guitar-based indie-pop to a bleary-eyed take on lo-fi R&B. Now, with Helium, Sagar is putting down roots in aesthetic territory all his own.

It comes through not only in the gauziness of the production, but also in the vulnerability of the songs themselves. Everyone Sagar encounters here — including himself — seems to be a step removed from present reality, whether by technology (“Anything At All”), solitude (“Just Like My”), or sweet fantasy (“Like Mariah”). The record is stitched together by a series of instrumental interludes, synthesizer explorations whose haziness adds to the suspicion that this is all an uncanny dream.

Where his previous three records were recorded directly to one-inch tape in a local studio, Helium was recorded and mixed by Sagar alone in his apartment in Montreal in early 2018. Freed of the rigid editing process he’d endured before, he was able to lose himself in pursuit of tone and texture. A budding interest in ambient and experimental music pushed him to tinker with the micro-sounds that surround the songs here. It’s a far cry from the chorus-laden guitars of his earlier work. “Ever since I started introducing synthesizers into my music, I’ve gotten more interested in texture,” he says. “I’d hit a creative dead end [with guitars], so synths took over.” The warm chords of a Roland Juno 60 form the album’s base, and gave him a clean palette with which to work. “No tape hiss, no humming power outlets and shitty mixing boards,” as he puts it. “Everything just came out nice and pure.” 

Homeshake
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Maggie Rogers

After graduating from NYU’s Tisch School of the Arts, Maggie Rogers released her critically acclaimed debut EP, 'Now That The Light Is Fading'. The acclaimed producer/songwriter/performer now releases major label debut album: ‘Heard It In A Past Life’. The album includes the song that introduced Rogers to the world, “Alaska,” which has accrued over 100 million global combined streams to date. ‘Heard It In A Past Life’ also contains the follow-up singles “Fallingwater,” praised by NPR as “a celebration of the terrifying yet thrilling process of change” and “Give A Little,” which Pitchfork hailed as “cathartic pop song about empathy and unity.”; as well as newest single “Light On”, as seen on Saturday Night Live - November 3rd.

Maggie Rogers
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La Dispute

La Dispute is five close friends from the Upper Midwest with a firm passion for the concept of music and art as a medium for making new friends. As a result, La Dispute makes (or strives to make) music that is both artistically, technically, and emotionally engaging in hopes of establishing legitimate connections with any and all interested people, while encouraging dialogue between those people and themselves about things in life that truly matter and that truly last. La Dispute also carries a firm passion for the relevance of a live show, both for the bands involved and for the people in attendance, and will go to the grave believing that the environment created when strangers come together despite their differences to celebrate one important thing is invaluable and should not under any circumstances be taken for granted.

La Dispute
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Karen O & Danger Mouse

Lux Prima is the debut album from Karen O & Danger Mouse

Karen O & Danger Mouse
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Sharon Van Etten

Remind Me Tomorrow was written in stolen time. In the four years since Are We There, Van Etten guest-starred in The OA, performed in David Lynch's Twin Peaks revival, and wrote her first film score and song for TV - for Kathering Dieckmann's Strange Weather Tig Notaro's show Tig, respectively. Van Etten also had a child, and began studying psychology. In the scraps of hours between these endeavors, Remind Me Tomorrow was born. Working with producer John Congleton, Remind Me Tomorrow reveals piano keys that churn, deep drones, distinctive sharp drums. Originally a piano ballad, "Comeback Kid" evolved into a dark, menacing anthem. "Seventeen" began as a Lucinda Williams-esque dirge, but winds up a star-spangled nod to Springsteen, exploring gentrification and generational patience. The breadth of Van Etten's new passions have inflected Remind Me Tomorrow with a wise, warped-time perspective. She explains, "I want to be a mom, a singer, an actress, go to school, but yeah, I have a stain on my shirt, oatmeal in my hair. I feel like a mess, but I'm here. Doing it. This record is about pursuing your passions." This is Remind Me Tomorrow, fusing a pained attentive realism and radiant lightness about new loves.

Sharon Van Etten
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LCD Soundsystem

Recorded at the famed Electric Lady Studios in NYC's Greenwich Village Electric Lady Sessions is a live collection featuring classic LCD Soundsystem songs, three covers, and newer material from the band's # 1 album from 2018, American Dream.

LCD Soundsystem
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Robert Ellis

Because this edition is so limited, it is available for in store purchase only. Come on in!

Robert Ellis
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Toro Y Moi

Toro Y Moi

Outer Peace [LP]

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Following the ever-emotive Boo Boo, Toro Y Moi’s new album Outer Peace is a time capsule that captures our relationship to contemporary culture into one comprehensive, sonic package. As both a producer and designer, Bear utilizes abstract sound pairings with recognizable samples for his most pop influenced record to date, including features from ABRA, WET, and Instupendo. This is no departure from his funk and disco roots, which can be heard on “Ordinary Pleasure”, later fusing into variations of house with tracks like “Freelance” and “Laws of the Universe.” Smooth interludes melt into fast paced beats, paralleling the feeling of driving through the Bay Area, where Bear spent most of his time writing the album. Outer Peace is duality. It embodies whatever form you choose to inhabit in the moment. Listen and let your imagination become the universe.

Toro Y Moi
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The Bright Light Social Hour

The Bright Light Social Hour is an American psychedelic rock band from Austin, Texas. The band is composed of Jackie O'Brien (bass guitar/vocals), Curtis Roush (guitar/vocals), Edward Braillif (synthesizers/guitar), and Joseph Mirasole (drums.) Known for their incredible live shows, The Bright Light Social Hour has performed at major festivals including Lollapalooza and Austin City Limits, in addition to their own international touring. They have received acclaim from KCRW and Huffington Post.

The Bright Light Social Hour
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Beirut

Gallipoli, Beirut’s fifth album, started life when Zach Condon returned to his old Farfisa organ, the same one he used to write his first two albums, Gulag Orkestar (2006) and The Flying Club Cup (2007). After stints writing and recording in both New York and Berlin, with time for Zach to recover from a broken arm factored in, band plus producer Gabe Wax (Speedy Ortiz, Soccer Mommy, Adrianne Lenker / Big Thief) headed to Puglia in Italy to finish the album. With the remote rural setting “the right amount of isolated”, an intense month of 12 to 16-hour days in the studio with day trips around the coastline followed. Inspired by the surroundings, Gallipoli is unintentionally more visceral than Beirut’s more recent albums, alive with an energy that is further enhanced by every creak and groan of their instruments, every detuned note, and all amp buzz and technical malfunction being left in the cracks of the songs.

Beirut
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Jessica Pratt

Jessica Pratt

Quiet Signs

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Jessica Pratt is not a loud performer. She does not have to be. In a club of a few hundred, even the bar staff are known to go quiet while she's on stage. Her third album, Quiet Signs, feels like a distillation of this power. The album leads off with "Opening Night," a nod to Gena Rowlands' harrowing, brilliant performance in the John Cassavetes film of the same name. It’s also an emblem of where this spare, mysterious collection of songs falls in the course of Pratt’s career.

"On some level I considered an audience while making the last record (2015's On Your Own Love Again)," she writes, "But my creative world was still very private then and I analyzed the process less. This was the first time I approached writing with the idea of a cohesive record in mind."

After a collection of demos and early studio recordings (Jessica Pratt, Birth Records, 2012) earned her a small, dedicated audience, Pratt moved from San Francisco to Los Angeles and recorded her first intentional album in her bedroom in a matter of months. That album, On Your Own Love Again (Drag City, 2015), would bring her around the world many times, leading many to fall under the spell of Jessica Pratt the performer, the songwriter, the singer with the heavy-lidded voice that feels alien and familiar at the same time.

Her first album fully recorded in a professional studio setting, Quiet Signs finds Pratt's songwriting and accompanying guitar work refined -- more distinct and direct. Songs like "Fare Thee Well" and "Poly Blue" retain glimmers of OYOLA's hazy day afternoon spells, yet delicate flute, strings sustained by organ arrangements, and rehearsal room piano now gesture towards the lush chamber pop and longing of The Left Banke. On the album’s first single, "This Time Around," Pratt hits on a profound, late-night clarity over just a couple of deep chords, evoking Caetano Veloso's casual seaside brilliance. And before the curtain drops on Quiet Signs, Pratt provides a show-stopping closer, "Aeroplane."

In the world of Quiet Signs, the black of night usually represents fear, despair, resignation; finally at home descending towards the illuminated city, she sings over black leather drone and tambourine shuffle with a newfound resolve. Quiet Signs is the journey of an artist emerging from the darkened wings, growing comfortable as a solitary figure on a sprawling stage.

The album was written in Los Angeles and recorded at Gary's Electric in Brooklyn, NY over 2017 and 2018. It was co-produced by Al Carlson. He plays flute, organ and piano on some songs. Matt McDermott also played piano and string synthesizer. It will be released on Mexican Summer on February 8, 2019.

Jessica Pratt
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Steve Gunn

For over a decade, guitarist/vocalist Steve Gunn has been one of American music’s most pivotal figures - conjuring immersive and psychedelic sonic landscapes both live and on record, releasing revered solo albums ranking high on in-the-know end of year lists, alongside exploratory collaborations with artists as diverse as Mike Cooper, Kurt Vile, and Michael Chapman (whose most recent studio album he produced). Gunn is known for telling other people’s stories, but on his breakthrough fourth album, The Unseen In Between, he explores his own emotional landscapes with his most complex, fully realized songs to date. The lyrics evoke voyages, tempests (actual and emotional), and a rich cast of characters met along the way -- the work of an artist finding a place of calm in the midst of a storm. Produced by frequent collaborator James Elkington and engineered by Daniel Schlett, the immaculately recorded Unseen forces a reassessment of Gunn’s standing in the pantheon of the era’s great songwriters. Getting to The Unseen In Between itself was not easy for Gunn. In the summer of 2016, Gunn released Eyes On The Lines, his winning and elliptical debut for Matador. It should have been a triumphant moment, but exactly two weeks later, Gunn’s father and namesake died following a two-year struggle with cancer. This experience yielded the emotional centerpiece of the album. “Stonehurst Cowboy” is a duet for Gunn’s raw acoustic guitar and spare basslines by Bob Dylan’s musical director Tony Garnier, whose featured throughout the album. The song distills the lessons Gunn learned from his father and it is a solemn but tender remembrance, a tribute to his father’s reputation as a tough, wise, and witty guy from far west Philadelphia. A sense of musical renewal and emotional complexity fits the new songs perfectly; “Luciano” seems to be about the chemistry between a bodega owner and his cat, an unspoken romance of gentle obedience and quiet gestures. But Gunn peers below the relationship’s surface and wonders about the owner’s lonely future once the cat is gone, a devastating meditation wrapped in soft strings. And then there’s “Vagabond,” Gunn’s graceful attempt to humanize a rich cast of characters whose lives have gone astray, wanderers who live outside of society’s modern safety net, who pursue “a crooked dream” in spite of what the world expects. Supported by the perfect harmonies of Meg Baird, Gunn finds something lovely in the unloved. In a final contrast, “Morning is Mended” is an acoustic beauty so resplendent it ranks alongside Sandy Denny or Jackson C. Frank. Buoyed by a melody that sparkles like sunlight on still water, Gunn acknowledges the hardships around him, the feeling of being a “nothing sky,” and then moves forward into the world, walking tall into the fresh morning. The song is an apt encapsulation of The Unseen In Between, a gorgeously empathetic record that attempts to recognize the worries of the world and offer some timely assurance. It is a revelatory and redemptive set, offering the balm of understanding at a time when that seems in very short supply.

Steve Gunn
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Ariana Grande

Ariana Grande

Thank U, Next

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Ariana Grande returns with her fifth studio album Thank U, Next. Following the release of her previous studio album Sweetener (2018), Grande began working on a new album in October of the same year, enlisting writers and producers such as Tommy Brown, Max Martin, Ilya Salmanzadeh and Andrew "Pop" Wansel. The album was created in the midst of personal matters, including the death of her ex-boyfriend Mac Miller and breaking up with fiancé Pete Davidson.

Ariana Grande
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Deerhunter

How do you describe an album out of time, concerned with the disappearance of culture, of humanity, of nature, of logic and emotion? Why make this album in an era when attention spans have been reduced to next to nothing, and the tactile grains of making music have been further reduced to algorithms and projected playlist placement. Why wake up in the morning? Why hasn’t everything already disappeared? Deerhunter’s eighth LP forgets the questions and makes up unrelated answers. It gets up, walks around, it records itself in several strategic geographic points across north america. It comes home, restructures itself and goes back to bed to avoid the bad news. From the opening harpsichord and piano figures of Death in Midsummer, it is impossible to tell where the record came from. Is No One’s Sleeping an outtake of an aborted Kinks recording session in 1977 Berlin with Eno producing? No. That is nostalgia. If there is one thing Deerhunter are making clear it is that they have exhausted themselves with that toxic concept. What they spend their time doing instead is reinventing their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth. The result is as thrilling, haunting, and unpredictable as anything in their roughly 15 year career. Deerhunter have made a science fiction album about the present. Is it needed right now? Is it relevant? Perhaps only to a small audience. DADA was a reaction to the horrors of war. Punk was a reaction to the slow and vacant 70’s. Hip Hop was a liberated musical culture that challenged the notions presented wholesale about the African-American experience. What is popular music today a reaction to?

Deerhunter
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FIDLAR

FIDLAR

Almost Free [LP]

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Almost Free, the new release from FIDLAR touches on many of the tragedies and irritations of modern life: existential dread, gentrification, the inescapable sway of the super-rich and the self-involved, post-breakup telecommunication, performative wokeness, the loneliness of sobriety or the lack thereof. But through sheer force of imagination and an unchecked joie de vivre, the L.A.-based band manages to turn feeling wrong into something glorious and essential. In the age of joyless self-care, Almost Free makes a brilliant case for being less careful, for living without fear of fucking up, and possibly embracing any incurred damage as a lucky symptom of being alive. The album sees the band pushing boundaries into new territory and influences while staying true to their unshakable core. "A lot of the vibe was, 'Well, why can't we do that? Why can't we have horns? Why can't we have key changes? Why can't we have a harmonica loop?', said lead singer/guitarist Zac Carper. It was abouttaking the ceiling off. Having it be limitless. Ain't no rules." Elvis added "Almost Free feels like a step forward for us in a lot of ways. We tried to be true to ourselves and let the music come out naturally, without fear of how people would receive it.

FIDLAR
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Jeff Tweedy

Jeff Tweedy will release, WARM, a solo album of all new material on November 30th via dBpm Records. WARM was produced and recorded entirely by Jeff at Chicago’s now legendary studio, The Loft (with help from some of his usual collaborators – Spencer Tweedy, Glenn Kotche and Tom Schick). WARM follows the acoustic retrospective release, Together at Last (2017), and Wilco’s 2016 album, Schmilco. The incredible liner notes for WARM were written by George Saunders. Jeff’s long-awaited memoir, Let’s Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc., is out November 13th via Dutton

Jeff Tweedy
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Blood Orange

Producer, multi-instrumentalist, composer, songwriter and vocalist Devonte Hynes returns with his fourth album as Blood Orange, Negro Swan. Raised in England, Hynes started out as a teenage punk in the UK band Test Icicles before releasing two orchestral acoustic pop records as Lightspeed Champion. In 2011, he released Coastal Grooves, the first of three solo albums under the moniker Blood Orange. His last album, Freetown Sound, was released to critical acclaim in 2016, and saw Hynes defined as one of the foremost musical voices of his time, receiving comparisons to the likes of Kendrick Lamar and D’Angelo for his own searing and soothing personal document of life as a black man in America. He has collaborated with Solange Knowles, FKA Twigs, and many other artists, and was recently one of four artists invited to the Kennedy Center to perform alongside Philip Glass. In addition to his production work, he scored the film Palo Alto, directed by Gia Coppola and starring James Franco. Hynes’ newest album, Negro Swan, was written and produced by Hynes. Says Hynes: “My newest album is an exploration into my own and many types of black depression, an honest look at the corners of black existence, and the ongoing anxieties of queer/people of color. A reach back into childhood and modern traumas, and the things we do to get through it all. The underlying thread through each piece on the album is the idea of HOPE, and the lights we can try to turn on within ourselves with a hopefully positive outcome of helping others out of their darkness.”

Blood Orange
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Leon Bridges

Leon Bridges

Good Thing [LP]

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Long awaited 2nd album. Young soul sensation adopts a more contemporary R&B approach while staying true to his signature style.

Leon Bridges
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Paul McCartney & Wings

The Red Rose Speedway Reconstructed 2LP features two vinyl records featuring a reconstruction of the originally conceived double album version of Red Rose Speedway, remastered at Abbey Road.

Paul McCartney & Wings
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The 1975

The 1975’s highly anticipated third studio album A Brief Inquiry Into Online Relationships will be released on Friday, November 30th via Dirty Hit / Interscope Records. Their debut album The 1975 is now platinum with their most recently released album I like it when you sleep, for you are so beautiful yet so unaware of it surpassing Gold after having debuted at #1 on the Billboard Top 200.

The 1975
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Anderson .Paak

Anderson .Paak's new album, Oxnard, is a nod to the Southern California city where Anderson grew up. It is the Grammy-nominated artist’s 3rd studio album and the first to be released on Dr. Dre’s label Aftermath Entertainment. Oxnard will include his latest single, “Tints” featuring Kendrick Lamar along with album features from J. Cole, Pusha T and many more. Earlier this year, Anderson .Paak shared with Rolling Stone that "… this is the album [he] dreamed of making in high school, when [he] was listening to [Jay-Z]'s The Blueprint, The Game's The Documentary, and [Kanye West's] The College Dropout."

Anderson .Paak
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Gza

This deluxe collector’s edition features the variant cover printed directly on the front, color double vinyl, and copy of the limited-edition corresponding Marvel comic book.

This Marvel variant cover was designed by Denys Cowan (pencils), Bill Sienkiewicz (inks) and Chris Sotomayor (colors) and recasts Contest of Champions as GZA’s cover art for the classic Liquid Swords album. Liquid Swords features guest appearances from the entire Wu-Tang Clan and has become one of the most influential hip-hop albums of all time. This deluxe collector’s edition features the variant cover printed directly on the front and will also include seaglass double vinyl, along with a copy of the limited-edition corresponding Marvel comic book that ties in with the artwork. The deluxe version will also include a 3D lenticular print of Marvel’s variant cover artwork.

Gza
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Alessia Cara

2018 album from Grammy Award-winning Canadian singer-songwriter featuring 'Growing Pains' & 'Wherever I Live'.

Alessia Cara
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Muse

The record was produced by the band, along with producers Rich Costey, Mike Elizondo, Shellback and Timbaland. Each of the album's songs will be accompanied by a video.

Muse
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Rhett Miller

Old 97's founding member Rhett Miller returns with his 7th solo album, The Messenger. Recorded earlier over five days at The Isokon in Woodstock, NY with producer/musician Sam Cohen (Kevin Morby, Benjamin Booker), The Messenger sees Miller playing it faster and looser than perhaps any other time in his quarter century career, instilling what might be his most personal songs to date with a groovy limberness that belies the reflective darkness within. Backed by a white hot backing combo comprised of Cohen (Electric & Acoustic Guitars, Pedal Steel Guitar, Piano, Organ, Second Drumset), Brian Betancourt (Bass), and Ray Rizzo (Drums), Miller goes deep into his own youthful experiences with suicide and depression, placing "a long distance phone call to myself as a 14-year-old" on surprisingly buoyant new songs like "The Human Condition" and "Permanent Damage."

 

Rhett Miller
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Thom Yorke

Original score music from Radiohead’s Thom Yorke, including 5 original songs, soundtracking the forthcoming remake of Dario Argento’s cult classic “Suspiria.” The Luca Guadagnino directed film stars Dakota Johnson & Tilda Swinton.

Thom Yorke
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Mumford & Sons

Mumford & Sons emphatic return is spearheaded with the inspiring new single, "Guiding Light".  Their fourth album, Delta, is out on November 16th.

Mumford & Sons
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St. Vincent

St. Vincent

Masseducation [LP]

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MassEducation re-imagines St. Vincent’s #1 New York Times album, MASSEDUCTION, laying bare exquisite songwriting and beauty.

St. Vincent
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Julia Holter

Aviary is LA composer Julia Holter's most breathtakingly expansive album yet, full of startling turns and dazzling instrumental arrangements. The follow-up to her critically acclaimed 2015 record, Have You in My Wilderness, it takes as its starting point a line from a short story by Etel Adnan: "I found myself in an aviary full of shrieking birds." It’s a scenario that sounds straight out of a horror movie, but it’s also agood metaphor for life in 2018, with its endless onslaught of political scandals, freakish natural disasters, and voices shouting their desires and resentments into the void.

Julia Holter
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Unknown Mortal Orchestra

While recording Unknown Mortal Orchestra’s latest release, Sex & Food, Ruban Nielson, his longtime collaborator Jacob Portrait and his brother Kody Nielson, found themselves in the Vietnamese city of Hanoi playing and recording with local musicians at Phu Sa Studios. The studio, normally used for traditional Vietnamese music, found the band jamming on sessions dubbed IC-01 Hanoi: exploring the outer edges of the band’s influences in Jazz, Fusion and the avant-garde. The musicians, along with Ruban and Kody’s father, a Jazz musician in his own right, helped lay down the unique textures heard throughout Hanoi. At its core Hanoi is a record of exploration, finding its closest antecedent in Miles Davis’ experimental On The Corner – itself a record full of nods toward avant-garde composers and Jazz outsiders alike. Hanoi finds Ruban amplifying and stretching out on lead guitar, with a blown-out and wandering fuzz tone that slinks throughout the sessions. Kody and Jacob match Ruban’s melodic diversions with aplomb, mining their talents to finding as easy a role in the fusion of funk as they do in the more ambient and abstract tangents on Hanoi.

Unknown Mortal Orchestra
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J Mascis

J Mascis

Elastic Days [LP]

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Near the end of Reagan's first term, the Western Massachusetts Hardcore scene coughed up an insanely shaped chunk called Dinosaur. Comprised of WMHC vets, the trio was a miasmic tornado of guitar noise, bad attitude and near-subliminal pop-based-shape-shifting. Through their existence, Dinosaur (amended to Dinosaur Jr. for legal reasons) defined a very specific, very aggressive set of oblique song-based responses to what was going on. Their one constant was the scalp-fryingly loud guitar and deeply buried vocals of J Mascis. A couple of years before they ended their reign, J cut a solo album called Martin + Me. Recorded live and acoustic, the record allowed the bones of J's songs to be totally visible for the first time. Fans were surprised to hear how melodically elegant these compositions were, even if J still seemed interested in swallowing some of the words that most folks would have sung. Since then, through the reformation of the original Dinosaur Jr lineup in 2005, J has recorded solo albums now and then. And those album, Sings + Chant for AMMA (2005), Several Shades of Why (2011) and Tied to a Star (2014) had all delivered incredible sets of songs presented with a minimum of bombast and a surfeit of cool. Like its predecessors, Elastic Days was recorded at J's own Bisquiteen studio. Mascis does almost all his own stunts, although Ken Miauri (who also appeared on Tied to a Star) plays keyboards and there are a few guest vocal spots. These include old mates Pall Jenkins (Black Heart Procession), and Mark Mulcahy (Miracle Legion, etc.), as well as the newly added voice of Zoë Randell (Luluc) among others. But the show is mostly J's and J's alone. He laughs when I tell him I'm surprised by how melodic his vocals seem to have gotten. Asked if that was intentional, he says, “No. I took some singing lessons and do vocal warm-ups now, but that was mostly just to keep from blowing out my vocal cords when Dino started touring again. The biggest difference with this record might have to do with the drums. I'd just got a new drum set I was really excited about. I don't have too many drum outlets at the moment, so I played a lot more drums than I'd originally planned. I just kept playing. [laughs] I'd play the acoustic guitar parts then head right to the drums.” There is plenty of drumming on the dozen songs on Elastic Days. But for those expecting the hallucinatory overload of Dinosaur Jr's live attack, the gentleness of the approach here will draw easy comparisons to Neil Young's binary approach to working solo versus working with Crazy Horse. This is a lazy man's shorthand, but it still rings true. Elastic Days brims with great moments. Epic hooks that snare you in surprisingly subtle ways, guitar textures that slide against each other like old lovers, and structures that range from a neo-power-ballad (“Web So Dense”) to jazzily-canted West Coasty post-psych (“Give It Off”) to a track that subliminally recalls the keyboard approach of Scott Thurston-era Stooges (“Drop Me”). The album plays out with a combination of holism and variety that is certain to set many brains ablaze. J says he'll be taking this album on the road later in the year. He'll be playing by himself, but unlike other solo tours he says he'll be standing up this time. “I used to just sit down and build a little fort around myself -- amps, music stands, drinks stands, all that stuff. But I just realized it sounds better if the amps are higher up because I'm so used to playing with stacks. So I'll stand this time.” I ask if it's not pretty weird to stand alone on a big stage. “Yeah,” he says. “But it's weird sitting down too.” Ha. Good point. One needs to be elastic. In all things. --Byron Coley

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Kurt Vile

Travel can inspire in surprising ways: Kurt Vile discovered as much making his first record in three years, the eclectic and electrifying Bottle It In, which he recorded at various studios around the country over two very busy years, during sessions that usually punctuated the ends of long tours or family road trips. Every song, whether it’s a concise and catchy pop composition or a sprawling guitar epic, becomes a journey unto itself, taking unexpected detours, circuitous melodic avenues, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better, to continue absorbing new music, new sounds, new ideas—it’s due to his precise, witty playing style, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next. Using past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who, like his hero John Prine, can make you laugh and break your heart, often in the same line, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise, laconic jive-talkin’ drawl. He revels in the minutiae of the music—not simply incorporating new instruments but emphasizing how they interact with his guitar and voice, how the glockenspiel evokes cirrocumulus clouds on “Hysteria,” how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of “Mutinies,” how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to “Come Again.” These journeys took Vile more than two years to navigate, during which time he toured behind his breakout 2015 album b’lieve I’m goin’ down, recorded a duets album with Australian singer-songwriter-guitarist Courtney Barnett, opened for Neil Young in front of 90,000 people in Quebec, famously became a clue on Jeopardy, hung out with friends, took vacations with his wife and daughters. “I’ve been bouncing around a lot and recording all over. My family would meet me in the middle of America, and we’d go on a road trip somewhere. I would record in between all that stuff.” As Vile prepares for another round of lengthy tours and countless shows, these songs should prove good company, reminders of the love and responsibility he has toward those he leaves at home and those he meets along the way. That makes the sentiments resonate more strongly and lends Bottle It In an emotional weight. “It’s like that moment on the airplane,” Vile says, “when you’re on your way somewhere and you have that burst of panic. When you’re terrified of dying, that’s when you want people to know you love them.” “Impeccably recorded and mixed songs that shuffle bits of folk, new wave, or country in the mix but are always squarely down-the-middle rock.” Mark Richardson, Pitchfork “Vile’s self-awareness is as appealing as his melodies, and he’s stoked a reputation as a bit of a slacker maharishi—at the very least, a look inside Vile’s head might make you think a bit more deeply about what’s going on in your own.” The New Yorker

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Cat Power

Cat Power

Wanderer [LP]

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There are few voices more deeply embedded in the iconography and mythology of American indie rock than that of Chan Marshall. Under the musical nom de plume of Cat Power, Marshall has released music for nearly 25 years now and her prowess as a songwriter, a producer, and most notably—as a voice—has only grown more influential with time. Wanderer, Cat Power’s stunning 10th studio album, marks a pivotal moment in both Chan Marshall’s life and her career. In the six years since the release of 2012’s Sun, Marshall has travelled the world, given birth to a child, and parted ways with her previous record label. Even though it was, in many ways, a period of profound upheaval and radical change, those experiences resulted in a record that is arguably the most assured artistic statement of her career. Produced by Marshall and mixed by Rob Schnapf (Elliott Smith, Beck), the album includes appearances by longtime friends and compatriots, as well as guest vocals courtesy of friend and recent tourmate Lana Del Rey. Wanderer is, in many ways, a quintessential Cat Power record, with Marshall’s clarion voice front and center in a set of songs that remarkably stark and straightforward. But, if old Cat Power records might easily have been viewed as repositories for pain, Wanderer is, at its heart, a testament to the transformative nature of songs, an album-length imagining of alternate paths, redemptions, connections, and open-ended possibility.

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Jungle

Jungle

For Ever [LP]

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Towards the end of 2013 Jungle burst onto the scene with their first two singles: “The Heat” and “Platoon.” Appearing out of nowhere and propelled by feverish word of mouth online and IRL, Jungle would transform over the next few years from an anonymous production duo to a kaleidoscopic, personality-filled seven piece live band built around the core duo of Josh Lloyd-Watson and Tom McFarland, whose debut album (2014’s self-titled Jungle) was one of the year’s defining debut records; one that would end up nominated for the UK’s Mercury Music Prize and go on to sell over half a million copies. Jungle have now returned with their forthcoming second album FOR EVER which was recorded in London and Los Angeles; Josh and Tom describe it as “a post-apocalyptic radio station playing break up songs.” If Jungle’s first album was their imaginary soundtrack to the places they had never been, their new record captures the landscapes they had so often dreamed of. To write and record the new album, J and T swapped Shepherds Bush for the Hollywood Hills. Their romanticization of The California Dream clashed with the reality of living it—although the experience led them back home to London to finish the album, the journey itself ultimately defining the music it produced. Including singles “Happy Man” and “House In LA,” Jungles’ FOR EVER is due out this September. SELLING POINTS Headline touring this fall and in early 2018 Extensive major festival dates this summer and fall 120,000 equivalent album units in the US, 50M streams Full commercial Alt and AAA radio in full swing for first single “Happy Man” Three more band-directed music videos to come pre-release Massive marketing and editorial support confirmed from all digital retailers Global release week events for fans Late night TV in Sept right around release

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Ty Segall

Take a tour through Ty Segall's musical psyche with his new solo album, Fudge Sandwich, a collection of Segall's take on eleven songs that were originally done by other people. These aren't just cover versions. Cover versions happen at weddings and high school band battles. The songs here are what happens when someone loves a song so much, they need to get inside it and let it propagate and transform into what it would have been if they had actually written it. Equal parts reverence and reimagination, this album shows Segall inhabiting the world of a song's intent, filtering it through the muse that drove this year's exceptional Freedom's Goblin. Cluttered, passionate and inspired, the songs are barely recognizable, irresistible and by album's end, present a cohesive collection that stands proudly alongside the best of Segall's considerable output.

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Greta Van Fleet

Modern Rock N’ Roll band Greta Van Fleet to release highly anticipated new album, Anthem Of The Peaceful Army, on 10/19 via Lava Records. Album includes current single “When The Curtain Falls,” which is approaching top 5 airplay at Active Rock radio and is building at Alternative radio. They will re-launch their nearly sold out headlining tour on 9/11 in Canada. Greta Van Fleet recently set a record as the first band in 15 years to hit #1 airplay at Active Rock radio with 2 consecutive singles!

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Alejandro Escovedo

Alejandro Escovedo

The Crossing [LP]

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Alejandro Escovedo s new album is perhaps his most varied and expansive album to date. It is his first album recorded outside of America, in northern Italy, with co-writer Don Antonio Gramentieri and a band of Italian musicians. It is also Alejandro s first ever concept album drawing the story of two young immigrants to the US, who bond over a mutual love of punk rock as they struggle with the racism and discrimination as immigrants. Special guests on the album include Wayne Kramer (MC5), Joe Ely, and Peter Perrett and John Perry of The Only Ones. The sound ranges from straight ahead rockers like, Sonica USA, to ballads like the classic Joe Ely penned, Silver City, and everywhere in between. To describe this album as, "epic," might be an understatement.

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Phosphorescent

For years, Phosphorescent’s rise was a steady one: tours got a little better, rooms got a little bigger, and with it the music became more intricate, more ambitious in its recording and arrangement. Then came Muchacho, a juggernaut that to date has sold over 100,000 worldwide, with lead single “Song for Zula” now well over 50 million streams. Now, ve years later, Phosphorescent returns with his seventh studio LP, C’est La Vie. Recorded in Nashville at Matthew Houck’s own Spirit Sounds Studio, C’est La Vie reveals a crystallization of what made Muchacho such a breakout — a little sweetness and a little menace, sometimes boot-stomping and sometimes meditative.

A lot of life was lived between these records: Houck became a father (twice), built his studio, escaped New York. And C’est La Vie does have a hefty, career-spanning feel. But there’s a newfound wisdom, too, a deeper well for all that livin’. The magic of Matthew Houck’s music has always been the way he weaves shimmering, almost golden-sounding threads through elemental, salt-of-the-earth sounds. It’s not experimental, exactly, but it’s singular and it’s definitely not traditional. That knack, the through-line across the Phosphorescent catalog, is front and center here.

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Janelle Monae

The third LP (and first in five years) from the actress and recording artist features appearances by Brian Wilson, Pharrell Williams, Zoë Kravitz, and Grimes, plus musical contributions from Prince just prior to his death.

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Willie Nelson

My Way, Willie Nelson's new studio album, explores his admiration and connection to Frank Sinatra's art and artistry across 11 fresh, intoxicating takes on songs made famous by the Chairman of the Board. Recorded in the tradition of 1978s legendary Stardust and 2016s Grammy Award-winning Summertime: Willie Nelson Sings Gershwin, My Way is a warm and personal nod from one icon to another. Included are Willie's takes on timeless tunes like "Summer Wind," "It Was A Very Good Year," "I'll Be Around," "Fly Me To The Moon," "What Is This Thing Called Love" (cast as a duet with fellow Grammy winner Norah Jones) and, of course, the anthemic "My Way." Add Willie's stalwart backing band plus lush arrangements for full string and horn sections - all produced by Grammy winners Buddy Cannon and Matt Rollings - and you've got an album that's as cool as it gets.

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Prince

A previously unheard home studio cassette recording of Prince performing at his piano in 1983 will be released as Piano & A Microphone on Sept. 21. The nine-track, 35-minute project from the Prince Estate in coordination with Warner Bros. Records is planned for what would have been the rock icon's 60th birthday.

This rare, intimate glimpse finds Prince working through songs including "17 Days" and "Purple Rain" (which would both be released the following year), a cover of Joni Mitchell's "A Case of You," "Strange Relationship" (issued in 1987 on the Sign O' The Times album) and "International Lover," as well as a rare recording of the pre-Civil War spiritual "Mary Don't You Weep," which will be heard on the end credits of Spike Lee's upcoming film BlacKkKlansman, due out in August.

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Mitski

The breakout success of 2016’s Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who’ve historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. “I had been on the road for a long time, which is so isolating, and had to run my own business at the same time,” Mitski explains, “a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs.” We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. “With a lot of the romantic infatuations I’ve had,” she says, “when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy gure that I so desire.” In Be The Cowboy, Mitski delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.

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Nas

Nas

NASIR [LP]

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The seven-track release for the New York rap artist was produced by Kanye West.

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Black Joe Lewis & The Honeybears

New Album from Austin based blues and soul artist Black Joe Lewis & the Honeybears. Follow-up to his 2017 album Backlash, which debuted at number 3 on the Billboard Top Blues Albums Chart. Sonically inspired by the hill country blues of Junior Kimbrough, cowpunk style of The Gun Club, and the southern soul of Stax. Recorded in their hometown of Austin, Texas, with Grammy award winning producer Stuart Sikes (The White Stripes, Cat Power, Modest Mouse)

Black Joe Lewis & The Honeybears
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Amanda Shires

Amanda Shires

To The Sunset [LP]

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'It's all rock & roll -- no golf!' is how acclaimed singer/songwriter/violinist Amanda Shires describes her electrifying firth album, To The Sunset. She's borrowed a lyric from the effervescent track 'Break Out the Champagne,' one of ten deftly crafted songs that comprise her powerful new recording. The Texas-born road warrior, new mom, and recently minted MFA in creative writing has mined a range of musical influences to revel an Amanda Shires many didn't know existed. 'Isn't it refreshing?' Shires asks. Indeed. Distorted electric guitars, effects pedals, swirling keys and synths, and rockin' rhythms certainly suit Shire's visceral songcraft and lilting soprano.

Check out tracks, "Eve's Daughter", "Parking Lot Piroutte", and "To The Sunset"

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White Denim

White Denim's new album 'Performance' collects nine expertly crafted songs that twist and turn, bending genres in the band's unique style. Students of rock music, White Denim has clearly listened to and learned from the best albums ever made from T. Rex to XTC to Little Feat to Jim O'Rourke...but they write songs just dumb enough to drink, dance, and fight to. Rock and roll music that aims for the whole body. Recorded in hometown Austin, Texas in their new Radio Milk studio, Performance displays a band of extraordinary musicians at their creative peak.

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Charles Bradley

Charles Bradley

Black Velvet [LP]

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Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.

Charles Bradley
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Interpol

Interpol

Marauder [LP]

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On August 24th Interpol will release their sixth studio album Marauder on Matador Records worldwide, available on CD and vinyl. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener “If You Really Love Nothing,” the embellished skip ‘n’ bounce of “Stay in Touch” and the R&B swagger of closer “It Probably Matters.” Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist, but he’s stepping into an even brighter light as a songwriter. During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters, and observations, often phrased in abstract. But more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.” “A swift and searing song centered around a blown-out drum stomp and a prickly lead guitar riff. Singer Paul Banks’ vocals drift above the mix with a slight sneer soaked in echo.” - Rolling Stone “[The Rover] is Interpol as shit, which means ricocheting guitars and an unstoppable rhythm section.” - Noisey “Interpol are back with ignited energy.” - Stereogum “A driving and relentless bit of post-punk revivalism” - Cons. of Sound

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Wild Nothing

Although civilization’s transition into a cyborg world seems inevitable, there are still those who recognize the beauty and power of a human touch to complement the circumvention. Jack Tatum understands this balance, and through a decade making music as Wild Nothing he has learned to embrace both sides of that dynamic—but perhaps never as distinctly as on Indigo, the fourth Wild Nothing album. On one hand, it is a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and on the other, a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause. Indigo finds Tatum at his most efficient, calculated, and confident—resulting in an artful blend of hi-fi humanity and technology that fires on all circuits and synapses.

To make Indigo, Tatum confronted the Man vs. Machine dichotomy by seizing on the surrounding synergy. Finding the right people to work on the album was integral, as was the proper place to record it. So, Tatum booked four days at legendary Sunset Sound’s Studio. Afterwards, producer Jorge Elbrecht (Ariel Pink, Gang Gang Dance, Japanese Breakfast) and Tatum built out the rest of the album’s sound by adding new parts and repurposing sounds from Tatum’s demos. The resulting Indigo is its own cyborg world, utilizing the artful mechanisms of human touch with the precision of technology to create the classic, pristine sound Tatum had been seeking his entire career. From the opening drum beat, chiming guitar, and sweeping synth of “Letting Go” to Tatum’s Bryan Ferry vocal turn on “Oscillation” to the ’80s-heavy blips, clicks, and strut of “Partners in Motion,” it’s clear that Indigo is at once vintage Wild Nothing and a bold, new leap into a bigger arena.

Wild Nothing
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Spiritualized

Standard Jacket + Printed Inner Sleeve + Black Vinyl

The first new Spiritualized album in 6 years.

Spiritualized
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Ty Segall & White Fence

Ty Segall and White Fence are AS ONE again. Six years after their fun favorite "Hair" collaboration, and jeez, almost four years after Ty produced the last White Fence record "For the Recently Found Innocent", they're back at it. But the second time around, it's no Hair 2 - Joy is its own reward. Tim Presley and Ty take it up a notch, with fifteen wild tracks that share space in a effortless fashion, dispersing doses of the fabled vintage obsessions, but threading them together instead with their own sound of today. Joy, indeed!

Ty Segall & White Fence
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Nicki Minaj

Nicki Minaj

Queen

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Nicki Minaj to release her fourth studio album, 'Queen,' on 8/17 via Cash Money Records / Republic Records. The album will include previously released tracks, 'Chun-Li,' 'Rich Sex,' and new track 'Bed (feat. Ariana Grande).' Her current single 'Chun-Li' is quickly approaching Top 5 airplay at Urban radio and recently broke into Top 10 airplay at Rhythmic radio. Nicki will support her album with a 28-date North American headlining tour with Future, which commences 9/21 in Baltimore and concludes 11/24 in Las Vegas.

Nicki Minaj
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Ariana Grande

Ariana Grande

Sweetener

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Sweetener is the fourth album from Ariana Grande, the Grammy Award-nominated, multi platinum, record-breaking superstar that has emerged as one of the most magnetic and massively successful performers in pop music today. The album features the number 1 smash 'no tears left to cry,' as well as 'the light is coming (feat. Nicki Minaj)' and 'God is a woman.' With the release of 'no tears left to cry,' she became the first artist in music history to see the lead single from her first four albums debut in the Top 10 on Billboard Hot 100. By the age of 24, Ariana Grande delivered three platinum-selling albums in addition to nabbing four Grammy Award nominations and landing eight hits in the Top 10 on the Billboard Hot 100 chart. Since making her full-length debut with 2013's Yours Truly (featuring the game-changing, triple-platinum smash 'The Way'), Grande has brought her striking vocal presence to a genre-blurring breed of pop, taking on soul, and electronic music with equal nuance and assurance. Her 2014 sophomore effort My Everything garnered a Grammy Award nomination for Best Pop Vocal Album and spawned the 6x-platinum hits 'Problem' and 'Bang Bang' (a Grammy nominee for Best Pop Duo/Group Performance). Grande embraced a more uncompromising vision than ever before in the making of 2016's Dangerous Woman and wrapped up her widely lauded 'Dangerous Woman Tour' in support of the album in 2017, performing 85 arena shows worldwide. Through the years, the longtime actress and former Broadway star has proven the scope of her talent by appearing on Scream Queens and Hairspray Live! and showcased her comedic chops by hosting Saturday Night Live. Grande has also earned numerous accolades from the MTV Video Music Awards, iHeartRadio Music Awards, and American Music Awards (including the highly coveted Artist of the Year prize). She has also graced the prestigious magazine covers of TIME s Next Generation Leaders, FADER, and British Vogue.

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Israel Nash

Texas' genre-bending rock 'n' roller Israel Nash presents his latest long play, Lifted. It is a modern day hippie-spiritual, a tonic for those needing to put aside the mess of the daily grind. With luscious beds of strings, horns and well adorned towering walls of sound, Lifted finds Nash continuing his tradition of creating a sonic experience of feeling that is at once both vast and intimate -- soaring and untamed at times, placid and sincerely personal at others.

Israel Nash
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Death Grips

Year of the Snitch is the upcoming sixth studio album by experimental hip hop group Death Grips, set to be released on August 10, 2018 through Third Worlds and Harvest Records.

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Death Cab for Cutie

Thank You for Today, Death Cab for Cutie's ninth studio album, was produced and mixed by Rich Costey (Fiona Apple, Franz Ferdinand, Muse), who also produced the band's last album the GRAMMY® nominated Kintsugi. Thank You for Today marks the first Death Cab for Cutie release to see long time bandmates Gibbard, Nick Harmer, and Jason McGerr joined in the studio by new members Dave Depper (Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley). Depper and Rae have both been part of Death Cab's touring band since 2015. Death Cab for Cutie will celebrate their new album with a much anticipated fall tour. Check out the single "Gold Rush"

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Kamasi Washington

Kamasi Washington’s sophomore album Heaven and Earth not only fulfills its overarching ambition, but illustrates the dialectic between seen and unseen, real and imagined, citizen and culture, self and self, as well as self and other, and does so through the lens of a mature but never jaded revolutionary consciousness. The artist’s own words best convey the inspiration behind this monolith of an album “The world that my mind lives in, lives in my mind. This idea inspired me to make this album Heaven and Earth. The reality we experience is a mere creation of our consciousness, but our consciousness creates this reality based on those very same experiences. We are simultaneously the creators of our personal universe and creations of our personal universe. The Earth side of this album represents the world as I see it outwardly, the world that I am a part of. The Heaven side of this album represents the world as I see it inwardly, the world that is a part of me. Who I am and the choices I make lie somewhere in between.”

Kamasi Washington
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The Carters

The Carters

Everything is Love

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The debut full-length collaborative album for Beyonce and Jay-Z was a surprise release and features guest appearances from Migos, Offset, Quavo, Rory from Stone Love, and Ty Dolla $ign.

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Deafheaven

Deafheaven was formed in 2010 by vocalist George Clarke and guitarist Kerry McCoy. They released their debut studio album Roads To Judah in 2011 . They added drummer Daniel Tracy to the group and released their breakthrough album Sunbather in 2013. After rounding out their line up with guitarist Shiv Mehra and bassist Stephen Clark—each subsequent live set felt like a religious experience for the bigger (and bigger) shows that followed. Their third album, and first for ANTI-, 2015’s New Bermuda, was heavier, sturdier, and more grounded in the dirt than Sunbather. They toured extensively to support New Bermuda playing tours and festivals with Lamb Of God, Anthrax, Danzig, and Gojira. Deafheaven’s new album, Ordinary Corrupt Human Love, finds them working with old friends again. The Jack Shirley-produced and Nick Steinhardt-art directed (of Touché Amoré) collection gets its title from Graham Greene’s novel The End of the Affair, referencing a moment when someone is looking for love, in all of its imper¬fection and simple beauty. This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them. Clarke describes the composition of Ordinary Corrupt Human Love beginning with “small seeds of healing, repair, and rebirth,” and like each subsequent Deafheaven album, this record is, in fact, a revelation. Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life. If you’re an artist, this kind of new self-knowledge can lead to creating something universal and remembered, something that can live longer than you do. While Deafheaven have managed to cross over this road in the past, they’ve nailed the feeling wholly with Ordinary Corrupt Human Love, a feeling that comes with experience and wisdom. Yes, everybody deals with hurt, everybody’s been the cause of their own implosions, and everybody has the capacity to overcome and love again. Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism.

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Dirty Projectors

‘Lamp Lit Prose’ arrives just over a year after 2017’s self-titled ‘Dirty Projectors.’ Here David Longstreth’s band returns with a new album that is the yang to the yin of the 2017 effort. The songs signal a page turned for Longstreth: hope instead of heartbreak, a restorative balance. Guitars have returned to the Dirty Projectors’ world, intricate and gorgeous vocal harmony too. The album begins with “Right Now,” David singing, “there was silence in my heart, but now I’m striking up the band.” In addition to the core musicians and guests, LA string group the Calder Quartet, and The Brass Players of Los Angeles both appear on several songs. ‘Lamp Lit Prose’ is a recommitment to the sounds and ideals of Dirty Projectors, embracing the band’s trademarks while pushing forward the sonic envelope. Lamp Lit Prose will be the ninth release for Dirty Projectors and comes with collaborations from HAIM, Syd, Robin Pecknold, Rostam Batmanglij, Amber Mark, Empress Of and Dear Nora. Lamp Lit Prose was recorded at Ivo Shandor in Los Angeles.

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Rise Against

Rise Against’s The Black Market hit No. 1 on the Alternative, Top Rock and Hard Rock albums charts in the U.S. and topped album charts in Argentina, Brazil, Canada and Germany. The follow-up album, WOLVES, debuted at No. 1 on Billboard’s Alternative, Top Rock and Hard Rock albums charts. Lead single “The Violence” topped the Mediabase Active Rock chart and “House On Fire” is currently in the Top 10 and climbing.

Melodic, hardcore Rise Against follow up their eighth studio album, WOLVES, with a career spanning and genre defying release, that’s a new addition to their already storied career. The Ghost Note Symphonies, Vol I finds the band reimagining some of the biggest songs of their career with intimate performances and backed with strings.

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Gorillaz

Gorillaz

The Now Now [LP]

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heavyweight black vinyl 12” LP in spined sleeve, with printed inner bag and download card.

The sixth full-length studio release for the Damon Albarn's animated band features guest appearances from George Benson, Jamie Principle and Snoop Dogg.

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Cowboy Junkies

With their new album, All That Reckoning, The Cowboy Junkies once again gently shake the listener to wake up. Whether commenting on the fragile state of the world or on personal relationships, this new collection may be the most powerful album the Cowboy Junkies have yet recorded. Its a deeper and a more complete record than weve ever done before, says songwriter / guitarist Michael Timmins. These songs are about reckoning on a personal level and reckoning on a political level.

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Jim James

My head feels like it is exploding with the amount of information we are forced to consume on a daily basis, and how that information is so DISTORTED there is almost no longer any tangible truth,” says James. “The name of my new record is UNIFORM DISTORTION because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now...finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.


Check out Uniform Clarity on CD / LP which explores the acoustic side of the songs on Uniform Distortion with an intimateness rarely felt in recorded music.

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Dawes

On the group's sixth album, Passwords, inspiration pulls guitarist/ singer Taylor Goldsmith, drummer Griffin Goldsmith, bassist Wylie Gelber, and keyboardist Lee Pardini into their most universal, topical territory to date. This is a record about the modern world: the relationships that fill it, the politics that divide it, the small victories and big losses that give it shape. Taylor's writing is personal at points - the result of his recent engagement, which lends a sense of gravity and self-reflection to album highlights like "Time Flies Either Way" and "I Can't Love" - but it also zooms out, focusing not on the director himself, but on everything within the lens.

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Janelle Monae

The third LP (and first in five years) from the actress and recording artist features appearances by Brian Wilson, Pharrell Williams, Zoë Kravitz, and Grimes, plus musical contributions from Prince just prior to his death.

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Neko Case

Neko Case

Hell-On [2LP]

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Producer/singer/songwriter Neko Case has won a large and loyal audience for her smoky, sophisticated vocals and the downcast beauty of her music. Now more than 23 years into her musical calling, Case is the consummate career artist--fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth. 

On June 1st, Anti- will release Neko Case’s ‘Hell On,’ an indelible collection of colorful, enigmatic storytelling that features some of her most daring, through-composed arrangements to date. Produced by Neko with help from Bjorn Yttling (Peter Bjorn & John), ‘Hell On’ is simultaneously the most accessible and most challenging album in a rich and varied career that’s offered plenty of both. Rife with withering self-critique, muted reflection, anthemic affirmation, and her unique poetic sensibility, the 12 tracks of ‘Hell On’ — which features collaborations such as Joey Burns, Beth Ditto, Kelly Hogan, KD Lang, AC Newman, Paul Rigby, Laura Veirs, and more.

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Drake

Drake

Scorpion [2CD]

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This is a double CD of Drake's 5th album, Scorpion, releasing on 7/13. Drake will support the album with an extensive headlining tour alongside Migos, which will launch on 7/26 in Salt Lake City.

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Father John Misty

*Loser Edition on metallic purple vinyl w/ jacket variation while supplies last*

Written largely in New York between summer 2016 and winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom.


God’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes.

God's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.

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Florence + The Machine

Six-time Grammy-nominee Florence + the Machine to release hugely-anticipated new album ‘High As Hope’ June 29th via Virgin EMI / Republic Records. ‘High As Hope’ is the sound of an artist who appears more certain than ever of herself. Florence writes about her teens and twenties with a renewed, more mature perspective: of growing up in South London, of family, relationships and art itself. The first official single ‘Hunger,’ is out now.

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Ben Howard

Ben Howard

Noonday Dream

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'Noonday Dream,' the highly anticipated new album from Ben Howard, is set for release 6/1 on Republic Records. 'Noonday Dream' was written and produced by Howard, with production contributions from regular collaborator and band-mate Mickey Smith. Howard's music has amassed well over half a billion streams to date and has earned the singer-songwriter an Ivor Novello Award nomination, the U.K.'s most prestigious songwriting accolade, in addition to two Brit Awards in 2012 for 'British Breakthrough' and 'British Solo Male Artist.'

Ben Howard
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Panic! At The Disco

"After being away in New York for months doing Kinky Boots, I just wanted to hang out at home when I got back to LA. I was so revved up that I asked some friends to come over to my home studio to help me write about all the incredible things I've experienced the last couple of years," said Brendon Urie, Panic! At The Disco frontman. "Pray For The Wicked is my 'thank you' to our fans and the most fun I've ever had making album."

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Shakey Graves

The new album 'Can't Wake Up' by Austin's Shakey Graves, his follow-up to 2014's 'And The War Came.'

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Nine Inch Nails

Nine Inch Nails

Bad Witch [LP]

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Nine Inch Nails will release their new album Bad Witch on June 22, completing the trilogy that began with 2016’s Not The Actual Events and 2017’s ADD VIOLENCE. Nine Inch Nails will launch COLD AND BLACK AND INFINITE NORTH AMERICA 2018 on September 13 with support The Jesus and Mary Chain. The band will bring their "musical, visual, emotional sensory onslaught,” as hailed by The New York Times, to some of the most iconic venues in the USA.

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Shannon Shaw

Shannon Shaw, the captivating vocalist, bassist, and founder of Shannon & the Clams, will strike out on her own for her first solo album, Shannon In Nashville. Produced by The Black Keys' Dan Auerbach at his Nashville studio, Easy Eye Sound, the album features a cast of revered old-school session musicians which have breathed life into notable records by Elvis Presley, Aretha Franklin, Willie Nelson, and John Prine, to name just a few. The album evokes the tear-jerking intonations of Brenda Lee and Patsy Cline and exudes a self-possessed melancholy that sets the scene for Shaw to comb through a personal history of love lost to time, circumstance, fear or neglect. "The way I typically write songs is: Something has happened to me and I want to encapsulate it. I want to trap and package it, so I can pull it out of my body, and look at it to get some perspective on this event that has affected me," says Shaw of the catharsis inherent in her song-writing process.

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Beach House

Beach House

7 [LP]

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7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles). 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection. The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that. Much Love, Beach House

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Natalie Prass

Natalie Prass

The Future And The Past

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On the heels of her 2015 break-through debut album Natalie Prass’ new album ‘The Future and the Past’ is a celebratory & defiant impassioned call for compassion & love in the face of the current US political climate. Prass taps into deep, dancey grooves that glisten with 80s pop and 90s R&B nestled alongside quivering, lushly orchestrated ballads. The album was produced by Matthew E. White at his Spacebomb Studios & mixed by Blue (Solange, Nas, Blood Orange) & Michael Brauer (Coldplay, Phoenix)
Natalie Prass
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Unknown Mortal Orchestra
Where are we headed? What are we consuming, how is it affecting us, and why does everything feel so bad and weird sometimes? These are some of the questions posed on Ruban Nielson's fourth album as Unknown Mortal Orchestra, Sex & Food.  Recorded in a variety of locales from Seoul and Hanoi to Reykjavik, Mexico City, and Auckland, Sex & Food is a practical musical travelogue, with local musicians from the countries that Neilson and his band visited pitching in throughout.
Sex & Food is the most eclectic and expansive Unknown Mortal Orchestra release yet, from the light-footed R&B of "Hunnybee" to the stomping flange of "Major League Chemicals."  "If You’re Going to Break Yourself" and "Not in Love We're Just High" chronicle the effects of drugs and addiction on personal relationships, while the lyrics "Ministry of Alienation" drip with modern-day paranoia like the silvery guitar tones that jewel the song's structure.
The modern world, and all the thorny complications that come with living in it, loomed large on Ruban's mind while making Sex & Food.  Though he's not afraid to get topical throughout, as evidenced on the surprisingly boisterous "American Guilt" or the roomy-disco medication-meditation "Everyone Acts Crazy Nowadays".
A statement of selflessness, to be sure-but make no mistake: Sex & Food reaffirms the vitality of Ruban's voice in today’s musical landscape.
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King Tuff

King Tuff

The Other [LP]

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When asked to describe the title track from his new record, Kyle Thomas—aka King Tuff—takes a deep breath. “It’s a song about hitting rock bottom,” he says. “I didn’t even know what I wanted to do anymore, but I still had this urge—this feeling—like there was this possibility of something else I could be doing… and then I just followed that possibility. To me, that’s what songwriting, and art in general, is about. You’re chasing something, there is something out there calling to you and you’re trying to get at it. ‘The Other’ is basically where songs come from, it’s the hidden world, it’s the mystery. It’s the invisible hand that guides you whenever you make something. It’s the thing I had to rediscover—the sort of voice I had to follow—to bring me back to making music again in a way that felt true and good.”

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Migos

Migos

Culture II [2CD]

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GRAMMY® Award-nominated multi-platinum hip hop trio Migos (Quavo, Offset, and Takeoff) return with their anxiously awaited full-length album, Culture II, almost exactly a year after the record breaking first installment. Lead single “Motorsport (feat Nicki Minaj & Cardi B)” is already topping charts, followed by the Pharrell produced smash, “Stir Fry”.

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Tune-Yards

Tune-Yards’ magnum opus will arrive on January 19 in the form of new album I can feel you creep into my private life. Thematically, the 12 new songs tackle race, politics, intersectional feminism and environmental prophecies head on. But in the billows of intense subject matter, the album arrives as Tune-Yards’ most immediate and upbeat music yet- this is Tune-Yards’ music to dance to. On I can feel you creep into my private life, Tune-Yards is officially a duo. Garbus is joined by longtime collaborator Nate Brenner who produced and wrote the album together with lyrics by Garbus. Tune-Yards worked with mixer Mikaelin “Blue” BlueSpruce (Solange, Kendrick Lamar). Tune-Yards’ 2014 release Nikki Nack was one of the most well received albums of the year. New York Magazine called it “possibly the catchiest record of the year,” the New Yorker praised its “joyful energy” and “surprisingly sweet singing and catchy tunes,” and Entertainment Weekly said “life needs joyful noise like this.” Since the release of Nikki Nack, Tune-Yards has kept busy collaborating with legendary musicians David Byrne, Laurie Anderson and Yoko Ono, as well as penning the standout track, “Action,” from Mavis Staples’ 2016 album.

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First Aid Kit

First Aid Kit

Ruins [LP]

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Ruins is the new and eagerly awaited album from Swedish sister duo First Aid Kit. This new album finds First Aid Kit as you've never heard them before: wounded and biting back hard. While Ruins follows the traditions of the classic folk rock sound that First Aid Kit revived via their breakthrough album Stay Gold (2014) and previous releases The Big Black And The Blue (2010) and The Lion's Roar (2012), the difference is that this time they've lived, and the results are intense.

Tracks such as "Rebel Heart" the album's opener documents a love doomed from the start. "It's A Shame" the lead single is a plea to live in the moment because everyone disposes of each other eventually. On "Postcard" and To Live A Life," you feel the breath-stealing weight of despair when a shattered love leaves you bereft of hope. "Fireworks" introverts the blame with self-loathing.

In many ways, First Aid Kit's largest asset is their biggest problem. Their voices are so damn pretty. The [previous] records were always so perfect," says Johanna Söderberg. On Ruins, the duo didn't want it to feel perfect. They wanted it to feel rough and wrenching. Johanna comments further, "Given the material, the lyrics had to be the focus. These sentiments didn't need to be dressed up. They needed to be naked."

Ruins was made with one target in mind: make it sound more real a result the Söderberg sisters clearly achieved.

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Ty Segall

Ty Segall goes all the way, flipping the Freedom coin to find passion, laughter and savagery on both sides. A head-spinning compendium of stompers, weepers, ballads, screamers, bangers and funker-uppers, all marking a different impasse, like a flag whirling into a knot, exploding and burning on contact, in the name of life and loathing and the pursuit of what you love.

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The Decemberists
The Decemberists explore a new sound on their inspired 8th studio album I’ll Be Your Girl, out 3/17 on Capitol Records. The acclaimed Portland, Oregon-based band (with nearly 2M adj. albums sales) worked with producer John Congleton (St. Vincent, Lana del Ray) & embraced influences such as Roxy Music and New Order to spark a new creative path, as evidenced on synth-driven lead single “Severed.” The band kicks off their 2018 Your Girl / Your Ghost World Tour on 3/22.
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Margo Price

A lot can change in a year: markets boom and bust, trends come and go, presidents get elected. In 2015, Margo Price was a country underdog just trying to keep enough gas in the tank to get to the next gig, but by the end of 2016, she was one of the genre’s most celebrated new artists and a ubiquitous presence on late night television and at major festivals around the world.

It’s the kind of year most musicians can only dream of, and the arrival of Price’s spectacular sophomore album, “All American Made,” proves that she hasn’t taken a moment of it for granted. Delivering on the promise of her debut and then some, the record finds Price planting her flag firmly in the soil as a songwriter who’s here for the long haul, one with the chops to hang with the greats she so often finds herself sharing stages with these days.

A prolific writer with a knack for candid self-reflection, Price has never had to look too far for inspiration, and on ‘All American Made,’ she and her songwriting partner/ husband, Jeremy Ivey, continue to depict the trials of everyday life with un inching honesty, painting poetically plainspoken portraits of men and women just trying to get by.

Highs and lows, long nights and hard days, wild women and cocaine cowboys, politics and sexism, it’s all in there, singularly filtered through Price’s wry, no-bullshit perspective. Throughout the album, her contemporary take on classic sounds is at once familiar and daring, an infectious blend of Nashville country, Memphis soul, and Texas twang that tips its cap to everyone from Waylon and Willie (who makes a guest appearance) to Loretta and Dolly, all while flipping a middle finger to the cookie-cutter pop that dominates modern country radio. Rich with swirling pedal steel, honky-tonk rhythms, and Price’s stop-you-in-your-tracks vocals, ‘All American Made’ is deeply reverent of tradition even as it challenges conventions, a nuanced exploration of conflicted emotions for our deeply conflicted times.

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Bjork

Bjork

Utopia [LP]

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‘Utopia’ is the ninth studio album from the iconic artist Björk, out November 24th via One Little Indian Records. The album's artwork was created in collaboration of M/M, Jesse Kanda and James Merry and reflects the records sonic direction; optimism, lightness, utopia. The album is written by Björk with five of the 14 songs co-written by Arca and one of the songs co-written by Sarah Hopkins. All of the songs except one is coproduced by Arca. One of the songs is co-produced by Rabit. Björk formed a twelve piece Icelandic female flute orchestra, which she arranged for and conducted. She also wrote an arrangement for Hamrahlíðarkórinn, a choir conducted by Þorgerður Ingólfsdóttir. The album was edited and structured by Björk on Protools. It was engineered by Bergur Þórisson, Bart Migal and Chris Elms. It was mixed by Heba Kadry and Marta Salogni and mastered by Mandy Parnell. The album cover was created by Jesse Kanda, in collaboration with Björk, James Merry and makeup artist Hungry. The rest of the album artwork will feature new digital illuminations and typography from MM Paris. Of the album she explained to Dazed this Summer that, ““Maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, If we don’t have the dream, we’re just not gonna change. Especially now, this kind of dream is an emergency.

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Thom Yorke

Tomorrow’s Modern Boxes is an eight-track record from Thom Yorke, available on vinyl and CD. A record born of silver darkness, pressed onto heavyweight 180g white vinyl completed with undersize 75mm centre labels, housed within heavy white board inner and outer sleeves. These are printed with a metallic silver laminate then multi-tone black and a striking neon green.

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Curtis Harding

CURTIS HARDING could best be described as a student of the gritty, sweat-dripping, hip-swinging blues that wafted through the air of the American sixties. The offspring of a mother who sang gospel, and a retired veteran, he traveled all over the country as a child, singing alongside his parents, learning that music was in fact the great communicator, and that the key was not just in how pretty the notes were, but how if you were honest in what you were singing, you could stir a person on the inside. This is what Otis Redding knew. What Sam Cooke, and Bo Diddley, and B. B. King knew. That somehow there was a way to take your experiences, your pain and joy, and give them melody, cause them to live and breathe and massage the hearts and minds of all those who hear. 

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Cults

Cults

Offering [LP]

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Cults made their name in black and white. A pair of film school dropouts who burst onto the New York scene with a perfect single and a darkly retro sound, the band’s first two albums play like noirish documentaries on a lost girl group. Four years after Static, Cults returns with Offering, an exciting collection of songs bursting with heart, confidence, shimmering melody and buzzing life. The time off has given the band new energy and new ideas--Cults are working in Technicolor now. The core duo remains the same. Madeline Follin and Brian Oblivion, both 28, still live in New York. They still finish each other's thoughts and still share a love of catchy music and black humor. But the pair have put some blood on the tracks since their breakout debut: they've toured the world, built a devoted audience, survived a breakup, grown up in green rooms, parted ways with their old label and made a home of their new one. Offering is the work of two artists who know what they want and how to make it happen.

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Cut Copy

Cut Copy

Haiku From Zero [LP]

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Cut Copy return with their first studio album in 4 years, Haiku From Zero. In the past decade, the GRAMMY Nominated band has become an international act, headlining massive sold-out tours and festivals including Coachella, Ultra, Lollapalooza, Primavera, Pitchfork and more. Their high-energy live show is matched by the beautiful complexity of their songs with nods to many genres cleverly combined to create indelible pop songs. The new album showcases a band in full command of their powers to move people both emotionally and physically.

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Chelsea Wolfe

While past albums operated on the intimacy of stripped-down folk music (The Grime and the Glow, Unknown Rooms), or the throbbing pulse of supplemental electronics (Pain Is Beauty, Abyss), Chelsea Wolfes sixth official album Hiss Spun wrings its exquisiteness out of a palette of groaning bass, pounding drums, and crunching distortion. Recorded by Kurt Ballou (Converge), the album was conceived as an emotional purge, a means of coming to terms with the tumult of the outside world by exploring the complexities of ones inner unrest. Im at odds with myself, she explains. I got tired of trying to disappear. The record became very personal in that way. I wanted to open up more, but also create my own reality. Hiss Spun features contributions by Aaron Turner (Old Man Gloom, SUMAC) and Troy Van Leeuwen (Queens of the Stone Age, Failure).

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METZ

METZ

Strange Peace [LP]

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Since releasing their self-titled debut record in 2012, which The New Yorker called, “One of the year’s best albums…a punishing, noisy, exhilarating thing,” the Toronto-based 3-piece METZ have garnered international acclaim as one of the most electrifying and forceful live acts, touring widely and extensively, playing hundreds of shows each year around the world. Now, Alex Edkins (guitar, vocals), along with Hayden Menzies (drums), and Chris Slorach (bass) are set to unleash their highly-anticipated third full-length album, Strange Peace, an emphatic but artful hammer swing to the status quo. "The best punk isn't an assault as much as it's a challenge — to what's normal, to what's comfortable, or simply to what's expected. Teetering on the edge of perpetual implosion,” NPR wrote in their glowing review of METZ’s 2015 second album, II. Strange Peace was recorded in Chicago, live off the floor to tape with Steve Albini. The result is a distinct artistic maturation into new and alarming territory, frantically pushing past where the band has gone before, while capturing the notorious intensity of their live show. The trio continued to assemble the album (including home recordings, additional instrumentation) in their hometown, adding the finishing touches with longtime collaborator, engineer and mixer, Graham Walsh. Strange Peace isn’t merely a collection of eleven uninhibited and urgent songs. It’s also a kind of sonic venting, a truculent social commentary that bludgeons and provokes, excites and unsettles. With all the pleasurable tension and anxiety of a fever dream, Strange Peace is equal parts challenging and accessible. It is this implausible balancing act, moving from one end of the musical spectrum to the other, that only a band of METZ’s power and capacity can maintain: discordant and melodic, powerful and controlled, meticulous and instinctive, subtle and complex, precise and reckless, wholehearted and merciless, brutal and optimistic, terrifying and fun. “Their whiplash of distortion is made with precision, a contained chaos. But you would never talk about them like that. Because METZ are not something you study or analyze,” wrote Liisa Ladouceur in Exclaim! “They are something you feel: a transfer of energy, pure and simple.” In other words: to feel something, fiercely and intensely, but together, not alone.

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Lucinda Williams

Lucinda Williams

This Sweet Old World

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In a rare instance of an artist taking a full-length reconsideration of an earlier work, Grammy-winning singer-songwriter Lucinda Williams will release This Sweet Old World – a complete re-recording of her 1992 album Sweet Old World – via Highway 20/Thirty Tigers on Sept. 29.

Produced by Williams and Tom Overby, This Sweet Old World — recorded to mark the 25th anniversary of the original album’s release by Chameleon/Elektra — features all-new renditions of the ’92 set’s 12 songs, some of which have been dramatically rearranged and rewritten.

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Beck

Beck

Colors [Red LP]

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Beck returns with his new album Colors, the follow up to the Grammy Album of the Year winner Morning Phase. Produced by Greg Kurstin and featuring “Dreams”, the album is available on CD, Red LP, Deluxe Red 2LP and an Indie Exclusive Limited Edition Yellow LP featuring exclusive artwork.

 

Beck
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Ray Wylie Hubbard

Whether or not you subscribe to the adage that the devil always has the best music, you can take it on faith that anytime he pops up from a cameo in a Ray Wylie Hubbard song, the results are gonna be pretty damned entertaining. And as any fan of the Hubbard cannon knows, Old Scratch pops up in his songs a lot nearly as often as all of Hubbard's wise-cracking black birds, lyrical and musical nods to Lightnin' Hopkins, bad-ass women (usually Hubbard's own wife, Judy), and a myriad of other grifters, ruffians, and scrappy cats of the gnarly and general lowdown variety. Somewhere or another on just about every Ray Wylie Hubbard album, the devil gets his due and he's now even worked his way up to the top billing on his acclaimed songwriter's latest, Tell the Devil I'm Gettin' There as Fast as I Can.

Ray Wylie Hubbard
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LCD Soundsystem

AMERICAN DREAM is the long awaited fourth album from LCD Soundsystem. The album is available digitally, and on CD and LP.

The first two singles released from the album are "call the police" and "american dream," that moved Pitchfork to rave the songs "couldn't sound timelier" and that "Murphy and company have never sounded so invigorated." The New York Times hailed "call the police" as "a quietly ambitious protest song… except that instead of searing, it motors," and Noisey embraced "american dream" like "a warm blanket." The band debuted both of these tracks on a May, 2017 appearance on Saturday Night Live. The next track and video that followed is "tonite."

LCD Soundsystem
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Lana Del Rey

Lana Del Rey

Lust For Life

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The fifth album from Lana Del Rey includes the singles "Love" and "Lust For Life". The album also features guest appearances from A$AP Rocky, Stevie Nicks, Sean Lennon, and Playboi Carti.
Lana Del Rey
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Queens Of The Stone Age
“The title Villains isn’t a political statement. It has nothing to do with Trump or any of that shit. It’s simply 1) a word that looks fantastic and 2) a comment on the three versions of every scenario: yours, mine and what actually happened… Everyone needs someone or something to rail against— their villain—same as it ever was. You can’t control that. The only thing you can really control is when you let go.” —Joshua Homme Hundreds of epic shows, memory lapses, unexplained injuries, one yearlong detour with Iggy Pop and multiple Grammy nominations later, Queens Of The Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, out August 25 on Matador Records. Produced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens Of The Stone Age since 2013’s …Like Clockwork gave the band its first #1 album in the U.S. Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took …Like Clockwork around the world and back are as unmistakable as ever, though coexisting with sufficient new twists to induce recurring double takes. As Homme himself puts it, “The most important aspect of making this record was redefining our sound, asking and answering the question ‘what do we sound like now?’ If you can’t make a great first record, you should just stop—but if you can make a great record but you keep making records and your sound doesn’t evolve, you become a parody of that original sound.” Longtime Queens cohort co-producer Mark Rankin added, “After the baptism of fire that was …Like Clockwork, I was excited to get into the studio again with the challenge of pushing the sound for this record, especially with the the addition of Ronson into the creative mix… What we’ve made is forward looking yet unmistakably Queens.”
Queens Of The Stone Age
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Arcade Fire
The fifth full-length studio release for the Canadian indie rock band was co-produced with Daft Punk's Thomas Bangalter, Portishead's Geoff Barrow, Markus Dravs, and Pulp's Steve Mackey. Features "Electric Blue".
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Steve Earle & The Dukes
So You Wannabe an Outlaw, Earle’s first album for Warner Bros. Records since 1997’sEl Corazón, explores his country songwriting roots and features collaborations with Willie Nelson, Johnny Bush, and Miranda Lambert. “There’s nothing ‘retro’ about this record,” Earle says. “I’m just acknowledging where I’m coming from.” So You Wannabe an Outlaw is the first recording he has made in Austin, TX. Earle has lived in New York City for the past decade. “Look, I’m always gonna be a Texan, no matter what I do,” he says. “And I’m always going to be somebody who learned their craft in Nashville. It’s who I am.”
Steve Earle & The Dukes
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Iron & Wine

Iron & Wine

Beast Epic [LP]

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"I can whine about it all but I won't." -Samuel E. Beam The first Iron & Wine song that I ever remember hearing was “Dead Man's Will,” originally featured on the Yeti 1 compilation CD. Its hushed eloquence and unadorned beauty lent it a sort of soft power*, a triumph of instinct over overstatement. That was in 2001. In 2017, Beast Epic, Iron & Wine’s fourth album of new material for Sub Pop and it's sixth overall, recasts soft power as a series of vignettes, observations and regular old songs that redeem through joy and a certain expectation of grace. Even the instant classic, “Bitter Truth”, with a lyric as pained and direct as any I've heard from Iron & Wine, is leavened with background vocals recalling The Jordanaires. Sam Beam has called Beast Epic his "most personal" album to date. It is the first Iron & Wine album that he's produced since The Creek Drank The Cradle, though the results are vastly different. This album brims with surprise flourishes, classic touches and an appealing confidence that is evident on songs like “Call It Dreaming." After a decade and a half of prodigious expression and exploration, recording as both Iron & Wine and eponymously, Sam Beam confessed that he has finally figured out how to make records. He had me fooled all along. Beast Epic will be available worldwide through Sub Pop Records on August 25th. It's my favorite Iron & Wine album by a mile. - Jonathan Poneman Iron & Wine’s Beast Epic was written and produced by Sam Beam, and recorded and engineered by Tom Schick at the Loft in Chicago in July 2016 and January 2017. The musicians who played on Beast Epic include longtime Iron & Wine collaborators Robert Burger (keys), Joe Adamik (percussion), and Jim Becker (guitar, banjo, violin, mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello). Beast Epic was mastered by Richard Dodd in Nashville, Tennessee. *The term "soft power" was cribbed from author and Harvard professor Joseph Nye, but used in a different context.
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Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister
Planetarium is a concept album that occasionally gives way to ambient interludes and majestic brass chorales, buttressed by a percussive drive that keeps the momentum skyward. In spite of all the experimentation in sound and style, Sufjan’s vocals provide a clear and coherent center of gravity. The album includes some of his most diverse vocal performances to date (from soft hush to guttural scream), and whether he’s singing through effects pedals, vocoders, auto-tune or not, his voice delivers an ambitious flight map through the cosmos. Planetarium is an album co-composed by four musicians: Bryce Dessner, James McAlister, Nico Muhly, and Sufjan Stevens. Flanked by a string quartet and a consort of seven trombones, this unique collaborative ensemble has assembled an expansive song cycle that explores the Sun, the Moon, the planets and other celestial bodies of our solar system (and beyond) through soundscape, song, science and myth. The result of this creative alliance is a musical and aesthetic journey as far-reaching as its subject: from lush piano ballads to prog-rock political anthems, curious electronic back-beats to classical cadenzas, the vast musical styles seek to explore the diversity and mystery of our cosmos. The subject of the album is not just the wilderness of outer space, but the interior space of human consciousness and how it engages.
Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister
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Willie Nelson
'God's Problem Child' is Willie's first album to debut all-new songs since 'Band of Brothers' in 2014. It includes 13 new songs, including seven recently written by Willie and Buddy Cannon, his longtime collaborator and producer. The album's title track, penned by Jamey Johnson and Tony Joe White, includes vocals by both writers and the legendary Leon Russell (on what may be Russell's very last recording). Closing the album is "He Won't Ever Be Gone," a song written by Gary Nicholson that pays tribute to Willie's outlaw country comrade, Merle Haggard.
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Mac DeMarco
Before you ancients out there turn your heads and scoff at the premise of a twenty-something rock-and-roll goofball calling himself an old-anything, consider this: said perpetrator, he who answers to the name Mac DeMarco, has spent the better part of his time thus far writing, recording, and releasing an album of his own music pretty much every calendar flip, and pretty much on his own. The fresh meat you’re now feasting on, This Old Dog, makes for his fifth in just over half a decade—bringing the total to 3 LPs and 2 EPs.
Mac DeMarco
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Slowdive

Slowdive

Slowdive

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The world has finally caught up with Slowdive. A band whose reach goes far beyond just influencing music is back, with their first new album in 22 years. The album is called Slowdive - self-titled in an echo of their debut EP from 1990 - and is remarkably direct. "We were always ambitious," says frontman Neil Halstead. "Not in terms of trying to sell records, but in terms of making interesting records. Maybe, if you try and make interesting records, they're still interesting in a few years' time." Now, in 2017, the record is ready and first single from which, "Star Roving," shot to the top of the Billboard Trending 140 Chart. "There's a different energy about it," says drummer Simon Scott. "It took ages to get back together and write songs and for it to click in the studio, but this album doesn't feel like a bolt-on - it's got an energy that's as vibrant as Souvlaki and Just for a Day. It feels very relevant to now."
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The New Pornographers
'Cohesive.' It's a word New Pornographers founder A.C. Newman still sounds a little bit surprised to say as he describing the band's seventh album, Whiteout Conditions. It's a quality that you wouldn't necessarily intuitively associate with a so-called supergroup that, by its very collective nature, seems bound to have a good deal of stylistic variance built into the formula (or lack of it). Can an outfit built on the appeal of multiple frontmen and frontwomen develop a signature sound after all? Maybe, and maybe better late than never.
The New Pornographers
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Spoon
’Hot Thoughts’, Spoon’s 9th album, is the bravest, most sonically inventive work of their career, though keep in mind, Britt Daniel’s already overseen a number of other reincarnations. With all due respect to earlier efforts that have made the quintet both critically acclaimed and a commercial contender, preconceptions about this band are about to be obliterated. That’s not to say ‘Hot Thoughts’ doesn’t have a requisite supply of infectious earworms but there’s a lyrical bent that’s as carnal as it’s crafty, and a newfound sense of sonic exploration that results in the genre-smasher Spoon have flirted with in the past but not fully consummated. Produced by Dave Fridmann (Tame Impala, The Flaming Lips, Weezer, MGMT) and back with Matador (third time’s the charm) helps position Spoon to mount the highest highs of their already spectacular career. We are overjoyed to be back in the Spoon business and in time for Daniel’s spot in the pantheon of rock’s genius songwriters was well established a ways back — with the crackling, incandescent, multi-dimensional backdrop conjured on ‘Hot Thoughts’, the lines between accessible and experimental become non-factors for once and all. It’s pop as high art, delivered with total confidence and focus.
Spoon
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Ryan Adams

Ryan Adams

Prisoner

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Ryan Adams’ first original studio album since 2014 featuring “Do You Still Love Me.”
Ryan Adams
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Molly Burch
Molly Burch was exposed to the arts at an early age. Growing up in LA with a writer/producer father and a casting director mother, Burch's childhood was filled with old Hollywood musicals and the sounds of Patsy Cline, Billie Holiday and Nina Simone. After finding her voice in adolescence, Burch packed up for the UNC in Asheville to study Jazz Vocal Performance. "I was always really interested in singing before songwriting. I didn't always have the confidence to write," Molly says, "Initially it was more about finding the right songs to complement my voice." And that voice is the first thing you'll notice on Burch's debut album. It's smoky, with an incredible range, evocative of her influences. Searching for a bigger pond, Burch moved to Austin, Texas. There, she began to write her own music in earnest, with the lovelorn Everly Brothers and Sam Cooke as her guides. Motivated by an hourly studio rate, Burch recorded all basic tracks and vocals live in one room and in one day, with minimal overdubs happening later. A difficult task for any talented musician, it becomes more mind-blowing when you hear her belt it on tracks like "Downhearted" and "I Love You Still."
Molly Burch
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Run The Jewels
The third LP (not including cat-related material) from the duo of El-P and Killer Mike includes contributions from Danny Brown, Zack de la Rocha, Tunde Adebimpe (TV on the Radio), Boots, and Kamasi Washington.
Run The Jewels
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Ty Segall

Ty Segall

Ty Segall

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Life is a Rorschach, life is a Rashomon. Fuck your facts. Throw em out with yesterday s webpages. Lives lie beyond the equations of currency, border lines and government and truth is just a drop in the beholder s eye. Ty Segall has made whole records that wrestle with realities fighting against some, pulling mightily to bring others into being. Of late, he s thrown up his hands and donned clown shoes, dancing merrily in the dual role of oppressed/oppressor! His hands aren t any more or less dirty than anyone else s but amidst the thunder and the chaos of the ongoing storm, he s looking for the eye within. The new self-titled record the next record after Emotional Mugger, Manipulator, Sleeper, Twins, Goodbye Bread, Melted, Lemons, and the first self-titled album that started it up in the nowdistant year of 2008 is a clean flow, a wash of transparency falling into a world that needs to see a few things through clearly, to their logical end. It s got some of the most lobe-blasting neckwork since the Ty Segall Band s Slaughterhouse (from way back in the long, hot summer of 2012), but it also features a steep flight of fluent acoustic settings, as Ty s new songs range around in their search for freedom without exorcism, flying the dark colors high up the pole in an act of simple self-reclamation. All he wants is some truth! The construction and destruction of his chosen realities has, until now, been a luxury Ty has rightfully reserved for himself, striping overdubs together to form the sound but for this new album, he entered a studio backed by a full band Emmett Kelly, Mikal Cronin, Charles Moothart and Ben Boye to get a read on this so-called clarity. This leads to a new departure in group sound, as well as some of the most visceral and penetrating vocal passages yet heard from Ty Segall. Freedom/Warm Hands puts the sweet back into suite; Orange Color Queen is a supreme moment of tenderness; Talkin , a roots-infused truth-attack. Papers, looks behind the doors of Ty s process; Break A Guitar is a brutal fun-fest pitched to the back of the house. Ty Segall keeps you guessing, bracing your skin with a welcome astringency, seeking to stem the bleeding with chunks and splashes of guitar, tight beats, audio-verité toilet smashes, a Wurlitzer electric piano in a jam, blazing harmonies, and LOTS of songs to sing. There s no concept beyond that; finding the right places to be is a momentary thing. Ty Segall is the sum of his songs and about getting the free. The free to be!
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Tycho

Tycho

Epoch

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Epoch is the latest album from Scott Hansen's continually expanding project Tycho. The album is at once a departure and an evolution for Tycho; honing the sonic aesthetic of Dive while drawing on the kinetic energy of Awake, it explores darker themes and new musical territory.
Tycho
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Japandroids
JAPANDROIDS is a two-piece band from Vancouver, BC., which began in 2006 and consists of Brian King and David Prowse. JAPANDROIDS are one guitar, one set of drums, and two vocalizers. JAPANDROIDS are maximal in their delivery; a two- piece band sounding like a five-piece band. With the release of their second album, Celebration Rock in 2012 the band embarked on what seemed like an endless world tour, performing over 200 shows in over 40 countries, and played their final show in support of Celebration Rock in Buenos Aires, Argentina in November 2013. They would not perform live again for three years. Their third album, Near To The Wild Heart Of Life, was written clandestinely throughout 2014 and 2015 in Vancouver, Toronto, New Orleans, and Mexico City. It was (mostly) recorded at Rain City Recorders in Vancouver, BC (Fall of 2015), with one song, “True Love And A Free Life Of Free Will”, recorded at Golden Ratio in Montreal, QC (February, 2015). The title, Near To The Wild Heart Of Life, comes from a passage in the novel A Portrait Of The Artist As A Young Man by James Joyce: “He was alone. He was unheeded, happy, and near to the wild heart of life.” Like their prior albums Post-Nothing and Celebration Rock, the album is 8 songs. This is because 8 songs is the standard template for a great rock n roll album. Like Post-Nothing and Celebration Rock, the album was sequenced specifically for the LP. On Near To The Wild Heart Of Life, side A (songs 1-4) and side B (songs 5-7) each follow their own loose narrative. Taken together as one, they form an even looser narrative, with the final song on side B (song 8) acting as an epilogue. If Celebration Rock was the culmination of something, then Near To The Wild Heart Of Life can be considered the beginning of something else.
Japandroids
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The xx
I See You is marked by a tonal shift to something close to pure, crisp pop structure, adorned by unusual crescendos that echo a dextrous DJ inching their dancer toward climax without ever quite lifting the house lights. Its lyric sheet moves from the danger and hopelessness of love to its deliciousness and rapture; a move into a more outward looking proposition. I See You is recognizably still The xx but is now powered by the voluble ambition of its three perfect counterweights to one another starting to not just realize but harness their full potential. You might even want to think of the decisive move from Joy Division to New Order here, too. When they take their plum festival slots in 2017, armed with the ten most robust songs of their career, The xx should prick the skin and touch gently the shoulder of an audience reaching to the back of the field.
The xx
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The Flaming Lips
Produced by the band and their long-time producer Dave Fridmann, the highly anticipated album is the follow-up to THE LIPS’ globally acclaimed 2013 album, THE TERROR. On OCZY MLODY, THE LIPS return to form with an album no less experimental in nature, but perhaps more melodically song-oriented, recalling the best parts of their most critically applauded albums THE SOFT BULLETIN and the gold-certified YOSHIMI BATTLES THE PINK ROBOTS. The album will be released in several configurations: a 12-song CD, a 12-song digital version as well as a 12-song double-LP vinyl edition - pressed on colored vinyl and an 11-song single-LP vinyl edition (both of which include a digital download card of all 12 songs on OCZY MLODY), There is also a 7" red vinyl single of the band's cover of David Bowie's "Space Oddity" b/w "Jest (There Is...)".
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Solange

Solange

A Seat At The Table

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A Seat At The Table, is the new album from Solange Knowles. The album will be available digitally on September 30th, released on CD November 18th, and on vinyl LP December 9th. Solange describes A Seat At The Table as "a project on identity, empowerment, independence, grief and healing." A Seat At The Table was written by Solange, and features a host of guest artists including Q-Tip, Kelly Rowland, The Dream, BJ The Chicago Kid, Kelela, Tweet, Moses Sumney, Sampha, Sean Nicholas Savage, Nia Andrews, Devonte Hynes of Houston Texas and Lu of Carolina.
Solange
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Childish Gambino
As Childish Gambino once again sheds his skin, “Awaken My Love!” is a sonic evolution. It has been described as “R&B meets Pink Floyd,” by one journalist while others have cited an amalgam of rock, funk, and soul influences. It is a groundbreaking next step following the genre blending STN MTN / Kauai mixtape and the twice-Grammy nominated rap album, because the internet.
Childish Gambino
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The Clean
2001’s Getaway may be the best illustration of whatever mercurial, inexplicable musical power animates The Clean. After the band’s initial rush of activity between 1978 and 1982, the trio lay dormant until the end of the ’80s, when a string of reunion shows inspired the Kilgours and Scott to start recording again. After three well-received albums in the first half of the nineties—1990’s Vehicle, 1994’s Modern Rock, and 1996’s Unknown Country—The Clean disappeared again until the end of the decade, when another tour inspired another record. While playing gigs across New Zealand in celebration of their original label Flying Nun, David says they brought along a TEAC 4-track quarter-inch tape machine. “As usual, we started jamming and recording, and before you know, we thought we may be onto an LP.” Speed and spontaneity ended up defining Getaway. Robert says, “I remember writing ‘Silence or Something Else’ while the others went for a long walk. It was done by the time they got back. I probably would have gone for a straighter version, but I still like it.” David remembers, “Hamish wrote the instrumental ‘Jala' in about five minutes in a motel outside of Turangi.” At one point in the process, Yo La Tengo’s Ira Kaplan and Georgia Hubley were visiting from America, and they ended up on the record too. Getaway came out in August of 2001, with cover art by Hamish who says that his original artwork was the actual size of a compact disc case. After that, The Clean set out on another tour—including in New York City, where they happened to be during the terrorist attacks on 9/11. They coped with the tragedy by playing gigs with their American friends, and staying in the same creative space they’d been in since before they started working on the album. “I remember we did some great gigs on the New Zealand tour, debuting some of the new material,” Hamish says. “‘Stars’ was a favorite for the big 12-string sound.” A live version of the pulsing, soaring “Stars”—along with a couple of other Getaway songs and Clean classics like “Fish,” “Side On,” “Quickstep,” and “Point That Thing Somewhere Else”—appear on the rare 2003 album Syd’s Pink Wiring System. That record is included with the Getaway reissue, along with the more experimental, piano-driven EP Slush Fund, from the same era. These bonus tracks reinforce the idea of the Getaway-era Clean as especially plugged in, generating inspired and beautiful music almost on instinct. Indeed, they’ve done justice to a key album in The Clean discography—a record that honors the band’s origins as garage-rock-loving New Zealand kids, excited just by the hum of a good, cheap amplifier. Songs like the twangy, easygoing “Crazy,” the jaunty acoustic snippet “Cell Block No. 5,” and the trance-inducing “Circle Canyon” are more fine examples of Scott and the Kilgours’ interest in immediacy and a strong vibe, applied to catchy melodies. “Each album is a completely different beast,” Robert says. “We all change in different ways between each one, bringing different things to the table, and sometimes bringing nothing much at all.” But if Getaway proves anything, so long as all three members of The Clean are in the same space at the same time, anything can happen.
The Clean
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Alejandro Escovedo
Produced by Peter Buck (R.E.M.) and Scott McCaughey (The Minus 5) Burn Something Beautiful is Alejandro's 12th solo studio album and most definitive album to date. The album was written, arranged and performed as a true collaboration with Peter and Scott in Portland, OR. The band is rounded out with guitarist Kurt Bloch (Fastbacks), Decembertists' drummer John Moen, Los Lobos' saxophonist Steve Berlin and singers Corin Tucker (Sleater-Kinney) and Kelly Hogan (Neko Case).
Alejandro Escovedo
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The Rolling Stones
On 2nd December 2016, The Rolling Stones will release Blue & Lonesome , their first studio album in over a decade. Recorded in just three days in London, England, Blue & Lonesome takes the band back to their roots and the passion for blues music which has always been at the heart and soul of The Rolling Stones.
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The Weeknd

The Weeknd

Starboy

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The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.
The Weeknd
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Jim James

Jim James

Eternally Even

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Free Stuff
My Morning Jacket frontman Jim James’ release Eternally Even, the follow up to his critically acclaimed 2013 solo debut, Regions of Light and Sound of God. Produced by Grammy-nominated Blake Mills.
Jim James
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Bon Iver
22 stands for Justin Vernon. The number’s recurrence in his life has become a meaningful pattern through encounter and recognition. A mile marker, a jersey number, a bill total. The reflection of '2' is his identity bound up in duality: the relationship he has with himself and the relationship he has with the rest of the world. A Million is the rest of that world: the millions of people who we will never know, the infinite and the endless, everything outside one’s self that makes you who you are. The other side of Justin’s duality is the thing that completes him and what he searches for. 22, A Million is thus part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. When Justin sings, “I’m still standing in the need of prayer” he begs the question of what’s worth worshipping, or rather, what is possible to worship. If music is a sacred form of discovering, knowing and being, then Bon Iver’s albums are totems to that faith. The poly-fi record formed at the congruence of a bold yet delicate sonic palette. These sounds were the way out from the suffocating enclosure and captivity of anxiety. The ten songs of 22, A Million are a collection of sacred moments, love’s torment and salvation, contexts of intense memories, signs that you can pin meaning onto or disregard coincidence. If 2011’s Bon Iver, Bon Iver built a habitat rooted in physical spaces, then 22, A Million is the letting go of that attachment to a place.
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Nicolas Jaar

Nicolas Jaar

Sirens

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2016 release. Dothan, Alabama continues to roar with the sound of Hart Ramsey and The Northview Christian Church. As the follow-up release to the successful Next Now, Hart Ramsey & the NCC Choir deliver an interactive session of Praise & Worship through True Story. Filled with the message of healing and restoration, True Story speaks to the body of Christ as a whole. The single "Blown Away" highlights every aspect of this release. It communicates to the listener that in our journey despite where we are a person or people, God's endless and amazing love reaches past our adversities and showers us with an everlasting love. "Here We Are" and "Friendship" are songs of perseverance and recovery. In our ever-changing world, we tend to forget that grace covers a multitude of sins. True Story reminds us that our transparency is the first step in receiving true healing and that there is strength in our unity as a whole.
Nicolas Jaar
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Danny Brown
He is unmatchable in flow, delivery, and voice. Danny Brown has all the tools to be the greatest working rapper-PITCHFORK Atrocity Exhibition is one of the freshest and boldest-sounding rap albums in recent memory, a sonic swirl inspired by the work of Talking Heads and Joy Division that nonetheless sounds like nothing else from the past or present. Featuring contributions from producers like Evian Christ, Petite Noir (who also lends vocals to the world-weary clang of Rolling Stone), Black Milk, the Alchemist and frequent collaborator Paul White, the album is full of laser-beam guitars, gym-teacher whistles, creaking vocal samples, and air-raid drones. It is the most intriguing take on hallucinatory rap since the heady heights of Cold Vein or Madvillainy.
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Norah Jones

Norah Jones

Day Breaks

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One of music s most beautiful and critically acclaimed voices returns with a new studio album that finds her returning to her jazz roots. DAY BREAKS proves Norah to be this era s quintessential American artist, the purveyor of an unmistakably unique sound that weaves together the threads of several bedrock styles of American music: country, folk, rock, soul, jazz. The album is a kindred spirit to Norah s GRAMMY winning debut COME AWAY WITH ME, though it is unquestionably the work of a mature artist who has lived and grown immensely in her craft.
Norah Jones
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S U R V I V E
Formed in 2009, the prolific Austin, TX experimental synth quartet S U R V I V E have released two full-lengths and numerous EPs / singles since their inception, including recent contributions to the soundtrack for the acclaimed indie horror film The Guest. Additionally, two of the group s members recently scored the soundtrack for the new hit sci-fi / horror show Stranger Things starring Winona Ryder on Netflix. S U R V I V E have appeared at numerous esteemed festivals across the US including Moogfest, Levitation Fest, Fun Fun Fun, Beserktown, Day in The Desert, Decibel, etc. and have played alongside acts like Goblin, John Maus, Tame Impala, Lightning Bolt, This Will Destroy You, A Place To Bury Strangers, Max Cooper, and many others; Noisey even called their live show 'transcendental.'
S U R V I V E
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Various Artists

Various Artists

Head Carrier

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For the first time since their very early days, the Pixies spent a total of six weeks in pre-production, writing, arranging and rehearsing a plethora of songs. Between the band's late-80s/early 90s touring schedule and delivering an album once a year, there simply wasn't time for more than a day or so of fleshing out their music before recording started.
Various Artists
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Nick Cave & The Bad Seeds
Nick Cave & the Bad Seeds' sixteenth studio album, Skeleton Tree, will be released globally on vinyl, CD and across all digital platforms on 9th September 2016. This follows the Bad Seeds' most critically and commercially successful release of recent times, Push the Sky Away (2013). Skeleton Tree began it's journey in late 2014 at Retreat Studios, Brighton, with further sessions at La Frette Studios, France in autumn 2015. The album was mixed at AIR Studios, London in early 2016. The first opportunity anyone will have to hear any of the songs from the album will be to watch One More Time With Feeling, directed by Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford, Killing Them Softly). The film will screen in more than 650 cinemas across the world on 8th September 2016, immediately prior to the release of Skeleton Tree the following day.
Nick Cave & The Bad Seeds
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Wilco

Wilco

Schmilco

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Schmilco is the upcoming tenth studio from Wilco featuring the tracks "Locator" and "If I Ever Was A Child".The 12-track album, out September 9th, focuses on acoustic arrangements, with lyrics that explore self-identity and public perceptions of the group. "I think this record is 'joyously negative,'" Tweedy said of the album. "It's sad in a lot of ways but not in any that reach a conclusion of doom or hopelessness. I just had a lot of fun being sour about the things that upset me."
Wilco
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Devendra Banhart
Nonesuch Records releases Devendra Banhart's new album, Ape in Pink Marble, on September 23, 2016. The album, Banhart's ninth, was written, produced, arranged, and recorded in Los Angeles by the singer / songwriter / guitarist with his longtime collaborators Noah Georgeson and Josiah Steinbrick, both of whom also worked on Banhart's most recent album, Mala (2013).
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Beach Slang
Less than a year after their debut full-length landed on year-end lists from the likes of AV Club, Paste, SPIN, and Noisey, and earned praise from sources as diverse as Pitchfork to People magazine, Beach Slang return with their sophomore album A Loud Bash of Teenage Feelings. Written and recorded in the midst of a relentless touring schedule that found the band selling out sweat drenched shows across the U.S. and Europe, A Loud Bash is exactly what its title implies -- a raucous collection of shout-along punk rock anthems anchored by frontman James Alex's trademark heart-on-sleeve lyricism.
Beach Slang
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Die Antwoord
In 2009 Die Antwoord (Translated From Afrikaans As "The Answer") Burst Onto The International Scene Out Of The Deep Dark Depths Of South Africa. The Rave Rap Duo Of Ninja And ¥O-Landi Vi$$Er Introduced Zef Culture Into The Pop Culture Lexicon, And Pop Culture Hasn't Been The Same Since. Early Videos "Zefside" And "Enter The Ninja" Racked Up A Combined 35 Million Views, The Band'S Website Crashed Due To The Influx Of Traffic, And No One Has Been Able To Look At Pink Floyd'S "Dark Side Of The Moon" Art The Same Way Again. Their 2012 Anthem "I Fink U Freeky" From Their Sophomore Album Ten$Ion, Currently Has Over 87 Million Youtube Views. In Total Their Videos Have Over 250 Million Views And Their Albums Are Approaching A Million In Sales Worldwide. In 2014 "Donker Mag", Contained Their Next Breakthrough Tracks And Remarkable Videos For Pitbull Terrier (24 Million Views) And Ugly Boy (64 Million Views) Now Die Antwoord Is Set To Release Their Next Mastepiece My Ninji And Da Nice Time Kid And The Next Breakthrough Video For Banana Brain.
Die Antwoord
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Led Zeppelin
Nearly 20 years ago, Led Zeppelin introduced BBC Sessions, an acclaimed two-disc set of live recordings selected from the band's appearances on BBC radio between 1969 and 1971. Later this year, the band will unveil THE COMPLETE BBC SESSIONS, an updated version of the collection that's been newly remastered with supervision by Jimmy Page and expanded with eight unreleased BBC recordings, including three rescued from a previously "lost" session from 1969.
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Willie Nelson
For the Good Times: A Tribute to Ray Price finds Willie paying tribute to one of his most legendary influences and longtime friend, Ray Price. The album debuts Willie's new interpretations of 12 songs Price made famous, including "Heartaches by the Number," "Crazy Arms," "Night Life," "Faded Love" and "For the Good Times." It was produced and arranged by longtime Nelson and Price friends/collaborators, Fred Foster and Bergen White.
Willie Nelson
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Of Montreal

Of Montreal

Innocence Reaches

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of Montreal is one of the preeminent indie bands of the past 20 years -- critical darlings who have received praise from the likes of Rolling Stone, The New York Times, Pitchfork, Village Voice, LA Times, Entertainment Weekly and SPIN. They are known the world over for their over-the-top live show spectacle which has included frontman Kevin Barnes riding a live horse out onto the stage at Roseland Ballroom in New York City, elaborate stage sets, and often features more theatrical performers than musicians. The band has performed at everything from Coachella to Bonn- aroo, Lollapalooza to Sasquatch and even Hollywood Bowl opening for Miss Grace Jones.
Of Montreal
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Case/Lang/Veirs
case/lang/veirs, a true collaboration between three phenomenal, self-driven artists: avant-rock icon Neko Case, legendary musical nomad k.d. lang, and indie folk star Laura Veirs. The women wrote all 14 songs and shared lead vocals equally, sometimes even within the same track. Full of stunning harmonies and spellbinding rhythms, case/lang/veirs travels through aches and eras, torch songs and tributes to the undersung.
Case/Lang/Veirs
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Radiohead
A Moon Shaped Pool is the ninth studio album from Radiohead, featuring “Burn The Witch,” “Daydreaming” and “True Love Waits.”
Radiohead
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Mitski

Mitski

Puberty 2

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Ask Mitski Miyawaki about happiness and she'll warn you: "Happiness fucks you." It's a lesson that's been writ large into the New Yorker's gritty, outsider-indie for years, but never so powerfully as on her newest album, 'Puberty 2'. "Happiness is up, sadness is down, but one's almost more destructive than the other," she says. "When you realise you can't have one without the other, it's possible to spend periods of happiness just waiting for that other wave." On 'Puberty 2', that tension is palpable: a both beautiful and brutal romantic hinterland, in which one of America's new voices hits a brave new stride.
Mitski
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Bat For Lashes
The fourth full-length release for Natasha Khan is a concept album about a woman who takes her honeymoon trip alone after her fiance was killed just before their wedding.
Bat For Lashes
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Maxwell
Grammy winning soul icon Maxwell's new album is blackSUMMERS'night, and is the second installment of a musical trilogy that kicked off 7 years ago with the acclaimed BLACKsummers'night. That prior album debuted at #1, earned two Grammy Awards along with platinum-plus sales status, and set the stage for this ambitious follow-up. The first single from blackSUMMERS'night, "Lake By The Ocean," has made major waves at radio and drawn widespread critical acclaim. The sultry track has been praised by Rolling Stone, Spin, and others (' a slow and finely crafted love ballad that makes the most of Maxwell's absolutely stunning vice...' hailed Yahoo.) The singer/songwriter recorded the new album in New York over the last several years with longtime collaborator/co-producer Hod David, and many of the same renowned musicians he's worked with throughout his career. seminal 1996 debut album, Maxwell's Urban Hang Suite, is celebrating its 20th anniversary, and remains enthusiastically commemorated by the music press. The album was credited for redefining classic soul, and earned Maxwell his first Grammy nominations, double platinum status and RIAA gold for the single, "Ascension (Don't Ever Wonder)." The platinum albums Embrya (1998) and Now (2001) followed. 2009 s BLACKsummers'night debuted at #1, and was universally welcomed as the inaugural offering of Maxwell's trilogy, winning two Grammys including Best R&B Album. To date, Maxwell has achieved 13 gold and platinum certifications from the RIAA.
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Deerhoof

Deerhoof

The Magic

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After all the accolades from press and peers, what’s a legendary band to do? Forget the recording studio, rent out an abandoned office space in the middle of the New Mexico desert, set up, plug in and play REALLY LOUD. Starting with hardly a notion of the outcome, by seven days later Deerhoof had found (you guessed it) The Magic: a raw and refreshing 15-song wallop of an album about what happens when you leave your comfort zone.
Deerhoof
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The Avett Brothers

The Avett Brothers

True Sadness

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In a heartfelt personal letter penned by Seth Avett, Grammy Award®-nominated alternative folk collective THE AVETT BROTHERS revealed today that they will be releasing their new album, True Sadness [American/Republic Records], on Friday June 24, 2016. The first single is titled Ain't No Man.
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DJ Shadow
New 2016 album frrom Californian hip-hop legend. Guests include Run the Jewels, Nils Frahm & Ernie Fresh
DJ Shadow
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Car Seat Headrest
With Teens of Denial, his first real “studio” album with an actual band, Will Toledo moves from bedroom pop to something approaching classic rock grandeur and huge (if detailed and personal) narrative ambitions, with nods to the Cars, Pavement, Jonathan Richman, Wire, and William Onyeabor. Teens of Denial refracts Toledo’s particular, personal story of one difficult year through cultural touchstones such as the biography of Frank Sinatra, the evolution of the Me Generation as seen in Mad Men and elsewhere, plus elements of eastern and western theology. The whole thing flaunts a kind of conceptual, lyrical, and musical ambition that has been missing from far too much 21st-century music. Horns, keyboards, and elegant instrumental interludes set off art-garage moments; vivid vocal harmonies follow punk frenzy. The selfish captain of the capsized cruise liner in the Mediterranean in 2013 becomes a metaphor for struggles of the individual in society, as experienced by one hungover young man on the verge of adulthood. The album was produced by Steve Fisk (Nirvana, Beat Happening, Soundgarden) at his studio in Seattle, July-September 2015. This is the first full album of new music from Car Seat Headrest released on Matador.
Car Seat Headrest
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Badbadnotgood

Badbadnotgood

IV

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BADBADBADNOTGOOD is the talented young quartet of Matthew Tavares on keys, Chester Hansen on bass, Alex Sowinski on drums & Leland Whitty on saxophone. They formed and became inseparable friends at Humber College's Music Performance program in 2011 and have been on a critically acclaimed, rule bending musical journey ever since. BBNG took the music world by storm with their 2014 LP, III, a brash yet refined record of angular jazz improvisations, lush ballads, kraut rock, & futuristic hip-hop tinged rhythms which led to a couple years of touring the world & collaborating with some of the best and brightest artists around the globe The boys are back with the new album IV, their most impressive and highly anticipated project yet. IV continues their forward thinking progression, sounding something like a jam session in space between Can, John Coltrane, Herbie Hancock's Headhunters, Weather Report, Arthur Russell & MF DOOM. With tracks like "Time Moves Slow" featuring haunting vocals from Sam Herring of Future Islands, the syncopated groove of "Lavender," a collaboration with Montreal based producer Kaytranada, the rumbling fusion build of "Confessions Pt. II" featuring Colin Stetson on the bass sax, "Love" which is highlighted with smokey left field raps from Mick Jenkins & the epic chords of "Speaking Gently," IV is an exploration in post-genre virtuosity. Out Summer 2016 on Innovative Leisure Records, BBNG prove yet again that the possibilities & discovery in their musical quest are infinite.
Badbadnotgood
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Michael Kiwanuka
Michael Kiwanuka's second album Love & Hate was recorded in LA and London produced by Grammy Award winner Dangermouse and young up-and-coming producer Inflo. Love & Hate is a fascinatingly assured and resonant body of work following Kiwanuka's acclaimed 2012 debut LP, Home Again. Honest, unabashed, and ambitious, this new record is Kiwanuka emerging from the emotional cocoon of his first album, ready to secure his position as one of the most exciting and renowned talents or our time.
Michael Kiwanuka
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Dinosaur Jr.
Let's face facts - in 2016 it is remarkable that there's a new Dinosuar Jr album to go ape over. After all, the original line-up of the band (J Mascis, Lou Barlow & Murph) only recorded three full albums during their initial run in the 1980s. Everyone was gob-smacked when they reunited in 2005. Even more so when they opted to stay together, as they have for 11 years now (on and off). And with the release of Give a Glimpse Of What Yer Not, this trio redivisus has released more albums in the 21st Century than they did in the 20th. It's enough to make a man take a long, thoughtful slug of maple-flavored bourbon and count some lucky stars.
Dinosaur Jr.
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Young The Giant
The wildly adventurous Home Of The Strange, the band's third, was produced by Alex Salibian (Elle King, Mikky Ekko) with 2016 Grammy winner for Producer of the Year Jeff Bhasker serving as the album's Executive Producer.
Young The Giant
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Thee Oh Sees
Emerging from the distant light is the new double-LP from John Dwyer's Thee Oh Sees-the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines. The groove and bludgeon one has come to expect from the band's live shows is captured seamlessly here-they go from zero to head-splitter, and on the rare occasions they do let up on the gas a bit, you're treated to some locked-in hypnotizers, too. The guitar sounds more colossal and ethereal at the same time, riding roughshod over the vacuum-sealed rhythm section, spiraling skywards, and diving into the emerald depths so quick your guts tingle. Synths, strings and smoke-soaked things crawl behind the scenes to make an extra far-out party platter, served on 45 RPM plates for most excellent listening quality. With amazing visuals (including a side-D etching by airbrush-van-art maestro Robert Beatty) and packed in vape-proof goatskin, it's a beast and, come August 12th, it can be yours should you so choose.
Thee Oh Sees
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Broncho
Third record from the Oklahoma quintet, taking a more spaced-out and groove-laden vibe, only hinted at on previous release Just Enough Hip To Be Woman. Includes the singles 'Fantasy Boys' and 'Senora Borealis'
Broncho
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Paul Simon

Paul Simon

Stranger To Stranger

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'The idea is not to just make another album,' Simon explains. 'The idea is to make something that s really worth a listen.' For anyone who s been listening to great music during the past half-century, Paul Simon is certainly no stranger. So one of the most remarkable things about his extraordinary new masterpiece, Stranger to Stranger Paul Simon s 13th solo record is that it conjures a vivid and vital new context to his well-established genius as a singer and songwriter. Full of thrilling textures that feel fresh and modern, while still offering subtle and artful allusions to our shared musical past, Stranger to Stranger presents the perfect opportunity to get to know Paul Simon in a new way.
Paul Simon
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Bob Dylan
Fallen Angels is the 37th studio album from Bob Dylan. Featuring twelve classic American tunes written by some of music's most acclaimed and influential songwriters including Johnny Mercer, Harold Arlen, Sammy Cahn And Carolyn Leigh the album showcases Dylan's unique and much-lauded talents as a vocalist, arranger and bandleader. The Jack Frost-produced album marks the first new music from the artist since his 2015 release, Shadows In The Night, which also showcased Dylan's interpretations of classic American songs. That album reached the Top 10 in seventeen countries, including #7 in the U.S., with #1 debuts in the United Kingdom, Ireland, Sweden and Norway.
Bob Dylan
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Tegan and Sara
Love You to Death is the follow up to Tegan and Sara's pop breakthrough album Heartthrob, which featured the singles "Closer", which was certified gold in the US, and "I Was a Fool". In addition to this, the band were featured on the LEGO Movie single "Everything is Awesome" with The Lonely Island, and were invited to perform that song as part of the 2015 Oscar telecast.
Tegan and Sara
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The Kills
Over their almost decade-and-a-half career, The Kills have released four records. Each one a restless, reckless enigmatic art statement that bristled with tension, anxiety, sex, unstudied cool and winking ennui, yet not one of them sounded like the previous one. Ash & Ice is the follow up to 2011’s critically lauded Blood Pressures and was five years in the making in part due to Jamie Hince’s five hand surgeries, which resulted in him having to re-learn how to play guitar with a permanently damaged finger.
The Kills
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Anohni
ANOHNI has collaborated with Oneohtrix Point Never and Hudson Mohawke on the artist's latest work, HOPELESSNESS. Late last year, ANOHNI, the lead singer from Antony and the Johnsons, released 4 DEGREES", a bombastic dance track celebrating global boiling and collapsing biodiversity. Rather than taking refuge in good intentions, ANOHNI gives voice to the attitude sublimated within her behavior as she continues to consume in a fossil fuel-based economy. ANOHNI released 4 DEGREES, the first single from her upcoming album HOPELESSNESS, to support the Paris climate conference this past December.
Anohni
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Catfish And The Bottlemen

Catfish And The Bottlemen

The Ride

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The most exciting new band to burst through in the UK, Catfish And The Bottlemen are poised for a breakthrough stateside with their new forthcoming D. Sardy produced album, The Ride. The band's debut album The Balcony is headed towards platinum in the UK and recently earned them a 2016 Brit Award for Best British Breakthrough Act.
Catfish And The Bottlemen
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Modern Baseball
Just a few years after self-recording their debut album between college classes, Philadelphia’s Modern Baseball will show the world a brand new version of themselves on their third full-length album, Holy Ghost. Thematically, the record is a time-capsule for the two years since the release of their Run For Cover debut You’re Gonna Miss It All, curated in two parts by the band’s guitarists and main songwriters, Jacob Ewald and Brendan Lukens. Splitting the record into two halves, both take the helm to curate the sonic journey into territory both familiar and foreign in the band’s discography. Whether it be on the stream of consciousness report on the down-trodden "Every Day” or the heartbreaking, question-filled lyrics on “Apple Cider, I Don’t Mind,” it becomes clear that Holy Ghost is a certainly transformative record for a band maturing into greatness.
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Sturgill Simpson
Produced by Simpson, A Sailor's Guide To Earth was written-beginning to end-as a letter to his first child who arrived during the summer of 2014 and features eight original songs as well as a rendition of Nirvana's "In Bloom." Recorded primarily at Nashville's The Butcher Shoppe, Simpson was joined in the studio by Grammy Award-winning engineer David Ferguson (Johnny Cash, John Prine, "Cowboy" Jack Clement) and assistant engineer Sean Sullivan. Along with members of his touring band, the album features Dave Roe on bass, Dan Dugmore on steel guitar, Dougie Wilkinson on bagpipes, Garo Yellin and Arthur Cook on cello, Jonathan Dinklage and Whitney LaGrange on violin and special guests The Dap-Kings.
Sturgill Simpson
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Leon Bridges

Leon Bridges

Coming Home

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Leon Bridges is the 'out of almost nowhere' story that only comes along once in a while. Awareness of Leon Bidges and his unique craft continues to grow authentically and consistently. It was only last summer that Leon was singing open mics in his hometown Fort Worth, TX. One of those open mics was attended by Austin Jenkins and Josh Block of the notable indie band White Denim who were absolutely floored by Leon's voice, songs, and creative vision.
Leon Bridges
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Drake

Drake

Views

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Drake returns with his fourth studio album Views taking the listener on a tour of his hometown Toronto. Featuring 20 tracks including the singles One Dance, Pop Style and Hotline Bling.
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Iggy Pop

Iggy Pop

Post Pop Depression

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2016 studio album from the alt-rock pioneer. Post Pop Depression was produced by Joshua Homme (Queens of the Stone Age and Eagles of Death Metal). The 17th Iggy Pop album, and a worthy addition to the 22 album legacy spawned with the immortal trilogy of The Stooges, Fun House and Raw Power, spanning massively influential solo outings including 1977's opening 1-2 combo of The Idiot and Lust For Life, and 1990's gold-certified Brick By Brick. The first Iggy Pop album co-created with producer Homme, Post Pop Depression began with a succinctly worded text from Iggy to Joshua, and was realized in seclusion with Homme's enlisted aid of his Queens Of The Stone Age band mate and Dead Weather-man Dean Fertitia and Arctic Monkeys drummer Matt Helders. Post Pop Depression is a singular work that stands proudly alongside the best works of either of its principles, from The Stooges to Queens Of The Stone Age, bearing it's creators' undeniable sonic DNA while sounding like nothing they've done before. It's a record that wouldn't exist without either Pop or Homme-and one that probably shouldn't in theory if you really think about it-but it does, and we and rock ‘n’ roll are all the better for it. "A lot of geezers my age don't work out of their comfort zone anymore because once you become legendary you don't want people challenging you." - Iggy Pop.
Iggy Pop
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Bonnie Raitt

Bonnie Raitt

Dig In Deep

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With Dig In Deep, her twentieth album, Rock and Roll Hall of Famer Bonnie Raitt comes out swinging. The follow-up to 2012’s triumphant Slipstream—the Grammy-winning, Top Ten-charting first release on her own Redwing Records label—the new record illustrates the delicate balance of consistency and risk-taking that has defined Raitt’s remarkable career for more than forty-five years.
Bonnie Raitt
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Big Star

Live performance from 1973 First time on LP (2 LP set with download card) LP and CD both come with download of rare interview with Alex Chilton and Andy Hummel

Big Star