{"product_id":"satie-erik-old-sequins-ancient-26-61-cd-501392933643","title":"Erik Satie - Old Sequins \u0026 Ancient Breastplates Historical (Uk) [CD]","description":"\u003cp\u003eA four disc Box set collection of historic Satie recordings, ranging from the 1920's onwards. Including such rarities as Henri Sauguet's 'Socrate' for solo voice and orchestra; piano sets by William Masselos and Aldo Ciccolini that have been out of print for decades; Serge Koussevitzky's vintage recordings of the 'Gymnopédies', (arranged for orchestra by Claude Debussy), and Francis Poulenc and Georges Auric's two pianos and four hands arrangement of 'Parade', the Diaghilev-Picasso-Cocteau ballet which created a scandal in Paris and for the first time forced upon Satie the glare of publicity. Satie's best known compositions, 'Trois Gymnopédies', composed in 1888 at the age of 22, and 'Trois Gnossiennes', which was written two years later, create the impression of being either very archaic or very modern; astonishing early expressions of the composer's originality. He invented minimalism, ambient music, (which he called \"furnishing music\") and prepared pianos in the 1890s, exploring new musical territories that John Cage would re-visit decades later. Deeply eccentric, Satie faced much derision during his lifetime, but today his uncompromising attitudes are widely admired and he now occupies a unique place in the realm of popular culture. Artists as diverse as David Hockney, Diana Rigg, Robert Wyatt and Eno are among those who have fallen under his spell. \"Of all the influential composers of our time, Satie is the only one whose works can be enjoyed and appreciated without any knowledge of the history of music... They are as simple, as straightforward, as devastating as the remarks of a child. To the uninitiated they sound trifling. To those who love them they are fresh and beautiful and firmly right. \" Virgil Thomson\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eManière de Commencement\u003c\/li\u003e\n\u003cli\u003eProlongation Du Même\u003c\/li\u003e\n\u003cli\u003eMorceaux I. Lentement\u003c\/li\u003e\n\u003cli\u003eMorceaux II. Enlevé\u003c\/li\u003e\n\u003cli\u003eMorceaux III. Brutal\u003c\/li\u003e\n\u003cli\u003eEn Plus. Calme\u003c\/li\u003e\n\u003cli\u003eRedite. Dans Le Lent\u003c\/li\u003e\n\u003cli\u003eObstacles Venimeux\u003c\/li\u003e\n\u003cli\u003eCrépuscule Matinal (De Midi)\u003c\/li\u003e\n\u003cli\u003eAffolements Granitiques\u003c\/li\u003e\n\u003cli\u003eDoux Et Calme\u003c\/li\u003e\n\u003cli\u003eSimplement\u003c\/li\u003e\n\u003cli\u003eUn Peu Mouvementé\u003c\/li\u003e\n\u003cli\u003eNo. 1 Lent Et Douloureux\u003c\/li\u003e\n\u003cli\u003eNo. 2 Lent Et Triste\u003c\/li\u003e\n\u003cli\u003eNo. 3 Lent Et Grave\u003c\/li\u003e\n\u003cli\u003eSa Taille\u003c\/li\u003e\n\u003cli\u003eSon Binocle\u003c\/li\u003e\n\u003cli\u003eSes Jambes\u003c\/li\u003e\n\u003cli\u003eIdylle\u003c\/li\u003e\n\u003cli\u003eAubade\u003c\/li\u003e\n\u003cli\u003eMéditation\u003c\/li\u003e\n\u003cli\u003eNo. 1 Lent\u003c\/li\u003e\n\u003cli\u003eNo. 2 Avec Étonnement\u003c\/li\u003e\n\u003cli\u003eNo. 3 Lent\u003c\/li\u003e\n\u003cli\u003eGrande Ritournelle\u003c\/li\u003e\n\u003cli\u003eMarche Franco Lunaire\u003c\/li\u003e\n\u003cli\u003eValse Du Mysterieux Baiser Dans L'oeil\u003c\/li\u003e\n\u003cli\u003eCan-Can Grand-Mondain\u003c\/li\u003e\n\u003cli\u003eEn Habit de Cheval\u003c\/li\u003e\n\u003cli\u003eApercus Désagréables\u003c\/li\u003e\n\u003cli\u003eManière de Commencement\u003c\/li\u003e\n\u003cli\u003eProlongation Du Même\u003c\/li\u003e\n\u003cli\u003eMorceaux I. Lentement\u003c\/li\u003e\n\u003cli\u003eMorceaux II. Enlevé\u003c\/li\u003e\n\u003cli\u003eMorceaux III. Brutal\u003c\/li\u003e\n\u003cli\u003eEn Plus. Calme\u003c\/li\u003e\n\u003cli\u003eRedite. Dans Le Lent\u003c\/li\u003e\n\u003cli\u003eJe Te Veux (I Want You) Jean Wiener: Piano\u003c\/li\u003e\n\u003cli\u003ePrélude de la Porte Héroique Du Ciel\u003c\/li\u003e\n\u003cli\u003ePrélude Posthume\u003c\/li\u003e\n\u003cli\u003eSur Un Vaisseau\u003c\/li\u003e\n\u003cli\u003eSur Une Lanterne\u003c\/li\u003e\n\u003cli\u003eSur Un Casque\u003c\/li\u003e\n\u003cli\u003eGymnopédie No. 1\u003c\/li\u003e\n\u003cli\u003eSarabande No. 2\u003c\/li\u003e\n\u003cli\u003eGnossienne No. 3\u003c\/li\u003e\n\u003cli\u003eIdylle\u003c\/li\u003e\n\u003cli\u003eAubade\u003c\/li\u003e\n\u003cli\u003eMéditation\u003c\/li\u003e\n\u003cli\u003eTyrolienne Turque\u003c\/li\u003e\n\u003cli\u003eDanse Maigre\u003c\/li\u003e\n\u003cli\u003eEspañaña\u003c\/li\u003e\n\u003cli\u003eNocturne No. 5\u003c\/li\u003e\n\u003cli\u003eSévère Reprimande\u003c\/li\u003e\n\u003cli\u003eSeul A la Maison\u003c\/li\u003e\n\u003cli\u003eOn Joue (We Play)\u003c\/li\u003e\n\u003cli\u003eGnossienne No.1\u003c\/li\u003e\n\u003cli\u003eGnossienne No.2\u003c\/li\u003e\n\u003cli\u003eGnossienne No.3\u003c\/li\u003e\n\u003cli\u003eCelle Qui Parle Trop\u003c\/li\u003e\n\u003cli\u003eLe Porteur de Grosses Pierres\u003c\/li\u003e\n\u003cli\u003eRegrets Des Enfermés\u003c\/li\u003e\n\u003cli\u003eD'holothurie\u003c\/li\u003e\n\u003cli\u003eD'edriophthalma\u003c\/li\u003e\n\u003cli\u003eDe Podophthalma\u003c\/li\u003e\n\u003cli\u003eChoral Inappetissant (Unappetizing Chorale)\u003c\/li\u003e\n\u003cli\u003eLa Balançoire (The Swing)\u003c\/li\u003e\n\u003cli\u003eLa Chasse (Hunting)\u003c\/li\u003e\n\u003cli\u003eLa Comédie Italienne (The Italian Comedy)\u003c\/li\u003e\n\u003cli\u003eLe Réveil de la Mariée (The Awakening of the Bride)\u003c\/li\u003e\n\u003cli\u003eColin-Maillard (Blind Man's Buff)\u003c\/li\u003e\n\u003cli\u003eLa Pêche (Fishing)\u003c\/li\u003e\n\u003cli\u003eLe Yachting (Yachting)\u003c\/li\u003e\n\u003cli\u003eLe Bain de Mer (Sea Bathing)\u003c\/li\u003e\n\u003cli\u003eLe Carnaval (Carnival)\u003c\/li\u003e\n\u003cli\u003eLe Golf (Golf)\u003c\/li\u003e\n\u003cli\u003eLa Pieuvre (The Octopus)\u003c\/li\u003e\n\u003cli\u003eLes Courses (Racing)\u003c\/li\u003e\n\u003cli\u003eLes Quatre-Coins (Puss in the Corner)\u003c\/li\u003e\n\u003cli\u003eLe Pique-Nique (The Picnic)\u003c\/li\u003e\n\u003cli\u003eLe Water-Chute (The Water Chute)\u003c\/li\u003e\n\u003cli\u003eLe Tango (Perpétuel) (The Perpetual Tango)\u003c\/li\u003e\n\u003cli\u003eLe Traîneau (The Sled)\u003c\/li\u003e\n\u003cli\u003eLe Flirt (Flirting)\u003c\/li\u003e\n\u003cli\u003eLe Feu D'artifice (Fireworks)\u003c\/li\u003e\n\u003cli\u003eLe Tennis (Tennis)\u003c\/li\u003e\n\u003cli\u003eGymnopédie No.1\u003c\/li\u003e\n\u003cli\u003eGymnopédie No.2\u003c\/li\u003e\n\u003cli\u003eGymnopédie No.3\u003c\/li\u003e\n\u003cli\u003eLa Diva de L'empire (The Diva of the Empire)\u003c\/li\u003e\n\u003cli\u003eChoral\u003c\/li\u003e\n\u003cli\u003eFugue Litanique\u003c\/li\u003e\n\u003cli\u003eAutre Choral\u003c\/li\u003e\n\u003cli\u003eFugue de Papier\u003c\/li\u003e\n\u003cli\u003eChoral\u003c\/li\u003e\n\u003cli\u003ePrélude Du Rideau Rouge\u003c\/li\u003e\n\u003cli\u003ePrestidigitateur Chinois\u003c\/li\u003e\n\u003cli\u003ePetite Fille Américane - Rag Time Du Paquebot\u003c\/li\u003e\n\u003cli\u003eAcrobates\u003c\/li\u003e\n\u003cli\u003eFinal - Suite Au Prélude Du Rideau Rouge\u003c\/li\u003e\n\u003cli\u003eDe L'enfance de Pantagruel\u003c\/li\u003e\n\u003cli\u003eMarche de Cocagne\u003c\/li\u003e\n\u003cli\u003eJeux de Gargantua\u003c\/li\u003e\n\u003cli\u003eChoral\u003c\/li\u003e\n\u003cli\u003eFugue Litanique\u003c\/li\u003e\n\u003cli\u003eAutre Choral\u003c\/li\u003e\n\u003cli\u003eFugue de Papier\u003c\/li\u003e\n\u003cli\u003eChoral\u003c\/li\u003e\n\u003cli\u003ePrélude Du Rideau Rouge\u003c\/li\u003e\n\u003cli\u003ePrestidigitateur Chinois\u003c\/li\u003e\n\u003cli\u003ePetite Fille Américane - Rag Time Du Paquebot\u003c\/li\u003e\n\u003cli\u003eAcrobates\u003c\/li\u003e\n\u003cli\u003eFinal - Suite Au Prélude Du Rideau Rouge\u003c\/li\u003e\n\u003cli\u003ePrélude Du Rideau Rouge - Prestigitateur Chinois\u003c\/li\u003e\n\u003cli\u003ePetite Fille Américane - Rag Time Du Paquebot\u003c\/li\u003e\n\u003cli\u003eAcrobates - Suite Au Prélude Du Rideau Rouge\u003c\/li\u003e\n\u003cli\u003eDe L'enfance de Pantagruel\u003c\/li\u003e\n\u003cli\u003eMarche de Cocagne\u003c\/li\u003e\n\u003cli\u003eJeux de Gargantua\u003c\/li\u003e\n\u003cli\u003eGymnopedie No.1\u003c\/li\u003e\n\u003cli\u003eGymnopedie No 1\u003c\/li\u003e\n\u003cli\u003eGymnopedie No 2\u003c\/li\u003e\n\u003cli\u003eIn Conversation Regarding Satie and Noise in the Environment\u003c\/li\u003e\n\u003cli\u003eWaltz from Three Easy Pieces for Piano Duet\u003c\/li\u003e\n\u003cli\u003eKyrie Eleison\u003c\/li\u003e\n\u003cli\u003ePrière Des Orgues\u003c\/li\u003e\n\u003cli\u003eCommune Qui Mundi Nefas\u003c\/li\u003e\n\u003cli\u003eChant Ecclésiastique\u003c\/li\u003e\n\u003cli\u003ePrière Pour Les Voyageurs Et Les Marins en Danger de Mort\u003c\/li\u003e\n\u003cli\u003ePrière Pour Le Salut de Mon me\u003c\/li\u003e\n\u003cli\u003ePortrait of Socrates (The Banquet)\u003c\/li\u003e\n\u003cli\u003eThe Banks of the Ilissus (Phedre)\u003c\/li\u003e\n\u003cli\u003eThe Death of Socrates (Phedon)\u003c\/li\u003e\n\u003cli\u003ePortrait of Socrates (The Banquet)\u003c\/li\u003e\n\u003cli\u003eThe Banks of the Ilissus (Phedre)\u003c\/li\u003e\n\u003cli\u003eThe Death of Socrates (Phedon)\u003c\/li\u003e\n\u003cli\u003eLa Statue de Bronze\u003c\/li\u003e\n\u003cli\u003eDaphénéo\u003c\/li\u003e\n\u003cli\u003eLe Chapelier\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"206","offers":[{"title":"New","offer_id":50567973077288,"sku":"501392933643","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0933\/3833\/7576\/files\/4105430-2848858.jpg?v=1763987705","url":"https:\/\/waterloorecords.com\/products\/satie-erik-old-sequins-ancient-26-61-cd-501392933643","provider":"Waterloo Records","version":"1.0","type":"link"}