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The burning pulse of the sun's nuclear fire scorching the desert. The smooth sliding of glistening skin over other skin in a throbbing rhythm. The swelling hum of motion in a mass of bodies. KLIMT 1918 capture many such fleeting moments in time and preserve them through cascading walls of sound and the elegant drone of guitars. The Italian's fifth album, \"Amor\", represents a climax of their acclaimed previous work into a most melancholic, sensual, and majestic collection of captivating music. \"Amor\" was born out of silence, solitude and social distancing. Yet as a deliberate artistic counterpoint, KLIMT 1918 decided to have all their new songs revolve around carnality, ardour, physical contact between bodies, and the urgent, compelling feelings that keep people awake at night. As a crowning glory, KLIMT 1918 were artistically knighted when the legendary Tony Doogan accepted to mix 'Amor' and Frank Arkwright (Abbey Road Studios) added his mastering genius. 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Erase the Slate blends Dokken's classic melodic metal roots with a more modern, late-'90s hard rock edge. Reb Beach brought a technically sharp yet fluid guitar style that differed from the flashier, more aggressive approach of former guitarist George Lynch. 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The album is pressed on solid yellow vinyl and includes a double-sided 12 x 12 insert. Unique among British feature filmmakers for the analogue way in which he crafts his films - all three feature films have been shot on 16mm using a Bolex clockwork camera - as well as his multifaceted roles as the writer, director, director of photography and editor of the film, once more he is responsible for handling the sound design and composing the original score. The new score mirrors the techniques employed in the Catalog Number: film, with analogue synthesisers drawing the listener into Release Date: nebulous hypnotic tones and delicate movements. Format: Box Lot: Composed, produced, engineered and performed by Genre: Mark Jenkin using synthesiser, guitar, percussion and Export Restrictions: Vinyl Not Returnable loops \u0026amp; effects, the environmental recordings remind us of the context in which the music was originally borne, Barcode: but as the score ebbs and flows between ambient tranquil seas and crashing storms, it affirms it's presence as a powerful stand-alone piece of work. 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Additional material is taken from 1973 Variety Studios sessions in NYC including \"In Tomorrow's Realm,\" where veteran Arkestra bassist Ronnie Boykins provided the anchor with his bass line forming it's vital rhythmic framework. This would be the final year Boykins worked regularly with Ra and this track is a fitting tribute to his role in the band, demonstrating how essential he was to Sun Ra's sound. 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One of the hidden gems of the European heavy metal underground, Burnin' Out is finally getting the treatment it deserves!Formed in Belgium in the early '80s, FN GUNS earned a solid following with their explosive blend of traditional heavy metal and hard rock energy, channeling the grit of Judas Priest, the power of Saxon, and the swagger of AC\/DC. After their acclaimed albums Wild Child (1983) and Nightmare (1984), the band returned with Burnin' Out - a more polished yet still fierce release, marked by sharp riffs, thundering rhythms, and memorable hooks.Originally released in 1987 through Stone Records in Belgium, Burnin' Out came out exclusively on vinyl, with a very limited pressing and no official CD release - until now. Copies of the original LP have become extremely rare and sought-after by collectors worldwide.This new Lost Realm Records edition brings Burnin' Out back to life with remastered audio, restored artwork, and an expanded booklet featuring liner notes, and rare photos. 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Recorded with the new guitarist Pat Lemoine (from the Belgian band CRYME), the album continues in the tradition of the band's previous albums, uniquely blending classic heavy metal with elements of hard rock.Formed in 1982 in Liège, Belgium, FN GUNS gained notoriety with their self-produced debut album Wild Child (1982). After signing with Mausoleum Records, they released the mini-album FN Guns (1983) and Nightmare (1984). In 1987, they released the album Burnin' Out with some changes in the lineup. For Good Shot, the band already had Steve Rodgers on vocals and the addition of Pat Lemoine on guitar brought a new dynamic to the sound.Good Shot features nine tracks that mix heavy riffs and melodic hooks. Tracks like \"Don't Cross The Line\" and \"S.O.S. For Love\" highlight the band's ability to create catchy songs, while the cover of The Beatles' \"I'm the Walrus\" offers a metallic reinterpretation of an all-time classic. 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It envelopes the listener with Mia's beautiful voice, impeccable songwriting and a worldview that encompasses life's great range of emotions-pleasure, sorrow, love, jealousy-while also acknowledging the trouble with human-centrism. Produced by Willie Nelson's youngest son, multi-instrumentalist Micah Nelson aka Particle Kid, the songs were recorded in one blissful week on Maui, and the island vibes permeate.Human Experience, chronicles Mia's family life on the island of Maui for the last few years. The ten songs came to her very quickly in between cooking and cleaning and trips to the park or beach. They have their own island flavor. Recording the songs came very naturally. Her longtime friend and collaborator, Andres Renteria, plays percussion and Aroyn Day from Micah's band Particle Kid joined to play bass. The album was mixed with Mario Caldato Jr. In northeast Los Angeles, Mia's home town. Human Experience features guest appearances from Miguel Atwood-Ferguson on strings, Gabe Noel on bass, Mia's husband Jesse Peterson on keys and whistles and their daughter Ynez on backup vocals. The final track, \"Kaupakalua,\" her homage to the Hawaiian mele honoring a place, brings together two of Maui's most beloved musicians, George Kahumoku Jr. #and Geri Valdriz. \"I hope this album brings some peace and joy to your household, even if you are under duress in these trying times. 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Of course, Mortiis' musical handwriting is ever present. Echoes from the often quite divergent phases of his previous works can be found across \"Ghosts of Europa\". Yet the creator of musical worlds left hardly a stone not turned in his epic quest for genuinely new ways of expression. As a result, this cinematic and visionary album often feels expansive, strange, and darkly dystopian. In this, \"Ghosts of Europa\" reflects it's maker's struggles while creating the album - as for Mortiis, these tend to come into existence at the cost of friendships and relationships as well as much soul searching in order to reflect both, the album's general orientation towards electronic and industrial rock as well as the particularly wide range of stylistic influences reaching beyond it's core, the choice of sound engineer fell on a most renowned specialist for precisely such sonic experiences: Luckily, Sean Beavan agreed to mix \"Ghosts of Europa\". His credits include working with NINE INCH NAILS, DEPECHE MODE, SYSTEM OF A DOWN, GUNS N' ROSES, and SLAYER among many other greats. 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Of course, Mortiis' musical handwriting is ever present. Echoes from the often quite divergent phases of his previous works can be found across \"Ghosts of Europa\". Yet the creator of musical worlds left hardly a stone not turned in his epic quest for genuinely new ways of expression. As a result, this cinematic and visionary album often feels expansive, strange, and darkly dystopian. In this, \"Ghosts of Europa\" reflects it's maker's struggles while creating the album - as for Mortiis, these tend to come into existence at the cost of friendships and relationships as well as much soul searching in order to reflect both, the album's general orientation towards electronic and industrial rock as well as the particularly wide range of stylistic influences reaching beyond it's core, the choice of sound engineer fell on a most renowned specialist for precisely such sonic experiences: Luckily, Sean Beavan agreed to mix \"Ghosts of Europa\". His credits include working with NINE INCH NAILS, DEPECHE MODE, SYSTEM OF A DOWN, GUNS N' ROSES, and SLAYER among many other greats. 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While the Bay Area polished precision thrash, Florida cultivated something darker and more chaotic. This album captured that moment - a bridge between classic heavy metal theatrics and the emerging extremity that would soon define the region.Fronted by the manic intensity of Ronnie \"Nasty Ronnie\" Galetti, the band blended razor-sharp riffing with theatrical vocal delivery that drew comparisons to King Diamond - but delivered with the speed and aggression of mid-80s U.S. thrash. Songs like \"No Sympathy,\" \"Gladiator,\" and \"The Morgue\" hit with violent tempo shifts and sinister melodies that felt dangerous and unhinged.The band's inclusion on Metal Massacre VI placed them alongside key architects of the American metal underground. Members of Morbid Angel and Obituary have cited Nasty Savage as part of the early Florida foundation - and drummer Curtis Beeson would later perform with Death, further cementing their role in the region's evolution.Now restored as part of Brutal Planet Records' elite Metal Icon Series, this edition is pressed on striking Smoke \u0026amp; Steel vinyl, limited to just 300 copies worldwide. Remastered for vinyl by Rob Colwell (Flotsam, Helstar, Geoff Tate, Nevermore), this pressing delivers the chaos with clarity while preserving the album's raw 1985 intensity.Housed in premium packaging with a 12x12 full-color lyrics insert, this is not just a repress - it's a collector-grade restoration of a foundational Florida thrash classic.This is early American extremity.Unpolished. Unpredictable. 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Emerging from Los Angeles in the early '80s, the band played a crucial role in shaping the U.S. speed metal sound, pushing speed, aggression and precision at a time when the genre was still being defined. Their uncompromising approach left a lasting mark on the underground and influenced generations of bands that followed.Curse The Night (82-84 Demos) gathers the earliest studio recordings ever made by Savage Grace. Recorded between 1982 and 1984, these sessions capture the band in a raw developmental stage, already displaying the speed, structure and intensity that would later define their classic sound. While the 1982 recordings feature an earlier line-up, the 1984 demos were recorded by the same line-up responsible for the The Dominatress EP, offering a rare look into the band's creative origins and early studio identity.Curse The Night (82-84 Demos) has been fully remastered from the best audio sources available. Includes rare band photos, exclusive liner notes and song lyrics.For fans of: AGENT STEEL, OMEN, LIEGE LORD, JUDAS PRIEST.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCurse the Night\u003c\/li\u003e\n\u003cli\u003eGenghis Khan\u003c\/li\u003e\n\u003cli\u003eScepters of Deceit\u003c\/li\u003e\n\u003cli\u003eInto the Fire\u003c\/li\u003e\n\u003cli\u003eNo One Left to Blame\u003c\/li\u003e\n\u003cli\u003eDie By the Blade\u003c\/li\u003e\n\u003cli\u003eBetrayer\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"206","offers":[{"title":"New \/ Default","offer_id":51976566571304,"sku":"5601212118184","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0933\/3833\/7576\/files\/4506687-3560405.jpg?v=1781901582"},{"product_id":"new-york-daze-color-vinyl-savage-grace-lp","title":"Savage Grace - New York Daze [Colored Vinyl] (Post) [LP]","description":"\u003cp\u003eSavage Grace isn't just a speed metal band - they're part of the genre's foundation. Emerging from Los Angeles in the early '80s, the band played a crucial role in shaping the U.S. speed metal sound, pushing speed, aggression and precision at a time when the genre was still being defined. Their uncompromising approach left a lasting mark on the underground and influenced generations of bands that followed.New York Daze unveils a long-lost chapter in the band's history. Recorded between 1989 and 1991, this previously unreleased album was intended to mark a new era for Savage Grace, with plans for a major label release that ultimately never came to fruition. During this period, founder Chris Logue relocated from Los Angeles to New York, a transition that influenced a shift in musical direction toward a more hard rock-driven approach, while still retaining the band's metallic core.New York Daze has been fully remastered from the best audio sources available. Includes rare band photos, exclusive liner notes and song lyrics.For fans of: MÖTLEY CRÃœE, HURRICANE, SEDUCE, LILLIAN AXE, KILLER DWARFS.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll Tanked Up\u003c\/li\u003e\n\u003cli\u003eBare Bottom Blues\u003c\/li\u003e\n\u003cli\u003eCrazy Saturday Night\u003c\/li\u003e\n\u003cli\u003eIf You're Buyin' We're Drinkin'\u003c\/li\u003e\n\u003cli\u003eLove Expediter\u003c\/li\u003e\n\u003cli\u003eMad Fool for You\u003c\/li\u003e\n\u003cli\u003eMainline Lover\u003c\/li\u003e\n\u003cli\u003eSuch a Dirty Mind\u003c\/li\u003e\n\u003cli\u003eYou Say Goodbye\u003c\/li\u003e\n\u003cli\u003eYou're Not That Girl I Used to Know\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"206","offers":[{"title":"New \/ Default","offer_id":51976567324968,"sku":"5601212218181","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0933\/3833\/7576\/files\/4506685-3560406.jpg?v=1781901575"},{"product_id":"curse-the-night-82-84-demos-savage-grace-cd","title":"Savage Grace - Curse the Night (82-84 Demos) [CD]","description":"\u003cp\u003eSavage Grace isn't just a speed metal band-they're part of the genre's foundation. Emerging from Los Angeles in the early '80s, the band played a crucial role in shaping the U.S. speed metal sound, pushing speed, aggression and precision at a time when the genre was still being defined. Their uncompromising approach left a lasting mark on the underground and influenced generations of bands that followed.Curse The Night (82-84 Demos) gathers the earliest studio recordings ever made by Savage Grace. Recorded between 1982 and 1984, these sessions capture the band in a raw developmental stage, already displaying the speed, structure and intensity that would later define their classic sound. While the 1982 recordings feature an earlier line-up, the 1984 demos were recorded by the same line-up responsible for the The Dominatress EP, offering a rare look into the band's creative origins and early studio identity.Curse The Night (82-84 Demos) has been fully remastered from the best audio sources available. Includes rare band photos, exclusive liner notes and song lyrics.For fans of: AGENT STEEL, OMEN, LIEGE LORD, JUDAS PRIEST.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCurse the Night\u003c\/li\u003e\n\u003cli\u003eGenghis Khan\u003c\/li\u003e\n\u003cli\u003eScepters of Deceit\u003c\/li\u003e\n\u003cli\u003eInto the Fire\u003c\/li\u003e\n\u003cli\u003eNo One Left to Blame\u003c\/li\u003e\n\u003cli\u003eDie By the Blade\u003c\/li\u003e\n\u003cli\u003eBetrayer\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"206","offers":[{"title":"New \/ Default","offer_id":51976568340776,"sku":"5601218181212","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0933\/3833\/7576\/files\/4506688-3560410.jpg?v=1782326929"},{"product_id":"new-york-daze-savage-grace-cd","title":"Savage Grace - New York Daze [CD]","description":"\u003cp\u003eSavage Grace isn't just a speed metal band - they're part of the genre's foundation. Emerging from Los Angeles in the early '80s, the band played a crucial role in shaping the U.S. speed metal sound, pushing speed, aggression and precision at a time when the genre was still being defined. Their uncompromising approach left a lasting mark on the underground and influenced generations of bands that followed.New York Daze unveils a long-lost chapter in the band's history. Recorded between 1989 and 1991, this previously unreleased album was intended to mark a new era for Savage Grace, with plans for a major label release that ultimately never came to fruition. During this period, founder Chris Logue relocated from Los Angeles to New York, a transition that influenced a shift in musical direction toward a more hard rock-driven approach, while still retaining the band's metallic core.New York Daze has been fully remastered from the best audio sources available. Includes rare band photos, exclusive liner notes and song lyrics.For fans of: MÖTLEY CRÃœE, HURRICANE, SEDUCE, LILLIAN AXE, KILLER DWARFS.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll Tanked Up\u003c\/li\u003e\n\u003cli\u003eBare Bottom Blues\u003c\/li\u003e\n\u003cli\u003eCrazy Saturday Night\u003c\/li\u003e\n\u003cli\u003eIf You're Buyin' We're Drinkin'\u003c\/li\u003e\n\u003cli\u003eLove Expediter\u003c\/li\u003e\n\u003cli\u003eMad Fool for You\u003c\/li\u003e\n\u003cli\u003eMainline Lover\u003c\/li\u003e\n\u003cli\u003eSuch a Dirty Mind\u003c\/li\u003e\n\u003cli\u003eYou Say Goodbye\u003c\/li\u003e\n\u003cli\u003eYou're Not That Girl I Used to Know\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"206","offers":[{"title":"New \/ Default","offer_id":51976568865064,"sku":"5601218181229","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0933\/3833\/7576\/files\/4506686-3560411.jpg?v=1782326986"},{"product_id":"burn-my-eyes-splatter-vinyl-machine-head-lp","title":"Machine Head - Burn My Eyes - Remastered - Blood With Charred [LP]","description":"\u003cp\u003eFeaturing ex-Vio-lence guitarist Robb Flynn fronting the band and contributing personal and politically charged lyrics with riffs a-plenty, Machine Head's 1994 debut Burn My Eyes was a massive hit especially in Europe and led to the band joining Slayer on tour and headlining their own soon thereafter. There's a reason this was the best-selling record on the Roadrunner label till Slipknot's first; the \"Let freedom ring with a shotgun blast\" refrain to the album-opening song \"Davidian\" (inspired by the 1993 Waco Siege) is brilliant and chilling, full of the rage that led to that bloody day with menacing music to match. The rest of the record doesn't let up, either... this is one thundering, furious, glorious assault of an album, to which we've added five bonus demo tracks on this remastered and expanded 2-LP version. 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Recorded in the late Spring and Summer of 1975 while Yes was on hiatus as members recorded their respective solo albums, 'Fish Out Of Water' was a breathtaking work, and equal in standard to any Yes album in terms of sheer invention and creativity. The album was essentially a collaboration between Chris Squire and his friend Andrew Pryce Jackman, a gifted arranger who had been a member of The Syn, Squire's band prior to the formation of Yes. The sessions saw contributions from former Yes drummer Bill Bruford, Yes keyboard player Patrick Moraz and noted musicians Mel Collins and Jimmy Hastings. The album was a Top 30 chart hit in the UK and made the US Billboard Top 75 album chart, going on to sell nearly 500,000 copies worldwide. To celebrate the 50th anniversary of 'Fish Out Of Water', acclaimed engineer Stephen W Tayler has prepared wonderful new Atmos, 5.1 Surround Sound and Stereo mixes of this record all featured in this two-disc CD and Blu-ray set. 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The album Patterns from Nature is an unashamedly ambitious showcase for his remarkable abilities as a composer and orchestrator, working within the space where the heartfelt collaborative improvisation of jazz meets the adventurous rigor of contemporary music and the depth and complexity of conceptual art. As composer, Nachoff created the closely written, intricately detailed scores for a pair of large-ensemble pieces. As bandleader, he oversaw the realisation of those scores by a hand-picked team of remarkable genre-crossing musicians, including pianist Matt Mitchell, percussionist Satoshi Takeishi, bassist Carlo de Rosa, clarinetist Francois Houle, trombonist Ryan Keberle, and the internationally renowned Molinari String Quartet, supported by a large chamber ensemble conducted by JC Sanford. As interdisciplinary collaborator, he worked with physicist Dr. Stephen Morris, whose research into emergent patterns in nature informed the project's structural concepts, and four filmmakers -Tina de Groot, Lee Hutzulak, Gita Blak, and Udo Prinsen - originally conceived alongside them for a multimedia version of the work, resulting in the titular Patterns from Nature suite of four contrasting movements that engage the listener at every level.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePatterns from Nature: I. Branches\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: II. Flow\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: III. Cracks\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: IV. 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Here we feel the heat of the tropics, the embodied power of musical traditions, and the sweat of European dancefloors in a unique cocktail-quickly addictive, sometimes introspective, and irresistibly danceable. Born from the encounter between Canalón de Timbiquí-the Colombian group founded by maestra Nidia Góngora, whose mesmerizing, instantly recognizable voice has graced projects such as Quantic, Ondatrópica, and The Bongo Hop-and the Toulouse-based trio Reco Reco, passionate explorers of trance-inducing music, especially from South America, the Nuevos Ríos project traces it's origins back to the banks of the Timbiquí River. Far from the beaten path, at the heart of Colombia's Pacific region, the two groups came together naturally in the village of Timbiquí, the very roots of Canalón's music and of Nidia Góngora herself. Through a series of improvised jam sessions in the ground floor of Nidia's home, the hybridization of their music became an obvious path-born from a shared desire to reveal to attentive listeners the strength of this human and musical encounter. This first chapter, released on ZZK Records-a label renowned for uncovering South American gems (Son Rompe Pera, Nicola Cruz, La Yegros...)-is carried by the singular writing and timbre of Nidia Góngora. Across the tracks, each element of the ensemble finds it's rightful place: the power of Colombian Pacific percussion and the poetry of the marimba de chonta catch us around a savory guitar riff never far from West Africa; the strength of the voices is heightened by layers of electronic textures; while drums interlock with bass keys to provide a double engine for the eponymous vessel, Nuevos Ríos. 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He also produced some of his best remixes to date including Thakzin's Don't Let Me See, Blaze's Wonderland and Detroit Rising's Rocket Love.It's always a good day to announce a new Jimpster EP on Freerange and with two captivating originals plus a stunning Atjazz remix you're in for a treat! You're My Ecstasy sets the tone with Jimpster's trademark deep Rhodes pads, punchy bassline and shuffling classic house drum groove. He once again manages to strike a great balance between soulful, musical, warm and just a touch moody.Next up we have The Passion which builds a deep and jazzy mood around a 4 bar piano progression whilst the sampled interviewee gives his insight into how he maintains his passion for music. London based trumpet player King Crowney adds some lovely horn parts, emphasising the jazz feel to compliment the spoken word.Atjazz gets well and truly stuck in on his remix of The Passion. 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More than threedecades later, the singer-songwriter's third album still sounds unique.Home to the Top 10 smash \"Wicked Game,\" the brooding set remainsa masterful mood piece that invites you to pour a late-night drink andrelish Isaak's elegant albeit raw ruminations on love, relationships,and questionable decisions. For all the melodrama and sadness athand, Isaak's baritone dives deep underneath emotional surfaces.He mines subtleties that go beyond heartbreak and anguish,and occasionally suggest frustration, menace, and anger. Thecontributions of his backing band, anchored by the brilliant playing ofguitarist James Calvin Wilsey, seamlessly match his patient deliveriesand cool command.Sourced from the original master tapes, pressed at Fidelity RecordPressing, and featuring the bonus track \"Diddley Daddy,\" MobileFidelity's UltraDisc One-Step 180g 45RPM 2LP box set of HeartShaped World unearths the staggering inner details, saturatedtones, and extraordinary atmospherics of the crisp production. Thisdemonstration-grade reissue brings you up close and personalwith Isaak's spectacular singing - impeccably controlled, tense,brooding, steamy, smoldering, haunted - situated amidst strippeddown backdrops that allow every note to fully bloom and decay. Therecord's lonesome temperaments and pensive themes have neverbeen more hypnotic on vinyl. 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