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Across twelve songs, the London quartet of Roxanne Clifford, James Hoare, Marion Herbain and Patrick Doyle fused chiming guitars, ragged rhythms and beautifully intertwined vocals with songs about ghosts, doomed romance, death and dread. The result was an album that could sound euphoric and unsettling in the same breath, repeatedly finding light and darkness occupying the same space. It is music that invites you in with it's melodies before revealing it's shadows.The album remains a concise document of a band at a particularly distinctive moment: steeped in the lineage of The Velvet Underground, Beat Happening, Galaxie 500, Felt and 1960s pop, but with it's own wonderfully skewed take on their influences. 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The Boston trio built their own strange, seductive musical language from Mark Sandman’s two-string bass and unmistakable baritone, Dana Colley’s saxophone and a stripped-back rhythm section, drawing as much from jazz and blues as rock. They became one of the defining cult bands of the ’90s, but their story came to an abrupt end in 1999, when Sandman suffered a fatal heart attack on stage during a concert in Italy.\u003cbr\u003e\u003cbr\u003eMore than 25 years later, Cocoon offers an extraordinary final chapter. Its eight songs were recorded during Morphine’s late-’90s sessions before Sandman ultimately shelved the material on the path toward what would become their final album. Rediscovered in the band’s archives decades later, Sandman’s life partner and Morphine estate manager Sabine Hrechdakian and producer Paul Q. Kolderie (Radiohead, Pixies) transferred the original tapes and carefully assembled this unified collection of Morphine songs. Dana Colley returned to add new saxophone parts, and Kolderie then brought new mixes to the table. 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Since she first laid sound to digital tape in 2017, she has been doing what any great artist should be doing: making art, refining her craft, and finding her voice at her own pace and in relative anonymity. Over those years, she’s explored many versions of herself. Her previous releases (seven full-length LPs, multiple EPs, and countless singles) were often fantastical and conceptual in nature, taking inspiration from literature and mythology. It was a necessary escapism for herself as a teenager in sleepy New England, and as a young adult amid the dull dread of a global pandemic.\u003c\/p\u003e\r\n\u003cp\u003eShe’s now 27, and still doesn’t get out that much, but these days, she doesn’t feel the need to reach that far away for inspiration. Moales has traded in high-concept for high impact.\u003c\/p\u003e\r\n\u003cp\u003eShe finds herself drawn to making music that sounds like the music she loves and singing about her life in beautiful Philadelphia. She also remains rooted in our current world historic moment, touching on topics like religious fanaticism, environmental collapse, and the unabashed ascent of fascism in America. Her transcendent fifth full-length album is called Highway to Hell. AC\/DC, eat your fucking heart out.\u003c\/p\u003e\r\n\u003cp\u003ePut simply, this album is a major statement of intent, signaling the arrival of a singular talent, primed for a breakthrough. Moales is a major player in a young, hungry stable of mind-boggingly prolific artists flying under the radar in Philly's ever-vibrant music scene. Highway to Hell was produced by Kevin Basko (Rubber Band Gun) and features vital contributions from members of Emily and Kevin’s Historic NJ Recordings creative collective, including Sam Sullivan (guitar) and Jem Seidel (drums).\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe End\u003c\/li\u003e\n\u003cli\u003eReal Magic\u003c\/li\u003e\n\u003cli\u003eTime\u003c\/li\u003e\n\u003cli\u003eOverdog\u003c\/li\u003e\n\u003cli\u003eDay Off\u003c\/li\u003e\n\u003cli\u003eFactory Train\u003c\/li\u003e\n\u003cli\u003eSpinning\u003c\/li\u003e\n\u003cli\u003eControl Freak\u003c\/li\u003e\n\u003cli\u003eSkip the Party\u003c\/li\u003e\n\u003cli\u003eHalo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":67849109111080,"sku":"656605171333","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0933\/3833\/7576\/files\/4548492-3732746.jpg?v=1791421542"},{"product_id":"pre-order-all-them-witches-atw-lp","title":"Pre-Order: All Them Witches - Atw [LP]","description":"\u003cp\u003eBy most bands' fifth LP, the sound is pretty set. Parameters established. Refinement dissipated in favor of to-formula execution of what's worked in the past. Fair enough. All Them Witches go a harder route. In 2017, the Nashville four-piece offered what might've otherwise become their own template in their fourth album, Sleeping Through the War. Also their second for New West Records behind 2015 mellow-vibing Dying Surfer Meets His Maker, it brought a larger production value to dug-in heavy psych blues jamming, with oversight from producer Dave Cobb (Jason Isbell, Sturgill Simpson). After exploring new ground through their early work on 2013's Lightning at the Door and 2012's Our Mother Electricity as well as Dying Surfer, the band had arrived at something new, sprawling, and grander-feeling than anything before it. So naturally in a year they've thrown that all to the Appalachian wind, turned the process completely on it's head and gone the absolute other way: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Take that, expectation. The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have ever recorded and another redefinition of who they are as a band. Introducing keyboardist\/percussionist Jonathan Draper to the fold with McLeod, bassist\/vocalist Charles Michael Parks, Jr., and drummer\/graphic artist Robby Staebler, All Them Witches' All Them Witche It's the band confirming and continuing to develop their approach, in the shuffle of Fishbelly 86 Onions, the organ-laced groove of Half-Tongue, the tense build of HJTC and the fluid jam in closer Rob's Dream.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFishbelly 86 Onions\u003c\/li\u003e\n\u003cli\u003eWorkhorse\u003c\/li\u003e\n\u003cli\u003e1st Vs. 2nd\u003c\/li\u003e\n\u003cli\u003eHalf-Tongue\u003c\/li\u003e\n\u003cli\u003eDiamond\u003c\/li\u003e\n\u003cli\u003eHarvest Feast\u003c\/li\u003e\n\u003cli\u003eHJTC\u003c\/li\u003e\n\u003cli\u003eRob's Dream\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":67858342084904,"sku":"607396710515","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0933\/3833\/7576\/files\/4546387-3727977.jpg?v=1791553320"},{"product_id":"pre-order-butthole-surfers-live-at-the-leather-fly-yellow-red-colored-vinyl-red","title":"Pre-Order: Butthole Surfers - Live At The Leather Fly - Yellow\/Red [Colored Vinyl] (Red)","description":"\u003cp\u003eThere is kind of a before and after when you wander into a Butthole Surfers show. 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They all come in a box with a marketing sticker and UPC should you want to sell it as a box, but we encourage you to open it up and freshen up your holiday section!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChristmas Shopping\u003c\/li\u003e\n\u003cli\u003eChristmas Time Is Near\u003c\/li\u003e\n\u003cli\u003eThe Jolly Christmas Polka\u003c\/li\u003e\n\u003cli\u003eAll I Want for Christmas Is My Daddy\u003c\/li\u003e\n\u003cli\u003eMerry Christmas from Our House to Yours\u003c\/li\u003e\n\u003cli\u003eGood Old Fashioned Country Christmas\u003c\/li\u003e\n\u003cli\u003eOne of Everything You Got\u003c\/li\u003e\n\u003cli\u003eHome on Christmas Day\u003c\/li\u003e\n\u003cli\u003eChristmas Schottische\u003c\/li\u003e\n\u003cli\u003eA Very Merry Christmas\u003c\/li\u003e\n\u003cli\u003eIt's Not What You Give\u003c\/li\u003e\n\u003cli\u003eTomorrow Is Christmas Day\u003c\/li\u003e\n\u003cli\u003eSanta Looked a Lot Like Daddy (Daddy Looked a Lot Like Him)\u003c\/li\u003e\n\u003cli\u003eBlue Christmas Lights\u003c\/li\u003e\n\u003cli\u003eChristmas Ain't Christmas\u003c\/li\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003eAll I Want for Christmas Is You\u003c\/li\u003e\n\u003cli\u003eSanta's Gonna Come in a Stagecoach\u003c\/li\u003e\n\u003cli\u003eChristmas Time's a Comin'\u003c\/li\u003e\n\u003cli\u003eBlue Christmas Tree\u003c\/li\u003e\n\u003cli\u003eHere Comes Santa Claus Again\u003c\/li\u003e\n\u003cli\u003eChristmas Morning\u003c\/li\u003e\n\u003cli\u003eIt's Christmas Time for Everyone But Me\u003c\/li\u003e\n\u003cli\u003eBecause It's Christmas Time\u003c\/li\u003e\n\u003cli\u003eHooray for Santa Claus - Milton Delugg and the Eskimos\u003c\/li\u003e\n\u003cli\u003eHooray for Santa Claus - the Fleshtones\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Sundazed Music Inc.","offers":[{"title":"Default Title","offer_id":67877609406760,"sku":"090771571113","price":55.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0933\/3833\/7576\/files\/4549509-3735518.jpg?v=1791847829"},{"product_id":"pre-order-skatalites-the-skatalites-bright-green-lp","title":"Pre-Order: Skatalites - The Skatalites - Bright Green [LP]","description":"\u003cp\u003eThe Skatalites are a ska band from Jamaica. 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