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Several attempts have been made over the last sixty years or so to record all Robert Schumann's works for solo piano, a fascinating cosmos full of variety that ranges from extremely virtuosic pieces for the concert hall to valuable literature for piano tuition. This attractive but difficult quest has unfortunately been marked by a lack of the necessary care, not to mention purely artistic deficiencies, so that none of the releases deserves the name "complete recording". Since Schumann published several works (Impromptus op. 5, Davidsbündlertänze op. 6, Symphonic Studies op. 13, Concert sans Orchestre or Sonata in F Minor op. 14 and Kreisleriana op. 16) in two more or less different versions, it is not legitimate in a "complete recording" to include only one of the versions, let alone to amalgamate two of them. Moreover, works published at remote places as well as unpublished works and fragments that could easily be completed without too much speculation, have so far been taken into account only in exceptional cases.
Several attempts have been made over the last sixty years or so to record all Robert Schumann's works for solo piano, a fascinating cosmos full of variety that ranges from extremely virtuosic pieces for the concert hall to valuable literature for piano tuition. This attractive but difficult quest has unfortunately been marked by a lack of the necessary care, not to mention purely artistic deficiencies, so that none of the releases deserves the name "complete recording". Since Schumann published several works (Impromptus op. 5, Davidsbündlertänze op. 6, Symphonic Studies op. 13, Concert sans Orchestre or Sonata in F Minor op. 14 and Kreisleriana op. 16) in two more or less different versions, it is not legitimate in a "complete recording" to include only one of the versions, let alone to amalgamate two of them. Moreover, works published at remote places as well as unpublished works and fragments that could easily be completed without too much speculation, have so far been taken into account only in exceptional cases.
881488170399

Details

Format: CD
Label: PROL
Rel. Date: 11/15/2019
UPC: 881488170399

Character Pieces II
Artist: Florian Uhlig
Format: CD
New: Call (512) 474-2500 to check in-store availability
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DISC: 1
MP3
1. Papillons, Op. 2: No. 11 In D Major, Polonaise
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2. Albumblätter, Op. 124 (Excerpts): No. 2, Leides Ahnung
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3. Albumblätter, Op. 124 (Excerpts): No. 8, Leid Ohne Ende
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4. Albumblätter, Op. 124 (Excerpts): No. 19, Phantasiestück
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5. 4 Marches, Op. 76: No. 1, Mit Größter Energie
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6. 4 Marches, Op. 76: No. 2, Sehr Kräftig - Etwas Ruhiger - Erstes Tempo
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7. 4 Marches, Op. 76: No. 3, Lager-Szene. Sehr Mäßig - Etwas Schneller - Im Ersten Tempo
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8. 4 Marches, Op. 76: No. 4, Mit Kraft Und Feuer - Sehr Gehalten - Erstes Tempo - Coda
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9. Bunte Blätter, Op. 99 (Excerpts): No. 14, Geschwindmarsch
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10. Bunte Blätter, Op. 99 (Excerpts): No. 10a, Präludium
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11. Bunte Blätter, Op. 99 (Excerpts): No. 10b, Eintritt - Nicht Zu Schnell
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12. Bunte Blätter, Op. 99 (Excerpts): No. 10c, Jäger Auf Der Lauer. Höchst Lebhaft
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13. Bunte Blätter, Op. 99 (Excerpts): No. 10d, Einsame Blumen. Einfach
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14. Bunte Blätter, Op. 99 (Excerpts): No. 10e, Verrufene Stelle. Ziemlich Langsam
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15. Bunte Blätter, Op. 99 (Excerpts): No. 10f, Freundliche Landschaft. Schnell
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16. Bunte Blätter, Op. 99 (Excerpts): No. 10g, Herberge. Mäßig
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17. Bunte Blätter, Op. 99 (Excerpts): No. 10h, Vogel Als Prophet. Langsam, Sehr Zart
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18. Bunte Blätter, Op. 99 (Excerpts): No. 10i, Jagdlied. Rasch, Kräftig
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19. Bunte Blätter, Op. 99 (Excerpts): No. 10j, Abschied. Nicht Schnell
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20. 3 Fantasiestücke, Op. 111: No. 1, Sehr Rasch, Mit Leidenschaftichem Vortrag
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21. 3 Fantasiestücke, Op. 111: No. 2, Ziemlich Langsam
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22. 3 Fantasiestücke, Op. 111: No. 3, Kräftig Und Sehr Markiert
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23. Gesänge Der Frühe, Op. 133: No. 1 In D Major, Im Ruhigen Tempo
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24. Gesänge Der Frühe, Op. 133: No. 2 In D Major, Belebt, Nicht Zu Rasch
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25. Gesänge Der Frühe, Op. 133: No. 3 In A Major, Lebhaft
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26. Gesänge Der Frühe, Op. 133: No. 4 In A Major, Bewegt
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27. Gesänge Der Frühe, Op. 133: No. 5 In D Major, Im Anfang Ruhiges, Im Verlauf Bewegter Tempo
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More Info:

Several attempts have been made over the last sixty years or so to record all Robert Schumann's works for solo piano, a fascinating cosmos full of variety that ranges from extremely virtuosic pieces for the concert hall to valuable literature for piano tuition. This attractive but difficult quest has unfortunately been marked by a lack of the necessary care, not to mention purely artistic deficiencies, so that none of the releases deserves the name "complete recording". Since Schumann published several works (Impromptus op. 5, Davidsbündlertänze op. 6, Symphonic Studies op. 13, Concert sans Orchestre or Sonata in F Minor op. 14 and Kreisleriana op. 16) in two more or less different versions, it is not legitimate in a "complete recording" to include only one of the versions, let alone to amalgamate two of them. Moreover, works published at remote places as well as unpublished works and fragments that could easily be completed without too much speculation, have so far been taken into account only in exceptional cases.
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