Indie Exclusive Releases
Band of Horses’ sixth album and first record in more than five years. Sonically, the album is a return to their earlier work and the kind of raw ethos that lies at the heart of Band of Horses. Emotionally intense, both on a personal and elemental level, on Things Are Great we find band founder Ben Bridwell more autobiographical than he’s ever been on record detailing the nebulous frustrations and quiet indignities of relationship changes and what a person will do to make things right.
Fast forward to 2021, Kiefer Sutherland returns from his UK Top 10 album, 2019’s ‘Reckless & Me’ with a brand new record, 'Bloor Street' coming out on 21st January 2022. Opening track "Bloor Street" explores the sense of home both externally and within yourself. Lead track "Two Stepping in Time" showcases Kiefer's classic fire sparking americana tune. Additional singles include "Lean into Me" and "Chasing The Rain”
Archive Material is the Dublin band’s second album and first for London label Full Time Hobby. Silverbacks recorded the album during the summer of 2020 with producer Dan Fox (Girl Band) and brings together the members’ influences elegantly. Fans of Television, Wire, Devo, and Parquet Courts will feel at home with Archive Material. Available on CD and limited edition, blue vinyl.
A series of inspired encounters between creative forces from various worlds of sound and vision has resulted in “Hunter’s Moon,” the infectious first new track from GHOST in 2 years accompanied by phantasmagoric video directed by Amanda Demme, and featured in the newest installment of the blockbuster horror film franchise, Halloween Kills.
Single sleeve jacket with spine, standard gloss finish, white paper inner sleeve, standard weight, vinyl with small hole, and John Carpenter “Halloween Kills (Main Title)” b-side.
For two decades now, Greensky Bluegrass has been building an empire, brick by brick. Their eighth studio release, Stress Dreams was produced by Dominic Davis (Jack White) and Grammy winning engineer/producer Glenn Brown amidst the 2020 pandemic. It follows their 2019 release, All for Money, which landed on the Top 100 at the Billboard Albums Chart, Top 20 at Independent Albums and Current Country Albums, Top 10 at Americana/Folk Albums Top 5 at Heatseekers, and #1 at Bluegrass Albums. Greensky is widely known for their dazzling live performances and relentless touring schedule. As with traditional bluegrass, the band writes about their own contemporary day-to-day happenings, emotions, and experiences in the modern world. Their die-hard fans pack out venues across the country. They travel in droves and sell out multiple-night show runs at iconic venues like Red Rocks and The Ryman.
Billy Bragg will be releasing a pandemic blues LP on 10/8 via Cooking Vinyl. This is his 10th studio album. The Million Things That Never Happened was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne, England. Bragg wrote the entire album solo, aside from “Ten Mysterious Photos That Can’t Be Explained,” which he co-wrote with his son Jack Valero.
Vinyl: $35.98 PREORDER
Elvis Costello & The Imposters release The Boy Named If, an album of urgent, immediate songs with bright melodies, stinging guitar solos, and a quick step to the rhythm. Costello says, “The full title of this record is ‘The Boy Named If (And Other Children’s Stories).’ ‘IF’ is a nickname for your imaginary friend; your secret self, the one who knows everything you deny, the one you blame for the shattered crockery and the hearts you break, even your own.” Produced by Costello and Sebatian Krys.
The highly anticipated fourth album by GRAMMY-nominated band The Lumineers.
Bonobo will release new album Fragments, due on January 14, 2022 via Ninja Tune. Fragments is the most emotionally intense record that he - aka Simon Green - has ever had to make. It’s no surprise that it’s also his masterpiece. The album features Jamila Woods, Joji, Kadhja Bonet, Jordan Rakei, O’Flynn and Miguel Atwood-Ferguson. Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fueled by both collaboration and Green’s escape into the wild.
Underoath return to their unique chaotic core with their seventh studio album, Voyeurist. An unguarded keyhole invites the viewer to peer into the process, and draw their own conclusion on who the band is, and what that perception reveals about the viewer themselves. Amidst the colliding perspectives, it’s clear that identities have been lost, and you are no longer you.
Cat Power returns with Covers, Chan Marshall’s third album of her celebrated reinterpretations of songs by classic and contemporary artists.
On Covers, Marshall reaches back to songs that have affected her from childhood to the present, connecting each with a deeply personal memory. She recalls her grandmother’s love for Billie Holiday’s “I’ll Be Seeing You” and finding a box of cassettes as a teenager that led her to discovering Kitty Wells’ “It Wasn’t God Who Made Honky Tonk Angels.” She remembers getting chills hearing Iggy Pop’s “Endless Sea” in the 1986 Michael Hutchence film Dogs in Space and being a broke artist in her twenties in New York City spending her last dollar to play the Replacements’ “Here Comes a Regular” on the jukebox at Mona’s. She recorded the Pogues’ “Pair of Brown Eyes,” which she calls one of her favorite songs of all time, after it reminded her of one friend who passed from cancer and turned to Bob Seger’s “Against the Wind” to help her heal from the loss of another.
Alongside covers of rock-and-roll icons from Nico to Nick Cave, Marshall brings her inimitable vocal power and elegant arrangements to songs by contemporary artists, capturing the defiance of Dead Man’s Bones’ “Pa Pa Power” and the dreaminess of Lana Del Rey’s “A White Mustang.” And the album opens with a dazzling cover of Frank Ocean’s “Bad Religion,” of which she says, “I believe in whatever God is called… But I think that the wretched men that have come in history to implement horror on humanity in the name of these religions is something that should be looked at universally.”
Finally, Covers finds Marshall, an artist of constant evolution, reworking “Hate,” a song from her 2006 LP The Greatest on which she sang “I hate myself and I want to die.” Marshall says she has always felt “antsy” about the track and reimagined it as “Unhate,” a new version that looks back on the raw devastation of the original track in the rearview. “We all have bad days,” she says. “We all have shit, trauma, something. There are times when you feel like that. But I needed to make it right.”
Marshall self-produced all of Covers; it was recorded in Los Angeles at Mant Studios with Rob Schnapf, who mixed and engineered.
In December of 2020, The Wild Feathers hauled off to a pre-civil war built cabin in VanLeer, TN where the ideas and songs from Alvarado met for the very first time. In the past, the band typically liked to collect all the tunes they’ve written over the past year, brainstorm, conceptualize, and rehearse isolated in a cabin before heading into the studio. This time for their 4th studio album, they decided to bring the studio to the cabin. The guys spent a week jamming and creating while having the ability to capture the performances while they were fresh. Produced by the band, Alvarado is the truest representation of The Wild Feathers to date. No outside musicians, no outside opinions, just us playing our new songs in a room with the best mics they could find.
MP3 Album: $9.99 Download
Smoke DZA’s 2020 album boasts features from WestSide Gunn, Wale, T-Pain, Flipp Dinero and more. Available for the first time at retail. Limited Edition Gold LP.
MP3 Album: $9.99 Download
Harlem native Smoke DZA pairs up with one of NOLA’s finest, Curren$y, to release a joint project called Prestige Worldwide. The album features production from MonstaBeatz, Girl Talk, 183rd, Buda Da Future and Grandz Muzik. Available for the first time at retail. Limited Edition Cerulean Marble LP. 150-gram vinyl.
Seether - "Vicennial - 2 Decades Of Seether" Vicennial - 2 Decades of Seether is a career-spanning compilation of the RIAA Platinum-selling group's greatest hits, including 16 #1 original singles, as well as the fan-favorite cover of "Careless Whisper." The track list, curated by the band, takes you through their impactful 20-year career - from their early breakthrough singles "Broken" and "Fine Again" to their recent radio success "Dangerous." Indie Exclusive Smoke 2 LP w/ Gatefold Jacket.
SAVE FACE are a band who have always prided themselves on taking risks and the New Jersey band have doubled down on that sentiment with their sophomore album, Another Kill For The Highlight Reel.
Another Kill For The Highlight Reel, which features indelibly human performances, including a guest appearance from Thursday’s Geoff Rickly on “A.M. Gothic”. “There’s something about the New Jersey kinship [between Geoff and I] that really resonates with me,” Tyler Povanda explains. “New Jersey’s music scene is really something special.”
Musically, the album—which was produced by the Movielife’s Brett Romnes—sees Povanda taking influence from his Jersey brethren like Thursday but adds a theatrical twist. “‘GLITTER’ was the first song I wrote that ended up being on this album and it bridges the gap between Merci and Another Kill For The Highlight Reel, ” Povanda says. “I think that song serves as a cool sonic metaphor for the transformation of the band. I would say this album isn’t narrative in the same way as the last one, but it does feel much more immersive.”
Vinyl: $14.98 PREORDER
Tank & The Bangas have spent all of 2021 working on their new album which will come out in 2022. Two of the most exciting songs are “Big” and “Outside.” “Big” features Big Freedia, produced by Peter Cottentale (Chance the Rapper collaborator and one of Chicago’s finest producers). “Outside” was co-produced by the band and Jesse Blume. They met during a 2-day Zoom songwriting camp with the SongWrite Club led by songwriter Andrew Finkelstein. Indie Exclusive 12" Single, 45rpm.
Vinyl: $34.98 PREORDER
Between1994 to 2001, Green Day would visit the BBC’s Maida Vale Studios in London four times and record live sessions for Radio 1’s “Evening Show” and its popular DJ Steve Lamacq. This compilation documents those sessions, and includes many of the band’s hits including “When I Come Around”, “Basket Case”, “Brain Stew/Jaded” and “Minority”.
Billy Cobb is an eclectic rock musician and internet personality. Active since 2016, he has been very prolific and has released over a dozen albums and EPs. Zerwee is a pastiche and a love letter to the band Weezer, taking the internet by storm upon release when listeners noted the spot-on imitation in the musicianship and vocals. Zerwee is a four song EP stylistically similar to Weezer's Blue Album. Indie Exclusive Blue LP.
Vinyl: $25.98 PREORDER
Billy Cobb is an eclectic rock musician and internet personality. Active since 2016, he has been very prolific and has released over a dozen albums and EPs spanning multiple genres. Zerwee, Pt. 2 is a pastiche and a love letter to the band Weezer, taking the internet by storm upon release when listeners noted the spot-on imitation in the musicianship and vocals. Zerwee, Pt. 2 is a full length album channeling the emotional performances of Pinkerton. Indie Exclusive Blue/White Galaxy LP.
Special edition of the album includes 6 photographs from the Barn sessions.
BARN, the new Neil Young/Crazy Horse album was recorded in a remote, restored, 19th century log barn. This musical family has played together for a half century, yet they continue creating new music. Neil and the Horse fans have long shouted for “more barn” and here it is… 10 new songs that capture the wild, rock and roll spirit, the idiosyncratic raw sound and the lyrical beauty that epitomizes a classic NYCH collaboration. The last song appeared on the last morning and was recorded just an hour later during a pounding hailstorm and during the full moon.
The album was recorded this summer over a handful of days. The ten new songs encompass all that Neil Young with Crazy Horse are known for, beautiful romantic acoustic ballads, powerhouse electric rockers and insightful rollicking tunes that stick with you.
Niko Bolas was parked adjacent to the barn, in an exquisite analog mobile recording truck, Le Mobile ready to capture and mix the album on the spot. Produced by The Volume Dealers – Neil Young and Niko Bolas, the album will be released on vinyl, CD, cassette and digitally. There will also be a deluxe edition that will include the LP, CD. and Blu-ray film.Special edition of the album includes 6 photographs from the Barn sessions.
Distant Populations, just the fourth full-length album of Quicksand’s career, comes as a comparatively swift follow-up to Interiors--which itself came a full 22 years after its predecessor, 1995’s Manic Compression. Critically lauded and deemed very much worth the wait, Interiors succeeded in reestablishing the band as the powerful and contemporary entity they had always been.
Distant Populations has a punchier, more up-tempo sound than its predecessor; its 11 songs are concise, carved sonic jewels boasting not a single wasted note; and its raw power, its gripping lyricism, leaps out from the very first listening. It is a striking step up for the band.
The songwriting itself had been no minor process: Following the release of Interiors, the band successfully toured around the world and in the process fully re-established their chemistry together. Looking forward to making the next album, the three of them—frontman/ guitarist Walter Schreifels, bassist Sergio Vega, and drummer Alan Cage—had methodically recorded various soundchecks, improvisations, and show rehearsals, and compiled the results. “Eventually, when it came time to make a record,” Schreifels says, “we would just edit down to the ones that were most exciting to us all, and then refocus on them and see if we could recapture the magic from it.”
There may be a final irony in the title of Distant Populations. Practically speaking, that’s precisely whom Quicksand recorded it for: Listeners very far away. Not a single one of these songs has ever been played live onstage. The band has dates on hold for the fall, notes Schreifels, and fingers are crossed Quicksand will be out there performing very soon. They will likely be the most memorable shows of the band’s career.
Pluperfect Mind, the NNA Tapes debut from the 23-year-old UK-based musician Dear Laika (a.k.a. Isabelle “Izzy” Thorn), is an extraordinary creation — a beautiful and unique oddity which exists in the liminal space between dreamworlds and a blurry, watercolored version of reality. It is a reflection on the past few years of Izzy’s life, during which she sought solitude in the North Wessex Downs while beginning her gender transition. The album is a beguiling collection of vivid lyrics and celestial song, bound together with digital glitch and field recordings of flora and fauna. Comparisons can be made to Björk, Tim Hecker or Bat For Lashes, but ultimately, Dear Laika’s exploration of the experimental and the mystical builds something intricate and intimate that is truly original and bewitching.
Indie Exclusive 7” Vinyl Single from DOROTHY. Features the singles “What’s Coming To Me” and “Rest In Peace.”
Vinyl: $25.98 PREORDER
The Muslims formed in 2017, brought together by the aftermath of the 2016 election. They have since released three albums The Muslims (2018), Mayo Supreme (2019), Gentrified Chicken (2020), and one EP Inshallah: Tomorrow We Inherit the Earth (2020). The all-queer, black & brown Muslim punk band unapologetically use music as a vessel to call out racism, the American political landscape, and white supremacy. The Muslims have a lot to say and they aren't afraid of hurting any feelings in the process.
The band's upcoming album, F*** These F***in Fascists, is the ultimate sing-along anthem against all forms of oppression. It's the perfect balance of humor, tenderness and political rage, wrapped in affirmations for oppressed peoples. Musically, the band continues to bring dynamic melodies to the foundation of classic punk riffs, sprinkled with out-of-this-world rhythmic outbursts. F*** These F***in Fascists is easily the punk album of the decade that will definitely make your grandparents cry. The Muslims are QADR (vocals/guitar), Abu Shea (bass), and Ba7Ba7 (drums).
10-Year Anniversary reissue of Rival Sons classic album "Pressure & Time"
Vinyl: $38.98 PREORDER
Licorice Pizza is the story of Alana Kane (Alana Haim) & Gary Valentine (Cooper Hoffman) who grow up & fall in love in San Fernando Valley (1973). Written & directed by filmmaker Paul Thomas Anderson. Sean Penn, Bradley Cooper, Tom Waits & Benny Safdi also star. Limited movie release in the U.S. 11/26/21 and goes wide 12/25/21. Radiohead's Jonny Greenwood composed the film's score & Paul Thomas Anderson curated the soundtrack. The title pays homage to the California record store, Licorice Pizza. Indie Exclusive Red LP.
Jeff Parker’s Forfolks—a new album of solo guitar works—will be released on December 10, 2021 via International Anthem and Nonesuch Records. The albumincludes interpretations of Thelonious Monk’s “Ugly Beauty” and the standard “My Ideal,” plussix original compositions including "Four Folks" (a tune first written by Parker and recorded in 1995) and "La Jetée" (a tune he recorded with Isotope 217 in 1997 and with Tortoise in 1998). The four totally new original compositions are loop-driven, stratiform works that marry melodic improvisation with electronic textures. The album was recorded by Graeme Gibson at Sholo Studio in Altadena, California (aka Jeff’s house) over two days in June 2021.
Vinyl: $30.98 PREORDER
Sometimes, the best place to begin is at the end. If you really want to dig deep into Illusory Walls, the fourth album by THE WORLD IS A BEAUTIFUL PLACE & I AM NO LONGER AFRAID TO DIE, it definitely helps to do that. That’s because epic closer “Fewer Afraid”—all 19 minutes, 44 seconds of it—doesn’t just revisit the themes and ideas on the ten songs that precede it, but also offers a self-aware summary of the Connecticut band’s entire history. It’s the conclusion of all the stories within the record as well as a nod to all the lives that helped make them—little glimpses of everything that’s come before, on both a micro, immediate level, and a more universal one. “That song is a higher level look at my whole life and the whole world,” explains vocalist/guitarist David F.
Bello, “as well as the album, our band and our discography. It places the band in the context of the rest of the world, as if we’re listening to everything that came before. It touches on all the themes of the previous songs, but there are also callbacks to songs
from earlier in our career. But in this song, they’re the object, not the subject—I’m talking about a world in which these things happen, not talking about these things happening.”
Due to the coronavirus pandemic, the band—completed by Steven K. Buttery (drums and percussion), Joshua Cyr (bass/vocals) and Katie Dvorak (vocals/synth)—had nothing but time to realize the full extent of their musical and thematic aspirations. And so, four years on from lauded third album Always Foreign, they were able to make what is undoubtedly the band’s most ambitious and epic record to date. Written and recorded remotely—a first for the band—Illusory Walls takes on the weight of human existence while it’s buckling under the pressure of today’s near-dystopian society. Personal anxieties and political struggles collide with a series of portentous, apocalyptic and dramatic tunes, resulting in some of the darkest music the band has made since forming in 2009.
Vinyl: $48.98 Buy
A limited-edition black vinyl release of the Grammy-award winning U2 album Achtung Baby, to celebrate its 30th Anniversary.
Produced by Daniel Lanois and Brian Eno, and recorded between Berlin’s Hansa Studios and various locations in Dublin, Achtung Baby was released to critical acclaim in 1991 & is regarded as one of U2’s most seminal albums. The album featured five singles: ‘The Fly’, ‘Mysterious Ways’, ‘One’, ‘Even Better Than The Real Thing’ and ‘Who’s Gonna Ride Your Wild Horses’.
Please note product includes explicit content.
Vinyl: $40.98 PREORDER
Third Man Records is proud to release the 20th anniversary expanded edition of Kelley Stoltz's defining album 'Antique Glow.' Originally self-released in miniscule vinyl-only quantities in 2001, 'Antique Glow' has served not only as a template for the length of Kelley Stoltz's twenty-plus year career, but has also served as a compass for other Anglophile, TASCAM 388 home recording acolytes.
Original copies featured Stoltz's clever, wry and fanciful hand-painted adornments overtop reclaimed thrift store LP jackets, Third Man's release here utilizes some of those original unused images for a die-cut sleeve that ultimately gives the listener six different possible album covers.
The songs are by and large masterpieces of bedroom pop magic. From the whispering 'Here Comes the Sun'-adjacent acoustic underpinnings of album opener 'Perpetual Night' through the fuzz-threaded leads of 'Are You Electric?' Stoltz's inspirations are impeccable and clear. Sixties Davies British Invasion through 80's British Bunnymen post-punk, with appropriate off-shoots into West Coast American pop-psych, Velvets-indebted hooliganism and Drake/CSNY acoustic attenuations, the end result is pure joy.
On the expanded version, standout tracks previously relegated to an Australian tour-only CD (like the breathlessly cinematic 'Old Pictures') see their first-ever vinyl and digital release while there's an additional 8 songs from the 'Antique Glow'-era seeing their first ever release in any format. The cutting room floor quality here is second-to-none, Stoltz clearly gifted with the curse of writing too many indelible songs, so the newly released 'Too Beck' (originally cast off by Kelley because he thought 'it sounded too much like Beck') and 'Umbrella' stand firm as some of the best, most timeless music Stoltz has ever released... a full two decades after he recorded them!
With all instruments and vocals performed by Stoltz, the singularity of vision here is impeccably clear and executed. Packaging: Die-cut direct-to-board LP jacket, printed inner sleeves, standard weight vinyl
Natalie Hemby will be performing at the Newport Folk Festival on July 24. She won a GRAMMY for Country Song of the Year for “Crowded Table,” the song she wrote with Lori McKenna and performed as a member of The Highwomen. 180-gram Clear Smoke LP. Indie Exclusive.
Vinyl: $26.98 Buy
Translucent Orange Vinyl, comes with an autographed 11x17 poster
Time In The Sun is the 4th full length album from Charleston, SC band Susto. The album was written and recorded in the midst of a lot of life changing events for lead writer/singer Justin Osborne. Like everyone around the world, Osborne was navigating the global issues felt from the pandemic while normal life continued with its own blessings and challenges.. "We were navigating the global and national issues that everyone else was dealing with, but also I became a father and also lost my father. There was a lot of contemplation going on in my brain, a lot of personal evolution going on in my life, and songwriting was my way of working through it all. The title Time in the Sun is meant to be a monument to my own human existence and also a tribute to the human experience in general. I wouldn’t claim to understand what it means to be a human, from the countless different perspectives of the world, but I do have my own experience to reflect on and I want to be able to express and explain that in some way. I guess this album is an attempt at that. At the core though, it’s just a collection of songs about my life and my feelings." Time In The Sun is set for release on October 29, 2021 via New West Records.
Vinyl: $25.98 Buy
To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from THRICE over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.
Since forming THRICE with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility.
“A big part of the project and why I did it,” says Sloppy Jane’s Haley Dahl of her Saddest Factory debut Madison, “Was because it felt similar to being a little kid and buying an out fit that was too big that I’d have to grow into. I really valued from the start that making Madison gave me someone I had to become.” The record, which Dahl first conceived of back in late 2017, is a grand gesture, a statement about big love, and about growing into yourself in the process.
Dahl and her 21 bandmates recorded all of Madison at the Lost World Caverns in West Virginia from 3pm to 8:30 am each day over the course of two weeks (they also made four music videos on location during this time). To access the space, they’d enter through the back of a gift shop, down a long tunnel where they’d walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave. It’s the first time someone has ever recorded an entire album in a cave, and the results are pretty sonically stunning. That alone is a marvelous thing. Madison is an astounding, glorious record of melodrama of the highest order