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Mobley

Cry Havoc!

Vinyl: $24.98 Buy

Cry Havoc! Is Mobley's sophomore release on Last Gang/MNRK; out September 23. The EP finds Mobley exploring themes of power, alienation, and dissent with an artful clarity that demands repeat listening. Cry Havoc! Introduces a retro-futuristic world of seductively sinister melodies, distorted synths, jagged cuts, and propulsive rhythms.
Mobley - Cry Havoc!
$24.98
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The best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album, Wilderness of Mirrors, feels so aptly named.

Indeed, in the five years since the release of the band’s prior album, Death Song, and the two-plus years spent working on Wilderness of Mirrors, pandemics, political tumult and the ongoing devastation of the environment have provided ample fodder for the Black Angels’ signature sonic approach. If the group’s members were terrified as they honed new music heading into an election year, they realized they didn’t even know how scary things could still get.

So, they looked inward, focusing on both their ongoing creative and musical development as well as their own struggles amid the external chaos. Wilderness of Mirrors hits even more close to home, as the group recorded solely in the friendly confines of Austin for the first time in more than a decade and entrusted co-production duties to its longtime front-of-house engineer, Brett Orrison.

The Black Angels - Wilderness Of Mirrors [Indie Exclusive Limited Edition Opaque Blue/Red 2LP]
$38.98
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The latest full-length from Old 97’s frontman Rhett Miller, ‘The Misfit’, exists in an enchanted dimension all its own. With its elegant blurring of psychedelia, dream-pop & electronic-leaning indie-rock, the Texas-bred singer-songwriter’s 9th solo effort emerged from a charmed collaboration with Hudson Valley neighbor Sam Cohen (Danger Mouse, Kevin Morby). Miller grounds each track with the vulnerable songwriting and unaffected vocal presence he’s brought to the Old 97’s for the last 3 decades.

Rhett Miller - The Misfit [Light Blue Opaque LP]
$23.98
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The Deer have built a devoted audience for their uninhibited, cosmic indie folk the old-fashioned way: playing their hearts out, night after night. In addition to extensive headlining, they’ve shared stages with the likes of Big Thief and The Head and The Heart. Their label debut Do No Harm, released in 2019, marked a set of career breakthroughs, topping the KUTX chart and earning a nomination for the Austin Music Awards’ Album of the Year. When live music took global pause, The Deer had momentum to sort.

The five musicians took the energy reserved for tour and brought it into the studio, a pressure cooker not only for creativity but newly, for existential reflection. The result is two full albums, the first of which, The Beautiful Undead, will be released September 9, 2022, on tastemaking indie Keeled Scales. It’s an uninhibited collection of cosmic indie-folk reflecting upon what it means to lose your sense of purpose. The Deer, amidst turbulent assessment, transformed a paralyzing void into an empowering surrender of ego—a rollicking submission to the immense unpredictability of existing. It's a free-spirited album fueled by hard-earned revelation.

The rich are getting richer, the poor are getting poorer, the planet is getting warmer, and human extinction looms likely. The Deer handle their devastated call for change with an artful subtlety, an infectious sense of play, and a projection of internal learning onto the external world. Their genius is in creating palpable, emotional urgency not with boisterousness, but fact. Throughout The Beautiful Undead, The Deer radiate an intensity fit for the times, but not at the cost of dancing.

The Deer - The Beautiful Undead [Clear LP]
$22.98
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Limited white colored vinyl LP pressing. Kill the Moonlight is the fourth album by Spoon, originally released in 2002. The album features a stripped-down, minimal sound that incorporates various different instruments such as tambourines and pianos along with an idiosyncratic production style. The album has gone on to receive critical acclaim with it's lead single "The Way We Get By" being used in various television shows, and is regarded as Spoon's magnum opus.
Spoon - Kill The Moonlight
$33.98
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"Welcome To My World" is a collection of some of Daniel's most-beloved songs and is now available on vinyl for the very first time. These are the songs that built the legend...a must-have for the legion of devoted Daniel Johnston Fans as well as the perfect introduction for new listeners. The LP includes previously unheard sonic surprises. 

Daniel Johnston - Welcome To My World [Indie Exclusive Limited Edition Translucent Pink/Coke Bottle 2LP]
$28.98
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"Heartless Bastards’ career-defining album Arrow turned 10 this year, and Partisan is celebrating by re-releasing the LP on black and gold galaxy vinyl. This special edition release will be limited to 2000 copies that have been numbered in gold foil.

Produced by Jim Eno from Spoon, Arrow features Erika Wennerstrom on guitar and vocals, Dave Colvin on drums, Jesse Ebaugh on bass, and Mark Nathan on guitar. This album showcases a band at the height of their powers. They are synthesizing the best of bar rock, Alt-country, classic rock, and the blues into something vital, unfiltered and all their own. The seamless sound achieved on Arrow was the result of 2 years of nearly non-stop touring; on the road the band developed an astonishing musical telepathy, with all four players intuitively able to craft Wennerstrom’s songs into maximum form."

Heartless Bastards - Arrow: 10th Anniversary [Black & Gold 2LP]
$33.98
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Marked by resilience, maturity, and the optimistic joy of a creative resurgence, Pat Green's Miles and Miles of You is the work of an icon reclaiming ground only he himself could have ceded. Ten fresh tracks feel like the spiritual exhale of a celebrated troubadour, taking fans on a journey to the other side of turmoil... and to a place where the old ways feel new again. Credited as one of Texas country's modern-era founding fathers, Green has traveled many roads in the 25 years since his debut album, Dancehall Dreamer. A Grammy nominated singer-songwriter with a restless creative spirit, his career has gone beyond the bounds of a "country star" to include the work of a painter, sculptor, philanthropist, family man and more. But one constant has remained - his vision. Green's 14th album overall, Miles and Miles of You is also his first in nearly seven years - since his inspiration-first writing style means he won't force a song into existence. But that philosophy also makes it possible for a whole album to arrive in a dam-burst of expression, and Green now calls Miles and Miles of You an "effortless" project. "It was just so smooth and natural," he says. "I write the song when it comes, and it was like 'Man, we're on a roll.'" Recorded outside Austin with producer Dwight Baker (Bob Schneider, Josh Abbott Band), more of that story is revealed with each track, as Green and his band mirrored the loose vibe of the songwriting with country balladry, dancehall energy, soul-baring reflection and at times, a swampy blues strut. "The older you get, you just have more to think about," he says. "So that's what this record is - a guy with more to think about, coming through a hard time and into something as fun and beautiful as creation. I'm just gonna take the ball and run with it."
Pat Green - Miles And Miles Of You [LP]
$20.98
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Shearwater’s seventh studio album, produced by the band and Dan Duszynski (Loma), shows us where its wandering frontman has been. While the thundering songs of the band’s 2016 LP Jet Plane and Oxbow(Sub Pop) were filled with fears for what the United States was becoming under the previous presidential administration, Meiburg resolved to find a new approach for The Great Awakening. “I felt hopeless,” he admits. “And I didn’t want to make hopeless music.“ 

The resultant 11-track album—anchored by Meiburg’s closely-recorded voice, more otherworldly and urgent than ever—is one that Shearwater’s been striving toward for years: a journey into the unknown, embracing sorrow and joy, beauty and terror.

The Great Awakening is a soulful and immersive travelogue of grand atmospheres and intimate landscapes, decorated with field recordings from Meiburg’s journey while writing his critically acclaimed debut book, A Most Remarkable Creature: The Hidden Life and Epic Journey of the World's Smartest Birds of Prey, released in March 2021 by Knopf.

Shearwater - The Great Awakening [2LP]
$35.98
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Recording for the first time with a proper producer (Mike McCarthy) in a proper environment (a studio lol), A Giant Dog Bone, on pink vinyl for the reissue, still manages to kool-aid man it's way through the speakers with the immediacy of the band's live shows, a hit parade for the party people. Sabrina Ellis and Andrew Cashen add another baker's dozen tunes to the band's repertoire just a year following their debut, with songs like "All I Wanted," "Dammit Pomegranate," and "Another World" cementing them as a conspicuous songwriting duo.
A Giant Dog - Bone [Colored Vinyl] (Pnk) [Download Included]
$20.98
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Celebrating it's tenth birthday in 2022 is A Giant Dog Fight, the Texas group's hard-to-find debut album, remixed, remastered, and pressed on green vinyl just for the occasion. All the trademark tenets of AGD lore are on display at the jump: monstrously adorable album art and punny title, whip-smart songwriting dolled up in denim and leather, boiled down to the sweetest moments and blown out to the masses with bravado to spare. Upon Fight's original release, the local Austin Chronicle raved: "The raucous, low-rent squall quakes with affirmative abandon, while a just-right dose of pop girds the buzz and yowl.
A Giant Dog - Fight [Colored Vinyl] (Grn) [Download Included]
$20.98
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Brand new album by explosive R&B band The Suffers.
The Suffers - It Starts With Love [LP]
$24.98
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Shearwater’s seventh studio album, produced by the band and Dan Duszynski (Loma), shows us where its wandering frontman has been. While the thundering songs of the band’s 2016 LP Jet Plane and Oxbow(Sub Pop) were filled with fears for what the United States was becoming under the previous presidential administration, Meiburg resolved to find a new approach for The Great Awakening. “I felt hopeless,” he admits. “And I didn’t want to make hopeless music.“ 

The resultant 11-track album—anchored by Meiburg’s closely-recorded voice, more otherworldly and urgent than ever—is one that Shearwater’s been striving toward for years: a journey into the unknown, embracing sorrow and joy, beauty and terror.

The Great Awakening is a soulful and immersive travelogue of grand atmospheres and intimate landscapes, decorated with field recordings from Meiburg’s journey while writing his critically acclaimed debut book, A Most Remarkable Creature: The Hidden Life and Epic Journey of the World's Smartest Birds of Prey, released in March 2021 by Knopf.

Shearwater - The Great Awakening
$14.98
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Four-time Grammy® Award winner Delbert McClinton celebrates his coming-of-age musical heroes and influences with his 27th studio album, Outdated Emotion (Hot Shot Records/Thirty Tigers), coming on May 13, 2022.  The 16-track collection features Hank Williams, Jimmy Reed, Ray Charles, and Little Richard standards, as well as five original songs written or co-written by McClinton.

Delbert has spent much of the COVID isolation in Kevin McKendree’s Rock House Studio in Nashville.  This new album brings his music back to where it started. Outdated Emotion pays homage to McClinton’s earliest influences, Hank Williams and Jimmy Reed with a salute to Ray Charles and Little Richard, as well as five of his own compositions, influenced by the sounds of his heroes.  Along with Kevin and his son, musical prodigy Yates McKendree, Delbert has created the album he has often dreamed of.

“I’ve always wanted to do an album of the songs that influenced me the most. Hank Williams songs, Jimmy Reed songs, and songs that I love. And this was the perfect time to do it. It’s important music from another time. It’s music that people need to hear again, or for the first time. Nobody knows about them. Or has forgotten about them. Or was never turned on to them. There is a whole generation, maybe two generations now, who don’t know this music. My whole idea here was to show them how it was and how we got here.  Hank Williams, Jimmy Reed, Lloyd Price, Ray Charles. These songs take me to my youth. They are good if not better now than they were then, and they were great then. They are songs people should just get to hear.”

Rolling Stone calls Delbert McClinton the “Godfather of Americana Music.” In a career that has spanned more than six decades, his honkytonk blues sound and signature smooth voice have provided a soundtrack for American music history. He is a four-time Grammy winner (Traditional Blues Album in 2020 for Tall, Dark, and Handsome; Contemporary Blues Album in 2006 for Cost of Living and 2002 for Nothing Personal; and Rock Performance by a Duo or Group with Vocal in 1992 for "Good Man, Good Woman"), and received the Americana Lifetime Achievement Award in 2019. Growing up in Lubbock and Fort Worth, Texas allowed Delbert McClinton an early appreciation for the best of 20th century American music, with the songs of postwar America, honkytonk country, and southern blues.  Delbert remembers where he was when he heard his first Hank Williams song. And he knew he wanted to play music for a living when he first heard Jimmy Reed.  Leading the house band in the desegregated roadhouses on the outskirts of Fort Worth, Delbert backed Jimmy Reed, Muddy Waters, Bo Diddley and other blues legends, while making a name for himself as a regional player in the birth of rock and roll, opening shows for Little Richard, Jerry Lee Lewis and other pioneers of the new sound; and even headlining shows in Great Britain with Bruce Channel (“Hey Baby”), with a little-known Liverpool quartet. The Beatles as the opening act.  In the early 1970s, as his “Two More Bottles of Wine” reflects, Delbert “went out west with a burning desire to set the west coast on fire….” He teamed up with Glen Clark for the Delbert and Glen sessions (Clean Records) and released two critically acclaimed albums before returning to Texas as the progressive country/blues awakening movement was starting to happen in Austin. Hippies and cowboys crowded together on sawdust dance floors watching history in the making as Delbert, Doug Sahm, Jimmie and Stevie Ray Vaughan, Freda and the Firedogs and Asleep at the Wheel set the stage for a new sound coming out of Texas. There, Delbert began to develop his signature sound, mixed rocking blues and hardcore country to create the unique style that has served him well through the last half century.
Further solidifying his sound, Delbert went into the famed Muscle Shoals, Alabama studio and called on the Muscle Shoals Horns, who had recorded with everyone from Jimi Hendrix to Elton John. They joined his longtime band to create his next album. That signature horn sound has remained a mainstay in Delbert’s music.
 
When Texas became the rage in New York City, a music venue called the Lone Star Café served as capital of Texas chic. Austin musician Cleve Hatttersley was the manager of the Lone Star.   He said, “Everyone who was anyone came through the door on any given night: Mick Jagger, Johnny Paycheck, Tommy Tune. Jerry Garcia… and Delbert was the biggest star of the bunch. Delbert is the absolute heart and soul of Texas rhythm and blues. We had James Brown, George Strait, Elvis Costello… but the one that all the other stars came out to see was Delbert.” 
Delbert had succeeded in creating his own genre, a melting pot of American music, and people still cannot get enough of it. From those early days in Fort Worth roadhouses until the recent COVID crisis shut down touring shows Delbert and his band have crossed the country playing festivals, theatres, and iconic music institutions. From Farm Aid to Carnegie Hall, his popularity grew, and Delbert continues as a “musician’s musician,” influencing many artists along the way.  Delbert released Tall, Dark & Handsome, (Hot Shot Records/Thirty Tigers) in 2019, to celebrate his 79th birthday. The album earned Delbert his fourth Grammy® for Best Traditional Blues Album. He also received the Lifetime Achievement Award from the Americana Music Association, and has been featured several times in the Country Music Hall of Fame’s series of live performances, programs and podcasts.
 
In May of 2021, Delbert announced his retirement from touring. Fans and music journalists speculated about what he would do next. This was to be the first time in 64 years that he was not traveling interstate highways and backroads, playing a rigorous schedule.  
Outdated Emotion brings Delbert McClinton full circle to the songs that started it all.  

Delbert McClinton - Outdated Emotion [LP]
$22.98
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Lyle Lovett

12th of June [LP]

Vinyl: $22.98 Buy

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Lyle Lovett returns with his first new album in over 10 years,“12th of June”, due out on Verve Records May 13th, 2022. The album is a fantastic and eclectic collection of new original songs and beloved interpretations that will please existing fans as well as invite new ones. Immaculately recorded, it highlights the dynamics of Lyle and his Large Band– and their singular ability to shift from one genre to the next with uncanny grace and ability.  From beautiful acoustic ballads to swinging big band numbers, this record will remind listeners why Lyle is national musical treasure.

Lyle Lovett - 12th of June [LP]
$22.98 Video
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Willie Nelson

A Beautiful Time [LP]

Vinyl: $21.98 Buy

MP3 Album: $10.99 Download

Willie is back with his 72ND solo studio album. A full-fledged album of new studio material produced with long-time collaborator Buddy Cannon, it will come on Willie’s 89th birthday and shows off just how prolific he continues to be as the album includes some of his finest songwriting and performances in years! The 14 tracks include 5 amazing new Willie Nelson/Buddy Cannon compositions, new songs from Chris Stapleton & Rodney Crowell (the first single “I’ll Love You Till The End Of Time”) and a cadre of top Nashville songwriters, plus a couple of plum covers by Leonard Cohen (“Tower Of Song”) and The Beatles (“With A Little Help From My Friends”) given expert interpretation by Willie.

Willie Nelson - A Beautiful Time [LP]
$21.98
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Collector's edition of the classic 'Hi, How Are You' album, featuring unreleased sonic surprises on side B. 

Daniel Johnston - Hi, How Are You: Collectors Edition [LP]
$24.98
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Country legend and rockabilly icon Dale Watson cuts loose on a set of divebar jukebox classics for this brand new studio album!Hear Watson's unmistakable voice outgrit Bob Seger on "Turn The Page," outshine Willie Nelson on "Always On My Mind," and outplay Kenny Rogers on "The Gambler" plus many more favorites!Includes special guest performances country diva Lorrie Morgan, Stax legend Steve Cropper, Swiss rockabilly shakers The Hillbilly Moon Explosion, and more!Produced by rockabilly superstar Danny B. Harvey! Limited edition GOLD vinyl in a gatefold jacket!
Dale Watson - Jukebox Fury (Gold) [Colored Vinyl] (Gate) (Gol)
$26.98
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On Violet color vinyl. Born and raised in small Texas towns, the members of Good Looks met and began playing together in Austin. Songwriter Tyler Jordan grew up in a South Texas coastal town dominated by the petrochemical industry, his childhood steeped in the tension between nature and industry, exploitation abundantly present and the wealth gap on full display. His father's church, described by Tyler as "cult-like in it's intensity," was homebase and where he learned to sing. Tyler eventually met lead guitarist Jake Ames in the late-night song-swap circles of the Kerrville Folk Festival campground (where they would also meet Buck Meek and Adrienne Lenker pre-Big Thief). They shared their mutual love of the Texas hill country canon (Blaze Foley, Townes Van Zandt, and Willie Nelson), a love of cheap diner food, thrift store baseball caps, and a healthy dose of harmless shit-talking. They began playing in bands together, backing up other songwriters and taking turns in the spotlight. They sought out producer Dan Duszynski (Loma, Cross Record, Jess Williamson) to engineer their debut album. What would form was Good Looks, a blue-collar political indie-rock band with healthy doses of Replacements swagger and shimmering, desert rock riffs not unlike The War On Drugs.
Good Looks - Bummer Year (Violet) [Colored Vinyl] (Viol)
$22.98
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Jamestown Revival have made the quietest record of their career with Young Man, yet it may resonate the most. Recorded in their home state of Texas, it is their first project without electric guitars, with the emphasis instead on skillful songwriting, flawless harmony, and intricate fingerpicking. In addition, it’s the first time that bandmates Jonathan Clay and Zach Chance have created an album with a producer -- in this case, Robert Ellis, a fellow Texan and a recording artist in his own right.

“I really think this is an album about coming of age and settling into an identity,” Clay says. “It’s about losing your identity and searching for it. It’s feeling like you found it and then realizing that’s not it. And it’s about our experiences over the last 15 years of making music – the successes and failures and all of those things mixed up together.”

Sonically the album draws on inspirations such as Crosby, Stills, Nash & Young and The Doobie Brothers (particularly “Black Water”), yet there’s also a dusty Western feel to Young Man, similar to a Guy Clark or Townes Van Zandt album where the detailed backdrop and acoustic arrangements convey the story as eloquently as the lyrics do.

“This is our first excursion with fiddle and we didn’t hold back,” Chance says. “We wrote a lot of these songs about the questions and the perspectives now that we’re a lot older and have been doing this longer. It’s almost like having a conversation with ourselves at times. We wanted it to feel earthy and rootsy, so the fiddle was a big part of that identity.”

A sense of spaciousness came naturally in past projects like 2014’s Utah, recorded in the Wasatch Mountains, and 2019’s San Isabel, recorded in a Colorado cabin. This time, the band opted for a studio for the first time, choosing Niles City Sound in Fort Worth, Texas. Studio co-founder Josh Block engineered Young Man to evoke the experience of musicians huddled together, singing and playing without headphones or click tracks. Chance and Clay are joined on the session by their longtime rhythm section of bassist Nick Bearden and drummer Ed Benrock.

“The songs move, the tempos move, but we really wanted to capture the performances,” Clay explains. “We wanted the songs to push and pull as they needed to, and not to have to adhere to a grid. It feels like the songs straighten out too much when that happens, so it was cool to be in a studio with an engineer and producer who really supported that idea.”

Chance continues, “All of the adventures we’ve had recording in different places have been fun, but the burden of bringing our own gear, setting it up, and then being our own producer is a lot to carry on our shoulders sometimes. With Robert, he always has an opinion and he could help us pick a direction. We could relinquish control and focus on capturing our best performance.” 

Young Man opens with “Coyote,” a plaintive ballad the duo wrote on their ranch near Huntsville, Texas, about an hour north of their hometown of Magnolia. With its lonesome tones and sly title character, it sets the tone for the album, pulling in listeners with blended voices and a narrative that befits a campfire setting. From there, songs like “Young Man,” “Moving Man,” “Northbound,” and especially “These Days” further explore their restless frame of mind, due in no small part to the pandemic.

As Clay explains, “I think what we asked ourselves a lot throughout this process were questions like, ‘Damn, where did our fire go? Do we still have it?’ I didn’t pick up a guitar for six months after our tour got canceled when COVID hit. I just felt like music had turned on me. I felt like I was asking, ‘Am I a musician anymore?’” Chance agrees with that sentiment, adding, “It’s easier for us whenever we’re in motion. I don’t think you ever stop to question how fragile it actually is, and then it gets taken away. You lose the ability to identify with it.”

Even as “One Step Forward” finds the duo seeking a silver lining, “Slow It Down” shows them embracing the situation – by strumming their guitars, driving down dirt roads, and catching crawfish. That homegrown approach carries over into “Way It Was,” even as the opening lines address the inevitable changes in life.  Meanwhile, “Old Man Looking Back” is a co-write with Ellis, completed in Chance’s kitchen in the weeks leading up to the sessions for Young Man.

However, it’s a different gathering that set Jamestown Revival on the course to make Young Man. After a year apart of not playing together, Chance and Clay invited their band to the ranch to hang out and to record a few songs in their hay barn. The results served as an unintended pre-production of sorts, sparking ideas that they eventually carried into the sessions with Ellis. They also wrote “Coyote” during that time, as well as the album’s closer, “Working on Love.” 

Asked about the message of that final song, Chance replies, “For me, it was about the idea of love – and not just intimate love but love in general – being a lifelong journey. It’s similar to how you’ve got to plow the fields and replant the seeds and water it and tend to it. It’s the same way you have to approach your patience for love in your life.”

Chance and Clay envision Young Man as a collection of songs that should be played all the way through, like reading a book. “We had the most amazing time recording this album. We laughed nonstop,” Clay says. “When I listen to this album top to bottom, I’m really proud of what we did. I hope that this album transports people because it’s like a time capsule. It takes us right back to that studio and to that couple of weeks. It felt like we were doing what we were meant to do.”

Jamestown Revival - Young Man [LP]
$26.98
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Ray Wylie Hubbard

Co-Starring Too [Translucent Green LP]

Vinyl: $24.98 UNAVAILABLE

MP3 Album: $10.99 Download

Rogue. Poet. Rocker. Texas Texture. Ray Wylie Hubbard made such a mark with Co-Starring, his first major label outing with an all-star lineup of his vast network of friends, the always shape-shifting songwriter decided once was not enough. So the louche beacon of cool went even wider and deeper into his coterie of confidantes, emerging with Co-Starring Too. The second set features a surprisingly eclectic and Texas-centric collection - Willie Nelson, The Bluebonnets, Band of Heathens, The Last Bandoleros and Steve Earle, plus a Red Dirt collab with Wade Bowen, Randy Rogers and Cross Canadian Ragweed's Cody Canada. The next wave of Lone Star songwriting icons Hayes Carll, James McMurtry, Dalton Domino appear next to tracks from creative torque Wynonna, Jaimee Harris, Charlie Sexton and Gurf Morlix. The far-reaching rock & roll/country music/musicians/Texas Music Hall of Fame team of Ringo Starr, Lucas Hubbard, Steve Lukather (Toto), Eliza Gilkyson and Ann Wilson (Heart) assemble alongside metal slayers Lzzy Hale and John 5 with an amplified Blues-fusion from Kevin Russell and the Shiny Soul Sisters. Always eviscerating songwriting, Co-Starring Too is a post-outlaw country take on what it means to be a man holding his own, a rake unafraid of a good time and a romantic wildly committed to the ideals of the heart. Unabashed and unafraid to work from the fringes, bringing the rest of us along for the ride, there is only one Ray Wylie Hubbard.

GUEST ARTISTS:

Willie Nelson, Kevin Russell and the Shiny Soul Sisters, The Bluebonnets, Steve Earle, Lzzy Hale, John 5, Hayes Carll, James McMurty, Dalton Domino, The Last Bandoleros, Wade Bowen, Randy Rogers, Cody Canada, Wynonna Judd, Jaimee Harris, Charlie Sexton, Gurf Morlix, Ringo Starr, Lucas Hubbard, Steve Lukather, Eliza Gilkyson, Ann Wilson & The Band of Heathens.

  • Collaboration Album On Translucent Green Vinyl!
  • Features Ringo Starr, Willie Nelson, Steve Earle & More!

RAY HUBBARD / CO-STARRING TOO / CO-STARRING TOO

Ray Wylie Hubbard - Co-Starring Too [Translucent Green LP]
$24.98
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Loss and hope, isolation and communion, the cessation and renewal of purpose. These themes echo throughout the fifth album from Midlake, their first since "Antiphon" (2013). Reuniting with intense focus after a long hiatus, the result is "For the Sake of Bethel Woods" - an album with tremendous thematic and sonic reach, produced to layered, loving perfection by John Congleton. It’s a record full of immersive warmth and mystery from a band of ardent seekers, one of our generation’s finest.

Midlake - For The Sake Of Bethel Woods [Indie Exclusive Limited Edition Coke Bottle Clear LP]
$22.98
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Limited 180gm red colored vinyl LP pressing. New West Records is proud to present the reissue of this classic Antone's Records blues title. Housed in a beautiful, one of a kind package.
Pinetop Perkins - Pinetop's Boogie Woogie [Colored Vinyl] [Limited Edition] [180 Gram] (Red)
$29.98
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Drunk Uncle hail from Austin, TX, but their namesakes are probably drawn from someone you know. Think about your last family gettogether- Uncle Bill is halfway through a six-pack when the alien conspiracy theories start pouring out of his mouth. He starts chaotic and loud, then gets quiet and sad as he keeps drinking. His mood will swing wildly in-between emotions. His speech is raw and his vulnerability is beautiful. Bottle that energy up into music form and you have Drunk Uncle. Drunk Uncle's debut album "Look Up" draws on catharsis. Picture yourself in a grimy basement surrounded by your best friends, watching a band as music washes over you and you feel like everything is in the right place. You smile as frantic guitars fill the room and gruff vocals push out every emotion you could possibly feel. Drums and bass slow down and speed back up as the music moves from anger to regret to hope. You feel it all- every note, every hit, every strain. It feels good to feel. You open your eyes and you are in your room alone. You flip the record back over and you are back in the basement. All is right.
Drunk Uncle - Look Up [Blue Skies LP]
$23.98
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Shinyribs defies genres as a sonic melting pot of Texas blues, New Orleans R&B funk, horn-driven Memphis soul, country twang, border music, big band swing, and roots-rock. The Austin-based nine-piece (sometimes 10-piece) supergroup is led by Kevin Russell, the charismatic frontman with colorful suits and extravagant shoes who continuously swaps out an electric guitar for a ukulele and never falls short of creating a cinematic experience with on-stage antics that often include him donning a light-up cloak or leading a conga line through the crowd. Late Night TV Gold is filled with Caribbean organs, verbed-out distant delay vocals, chunky fatback guitars, dance hall horns, trip-trap, soul-tap, boldface bass, mellotron traced, late-night rhythms, -isms and -gasms, prisms, schisms, and chasms, this'ems and that'ems of molecular musical atoms splitting hairs and lost heirlooms. "This record reminds me of the tortoise from the old story with the hare. It has this sort of stout, relentless march to it. It's hopeful and resolute but pushing through resistance. I guess the world went from all hare to all tortoise so it's less-than-surprising that you can feel the reflection of that in the songs. There is a lot of blur and shade and random splattered sinewy mop bucket melody. I like that it's shaking hands with a lot of roots music that one doesn't instantly associate with my voice," Russell shares.
Shinyribs - Late Night Tv Gold [Colored Vinyl] (Ofgv)
$25.98
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The songs of Still Life were written in quiet moments between tours and recorded away from Texas in Ontario with Canadian musician and producer Daniel Romano. The phrasing and tones recall John Cale, The Kinks, Richard and Linda Thompson-like-minded artists of the late '60s and early '70s, another era of transition and innovation. Still Life is an offering of deliberation, an exposé of conscience, a confirmation that creation is an act of hope.
Carson McHone - Still Life [LP]
$18.98
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Coming February 11th: Spoon's tenth album, Lucifer on the Sofa, is alive, vital and inarguably the band's heaviest work to date. The first set of songs that the quintet has put to tape in its hometown, Austin, in more than a decade. Written and recorded over the last two years ' both in and out of shutdown ' these songs feel like a culmination of Spoon's career while marking a shift toward something louder, wilder, and more vivid.

Spoon - Lucifer On The Sofa [LP]
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Jana Horn

Optimism [LP]

Vinyl: $21.98 Buy

MP3 Album: $9.99 Download

Optimism is the debut album from Jana Horn of Austin, Texas. Originally self-released in a small vinyl edition, now widely available. Horn says the LP, "seemed to come about indirectly, almost in passing, a feeling of being in-between things. I was really mobile at that time, living wherever... I had just discovered, late, Raymond Carver, Broadcast, Sybil Baier, Annette Peacock, Richard & Linda Thompson, a short story called “Car Crash While Hitchhiking” by Denis Johnson. I had “Heart Needs a Home” in mind, “The Great Valerio;” I was just really moving through the world, hanging in the shadows of the people I wanted to be. Hoping, looking out, this is Optimism. I was looking for anything."

Jana Horn - Optimism [LP]
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Written and recorded over the past year, Penny and Sparrow’s remarkable new album, Olly Olly, is a work of liberation and revelation, a full-throated embrace of the self from a band that’s committed to leaving no stone unturned in their tireless quest for actualization. The songs here are fearless and introspective, embracing growth and change as they reckon with desire, intimacy, doubt, and regret, and the arrangements are similarly bold and thoughtful, augmenting the duo’s rich, hypnotic brand of chamber folk with electronic flourishes and R&B grooves. The duo—Andy Baxter and Kyle Jahnke—produced Olly Olly themselves, working on their own without an outside collaborator for the first time, and the result is the purest, most authentic act of artistic self-expression the pair have ever achieved.

“Andy and I talk about the process of making this record like a sort of musical Rumspringa,” Jahnke says. “It was an opportunity to truly become ourselves, to evolve outside of the roles we’d been put in—or put ourselves in—because of the way we’d grown up.”  

Texas natives Baxter and Jahnke first crossed paths at UT Austin, where they developed a fast friendship and a deeply symbiotic musical connection. Jahnke was a gifted guitarist with an ear for melody, Baxter, an erudite lyricist with a mesmerizing voice and crystalline falsetto, and the duo quickly found that their vocals blended together as if they’d been singing in harmony their whole lives. Beginning with 2013’s ‘Tenboom,’ the staunchly DIY pair released a series of critically lauded records that garnered comparisons to the hushed intimacy of Iron & Wine and the adventurous beauty of Bon Iver, building up a devoted fanbase along the way through relentless touring and word-of-mouth buzz. NPR praised the band’s songwriting as a “delicate dance between heartache and resolve,” while Rolling Stone hailed their catalog as “folk music for Sunday mornings, quiet evenings, and all the fragile moments in between.” The duo’s most recent album, 2019’s Finch, marked a turning point in their career, pushing their sound to experimental new heights as it wrestled with notions of masculinity and religion and transformation in deeper, more personal ways than ever before. The record debuted at #2 on the Billboard Heatseekers Chart and was met with a rapturous response from critics and audiences alike, racking up more than 40 million streams on Spotify and earning the band their biggest headline tour to date. 

Penny & Sparrow - Olly Olly [LP]
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"With incendiary guitar chops and raw, powerful vocals, fiery Texas blues rocker Carolyn Wonderland draws instant comparisons to fellow Texans Stevie Ray Vaughan and Janis Joplin." ::: Blistering guitarist, fire-breathing singer and gifted songwriter releases an exuberant and astonishing collection of songs, deeply rooted, yet fired by a rocker's sensibility. The Houston, Texas native just left blues great John Mayall's Blues Breakers as first female lead guitarist in a band whose previous lead players include Eric Clapton, Mick Taylor and Peter Green. Tempting Fate was produced by Dave Alvin, with guest appearances by Alvin, Marcia Ball and Jimmie Dale Gilmore. The tracks pit brilliant originals with revelatory versions of songs by Bob Dylan, Grateful Dead, John Mayall and Billy Joe Shaver.
Carolyn Wonderland - Tempting Fate [Colored LP]
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Narrow Head

Satisfaction [Blue LP]

Vinyl: $23.98 UNAVAILABLE

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Narrow Head’s debut full-length record Satisfaction is available once again on vinyl for the first time since its initial release in 2016. Reissued by Run For Cover, this version of the album includes updated album art and a limited color vinyl release. While the band offered a handful of one-off singles and demos prior toSatisfaction’s release, this record offers a perfect introduction to the Houston band’s world.

Revisiting Satisfaction after the release of last year’s 12th House Rock finds this younger version of the band honing in their signature blend melody, heaviness and atmosphere. Leadoff track “Necrosis” immediately recalls the heaviness of genre fore-bearers like touring partners Quicksand, while standout song “Cool In Motion” kicks off with what feels like an all-time alt-rock hook before disintegrating into an airy and melodic full-band jam.

Narrow Head - Satisfaction [Blue LP]
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Limited colored vinyl LP pressing. Levitation (formerly known as Austin Psych Fest) began as a simple idea in a Black Angels tour van in 2007 - let's invite all our favorite bands and all our friends, for our version of a music festival. The first Austin Psych Fest was held in March 2008, and expanded to a 3 day event the following year. From there the festival quickly developed into an international destination for psychedelic rock fans, with lineups spanning the fringes of indie rock, from up-and-comers to vintage legends, and capped off with headlining performances from The Black Angels each year. The Black Angels and Levitation helped spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas. The artists and sets showcased on Live at Levitation have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at Levitation annually from all over the world.
The Black Angels - Live At Levitation [Limited Edition Swirl LP]
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The Willie Nelson Family finds Willie joined in his Pedernales Studios by a host of his family members and extended family of long-time band members, performing songs that they have performed for much of their lives. Sister Bobbie, sons Lukas and Micah, and daughters Amy and Paula all contribute plus band members Mickey Raphael, Kevin Smith and Billy and Paul English. Produced by Willie and Steve Chadie and shaped around a setlist of 12 favorite spirit-driven songs from the Nelson Family repertoire, the album draws on deep Americana (including A.P. Carter's "Keep It On The Sunnyside" and the traditional hymn "In The Garden") while celebrating classic songwriting from Hank Williams ("I Saw The Light") and Kris Kristofferson ("Why Me") to George Harrison ("All Things Must Pass") and Willie Nelson (who penned half of the album's compositions). Willie's son Lukas (who fronts his own band, Lukas Nelson & Promise of the Real) sings lead vocals on two of the album's tracks--"All Things Must Pass" and "Keep It On The Sunnyside"--while sharing lead vocals with Willie on "I Saw the Light," "I Thought About You, Lord" and "Why Me." These songs represent the final recordings Willie made with his longtime drummer and pal Paul English who was Willie’s drummer for over 50 years before he passed away in February 2020.

Willie Nelson - The Willie Nelson Family
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"The dancer wants to get in a groove and stay there until he has exhausted his invention or his body. The timescale and momentum of any physical activity is vastly different from the attention span of listening."Albert Goldman "A good remix is when the remixer's sonic fingerprint is present, without sounding forced. It should feel like it's own story, with at least some of the same characters as the original." Khruangbin The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named 'Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing it's first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' 'Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled 'White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out. Bill Brewster
Khruangbin - Mordechai Remixes [2LP]
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Country singer/songwriter Hayes Carll returns with his eighth album You Get It All, produced by Allison Moorer and Kenny Greenberg. Carll's talent for storytelling and creating compelling lyrical narratives shines through as brightly as ever, and You Get It All exemplifies his ability to span a wide range of musical styles while staying true to himself. Featuring songs co-written by Brothers Osborne, Brandy Clark, and Sean McConnell, You Get It All is both heartbreaking and lighthearted, a combination that Carll has honed on his records throughout his entire career. "I like to tug at heartstrings, find commonality with others, reflect on my own life, and sometimes I do it in a lighthearted way," says Carll. "A lot of musical styles found their way onto this record, but my first and most formative influences came from country music. This is a country singer-songwriter record. It's just unapologetically me."
Hayes Carll - You Get It All [LP]
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Vinyl LP pressing. 2021 release. Nolan Potter is putting the home-recording freaks to shame. The world had a year of global pandemic to lay out it's grand ideas and the sum total of most artists "quar-riffs" wouldn't push the constraints of a normal band practice (gosh, remember those?). Nolan Potter, in the meantime, has quietly painted a beatific masterpiece that veers from the whimsical to the wigged out, deftly weaving an untamed tapestry of sound all the while archly commenting on the present musician's predicament-and he did it alone. No drum machine clattering in the background amidst tape hiss and four-track grime here-this is a fully realized, insanely well played, full on rock record that might even one-up his first album, 2019's excellent Nightmare Forever. The guy's got more chops than a beauticians' college, across a wide array of instruments-no small feat, and easily overlooked when leaving the lyric sheet and credits on the dining room table. That the songs travel far, wide, up, down, backwards, and gamely spill out over the five minute mark with exceptionally loose interludes and diversions is just another marvel in this carnival of aural delights-it's a gem of a record and it's out on Castle Face.
Nolan Potter - Music Is Dead
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Norah Jones

I Dream Of Christmas [LP]

Vinyl: $21.98 UNAVAILABLE

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Norah Jones has been a warm voice of comfort and reassurance for nearly 20 years since her cozy 2002 debut, Come Away With Me. Now, the 9x GRAMMY-winning artist has made her first holiday album with I Dream Of Christmas, a collection of timeless seasonal favorites (“White Christmas,” “Winter Wonderland,” “Christmas Time Is Here”) and profound new originals that explore the complicated emotions of the past year and our hopes that this holiday season will be full of joy and togetherness.

Norah Jones - I Dream Of Christmas [LP]
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"With incendiary guitar chops and raw, powerful vocals, fiery Texas blues rocker Carolyn Wonderland draws instant comparisons to fellow Texans Stevie Ray Vaughan and Janis Joplin." ::: Blistering guitarist, fire-breathing singer and gifted songwriter releases an exuberant and astonishing collection of songs, deeply rooted, yet fired by a rocker's sensibility. The Houston, Texas native just left blues great John Mayall's Blues Breakers as first female lead guitarist in a band whose previous lead players include Eric Clapton, Mick Taylor and Peter Green. Tempting Fate was produced by Dave Alvin, with guest appearances by Alvin, Marcia Ball and Jimmie Dale Gilmore. The tracks pit brilliant originals with revelatory versions of songs by Bob Dylan, Grateful Dead, John Mayall and Billy Joe Shaver.
Carolyn Wonderland - Tempting Fate
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To say In Heaven is about conquering grief would be oversimplifying everything Tim Showalter has achieved on the eighth studio album from Strand of Oaks. A stunning, hopeful reflection on love, loss, and enlightenment, In Heaven is a triumph in music making, and a preeminent addition to the Strand of Oaks discography.

In late 2018, Showalter’s wife, Sue, lost her mother in a car accident. Soon after, Stan, the cat they both adored, was diagnosed with terminal cancer. Showalter quit drinking so he could take better care of his wife and help rebuild the life they shared. And within months, they decided to pack up and move across the country from Philadelphia to Austin, Texas. It was an irrational decision made at the height of a terrible time, but it’s one that shaped so much of what In Heaven is about.

In Heaven was recorded in October 2020 with Kevin Ratterman at Invisible Creature in Los Angeles. Carl Broemel (My Morning Jacket) is featured on guitar throughout the record, while James Iha (The Smashing Pumpkins) contributed vocals and guitar for “Easter.” Bo Koster (MMJ, Roger Waters) provided keyboards, Cedric LeMoyne (Alanis Morrissette, Remy Zero) bass, Scott Moore violin, and Ratterman monstrous drums. Showalter also played a lot of synth on this record, which he hasn’t done since 2014’s HEAL. With clean sounds, Jeff Lynne-esque acoustics, and sophisticated songwriting, he approached In Heaven in a more poised and pop-leaning way than his past releases.

“I wanted to strive for something greater than what I thought I was capable of.”

The result is something extraordinary, as Showalter has crafted a poignant narrative that transcends his personal experiences and achieves a universality rooted not only in loss but joy, celebration, and newfound strength. The gorgeous opener “Galacticana” finds him telling us “I don’t want to drag you down,” a reassurance that his intentions lie in uplifting. But there’s a duality present throughout In Heaven that is palpable, as felt on “Easter,” an exuberant pop anthem featuring jaunty guitar and ethereal vocals courtesy of Iha, that both celebrates Showalter’s new life and references his efforts to “stop the boat from sinking.” It’s a powerful sentiment echoed in slow burner “Hurry,” which showcases some exceptional shredding by Broemel, and beyond, as Showalter explores mortality and a heightened sense of his own existence, intensified by a world where he no longer uses alcohol to cope.

Pairing smart, imaginative lyrics and striking arrangements, tracks like “Carbon” and its magnificent violin stand out, as does “Sister Saturn” with its funky, sinuous groove, and the sublime “Horses at Night,” which features one of Showalter’s most exquisite melodies to date. There’s also a discernible current running through In Heaven of homage to some notable losses in music—John Prine, Jeff Buckley, and Jimi Hendrix all play a part—for In Heaven is about moving beyond sadness or anger to a state of gratitude that we ever had these people to begin with. And while every song provides some clue to Showalter’s personal heaven, the jubilant “Jimi and Stan” says it all, wherein Hendrix and his beloved cat Stan are hanging out, going to shows, and looking at stars together.

And as our musical odyssey ends in the warm embrace of “Under Heaven,” the weight of everything Showalter has manifested—the beauty, and the sadness, and the immensity of it all—hits with tremendous impact. But any sense of hopelessness or melancholy yields to a different feeling entirely, just as he intended. Perhaps we’re feeling stronger, more prepared for something. Or maybe it’s just a reminder: call your parents, text your friends, hug your pets. Listen to your favorite records. And think about what it means to be alive. 

Strand Of Oaks - In Heaven [Indie Exclusive Limited Edition Translucent Pink LP]
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Asleep At The Wheel

Half A Hundred Years [LP]

Vinyl: $25.98 UNAVAILABLE

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Asleep At The Wheel is celebrating their 50th Anniversary with the release of Half A Hundred Years. The nineteen tracks feature original band members, current band members and guest artists. The special guest artists are Lyle Lovett, George Strait, Lee Ann Womack, Willie Nelson, and Emmylou Harris. Tracks 1 - 11 are new songs featuring the original band members. Tracks 12 -16 are old songs featuring the current band members and Asleep At The Wheel alumni. Tracks 17 - 19 are songs from the vaults that have never been released and track 14 features the current and the two previous female band members.

Asleep At The Wheel - Half A Hundred Years [LP]
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Charley Crockett

Music City USA [2LP]

Vinyl: $25.98 Buy

MP3 Album: $9.99 Download

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The album cover you’re looking at might lead you to conclude Charley Crockett is on one hell of a roll. You wouldn’t be wrong. Ten records in six years is some kind of prolific. The latest, a double album, suggests the artist has some songs worth paying attention to. It’s clear that he’s invested as much time in the studio, recording storytelling songs, and making storytelling videos, as he has barnstorming around the United States and Europe playing live shows.

Not bad for a thirty-seven-year-old late bloomer.

Charley Crockett has been a fairly remarkable artist to follow. He’s got a sound. He’s got something to say. He has a look. And there’s a gauzy veil of mystery surrounding him suggesting he knows more than he’s letting on.

All those records in such a short amount of time have come with a “No Two Alike” guarantee, particularly the last three releases: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand.

His voice is one-of-a-kind. His distinctive, plaintive vocals crack unapologetically with emotion, and he phrases his lines around the beat like a jazz singer, while he expounds upon personal relationships and the world beyond.

Now comes Charley’s tenth album in his six-year career. In the Crockett tradition, it is as ambitious and ground-breaking as each piece of recorded music he’s put out so far. And it’s not just an album. It’s a double album of Charley Crockett originals, each song going the distance to further define this singer-songwriter-performer-artist who came out of the proverbial nowhere.

Charley has endured the collapse of the recording industry, no money, petty crime, societal ennui, the Covid-19 pandemic, open heart surgery, one-night stands, long distance rides in a van, loud truck stops and diners serving stale lukewarm coffee to get to where he is now.

His reward – and yours – is this collection of Charley Crockett originals.

Sad, uplifting, hard, and sweet, complex and delicate all at once, his songs are like life its ownself, just like the songs’ creator: like nothing you’ve heard or seen before, a genuine Texas original.
JOE NICK PATOSKI 

Charley Crockett - Music City USA [2LP]
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A Beautiful Life is the first new music from Heartless Bastards since 2015’s Restless Ones. The album was produced by Kevin Ratterman (Strand Of Oaks, Jim James, White Reaper). Album performers include Andrew Bird on “The River,” Greggory Clifford (White Denim) on drums, Jesse Chandler (Mercury Rev, Midlake) on keys, flute, clarinet; David Pulkingham (Patty Griffin) on guitar, Bo Koster (My Morning Jacket) on keys. The music is a melange of blues rock, rock and singer-songwriter which surround themes about self-love and awareness, mental health, the environment, and consumerism.

Heartless Bastards - A Beautiful Life [Indie Exclusive Limited Edition Neon Violet 2LP]
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Vinyl LP pressing. Austin, Texas-based singer-songwriter and former frontman of The Ugly Americans and The Scabs, Bob Schneider has become one of the most celebrated musicians in the live music capital. Combined with his scruffy good looks and diverse musicals styles, Schneider's talent has defied genres. Combing elements of funk, country, rock, and folk with the more traditional singer/songwriter aesthetic, Schneider draws inspiration from the '70s with a modern twist reminiscent of Beck. His powerful lyrics tackle tough subjects about alienation, drug addiction, and lost romance. Schneider has won more than 59 Austin Music Awards including Best Album, Best Songwriter, Best Musician, and Best Male Vocals making him the most decorated artist in Austin music history. Schneider's fan base reaches far beyond the city limits of Austin. He started gaining national recognition when released 2001's Lonelyland, his major-label debut for Universal Records, followed by 2004's I'm Good Now. Since leaving Universal, Schneider went on to release more award-winning albums under Vanguard and began releasing "side projects" on his label, Shockorama Records. He has released more than a dozen albums and doesn't plan on slowing down anytime soon.
Bob Schneider - In a Roomful of Blood with a Sleeping Tiger [LP]
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Artists like Rodney Crowell and Steve Earle studied under the watchful eye of Clark during their early years. Like friend Townes Van Zandt before him, Clark is a master storyteller, a dream weaver blessed with the ability to match ear-catching melodies with poetic lyrics that aim for the deepest part of the listener's soul. Somedays the Song Writes You, Clark's eleventh studio album, is a well-crafted collection of compositions that rank among some of his best. Clark's tobacco-and-whiskey-stained voice has never sounded better. "The Coat," one of many standout tracks on the disc, is a simple reflection on a bad morning - that comes after a night of drinking and no sleep - and turns into an even worse day when rain and cold threaten to muddy the main character's mind even more than it already is. Somedays the Song Writes You is another choice album from one of the greatest songwriters to ever come out of the state of Texas.
Guy Clark - Somedays The Song Writes You (Birchwood Vinyl)
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Double white colored vinyl LP pressing. Includes digital download.This is Alejandro Escovedo's critically acclaimed album, The Crossing, with the vocals recorded in Spanish. With the lyrics translated into and sung in Spanish, the concept album which tells the story of two young immigrants to the US, who bond over a mutual love of punk rock as they struggle with the racism and discrimination as immigrants, becomes an even more intimate experience. It features guest vocalists, as well as Alejandro singing all of the songs from The Crossing in Spanish. Vocalists on the album include Alex Ruiz (Chingon), Patricia Vonne, Vanessa Del Fierro and Alejandro Escovedo. Tracks like, 'Algo Azul,' ('Something Blue') 'Sónica USA' 'Bandido Para Ti' ('Outlaw For You') really shine here.

Alejandro Escovedo - La Cruzada [Bone White 2LP]
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In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation (closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.”

The Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (Ozzy Osbourne, John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groovemaster’s in Santa Monica, California. Hogarth recorded McMurtry’s first two albums, Too Long in the Wasteland and Candyland and later mixed McMurtry’s first self-produced album, Saint Mary of the Woods. Another veteran of those three releases, guitarist David Grissom (Joe Ely, John Mellencamp, Dixie Chicks), returns with some of his finest work.

James McMurtry - The Horses and the Hounds [Indie Exclusive Limited Edition Slate Grey 2LP]
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Nobody’s Girl is a Texas based songwriting trio formed by award-winning writers and performers BettySoo, Rebecca Loebe and Grace Pettis. Their harmonies' unique vocal blend is on display in their first full length album, the self-titled Nobody’s Girl, which comes out via Lucky Hound Music. This pivotal record features nine original tunes that the trio co-wrote together, as well as two hand-picked originals. Produced by Grammy-winning artist, Michael Ramos (John Mellencamp, Paul Simon, Patty Griffin, etc.), the group are perfectly framed by a who’s who of today’s modern music legends.

Nobodys Girl - Nobody's Girl [LP]
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1 standard weight BLACK Vinyl LP, in mirror-board finish jacket, printed inner sleeve, and 20 page 12”x 12” booklet

Gold-Diggers Sound is the new album from Leon Bridges. This R&B collection is birthed from extended late nights at the Los Angeles, California studio of the same name. The album celebrates Leon’s immersive experience of creating music in the same East Hollywood room where he lived, worked and drank over the course of two years. The soulful collaboration between Leon as an artist and the space itself was so encompassing that he chose to name the album after the soon-to-be legendary complex.

Leon Bridges - Gold-Diggers Sound [LP]
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Romantic Images, Molly Burch's third album, marks a distinct evolution for Burch, both emotionally and sonically. Recorded in Denver with Tennis' Alaina Moore and Pat Riley producing, the collection celebrates the timeless delights of a well-crafted pop song, flirting with Blondie, Madonna, and even Mariah Carey as it forges a joyful soundtrack to liberation and self-discovery. Burch deliberately worked with more women collaborators than ever before on the album, and the results are transcendent, reveling in the passion and the power of the divine feminine. The collection prioritizes ecstasy and escape, and Burch's commitment to collective catharsis in her lifted, airy delivery manages to exude both thoughtful introspection and carefree abandon all at once. The shadow still lurks on the album, to be sure, but the light ultimately wins, and the result is an intoxicating collection all about coming into our truest selves.When it came to mixing and mastering the material, Burch put her faith in Gloria Kaba (Lauryn Hill, A Tribe Called Quest), Mikaelin "Blue" Bluespruce (Solange Knowles), and Heba Kadry (Bjork, Beach House) to truly understand where she was coming from with the music. Burch designed the record to mirror the emotional journey that went into creating it, sequencing the music to work it's way from jittery indecision to poised certainty over the course of ten mesmerizing tracks. Exhilarating opener "Control" takes a leap of faith as it learns to make peace with letting go, while the infectious "Heart Of Gold" grapples with wanting what you can't have. By the time the silky "New Beginning" rolls around, Burch begins settling into a newfound sureness that dominates the collection's second half, with the addictive "Emotion" (a collaboration between Burch and her Captured Tracks labelmate Wild Nothing) celebrating a spectrum of emotions as fuel for creativity."I've written quite a bit about anxiety and heartbreak in the past," Burch reflects, "but this record is more inspired by confidence and self-love. This is the most me I've ever sounded on an album."
Molly Burch - Romantic Images [Indie Exclusive Limited Edition Coke Bottle Clear LP]
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Rodney Crowell

Triage [LP]

Vinyl: $18.98 UNAVAILABLE

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'Triage' offers a rare look inside of the songwriter. This album finds Rodney Crowell introspectively looking for answers and for healing, resulting in what he has called his most personal record yet.

This new collection of songs was written during the great political, environmental and economic upheaval that has marked recent years. The noise of that chaos encouraged Crowell to look inward for solace and answers. The result is this series of songs that contend with these themes, but approaches them from a place of healing, love and solution. That they are being released while we find ourselves walking through a global pandemic, is a gift of perfect timing.

Rodney Crowell - Triage [LP]
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The Flatlanders

Treasure of Love [LP]

Vinyl: $26.98 Buy

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Almost 50 years after the sessions that would make them an “accidental Texas supergroup” (Rolling Stone), The Flatlanders have returned with Treasure of Love, their first new album in more than a decade. Completed during COVID-19 lockdowns with the help of longtime friend and collaborator Lloyd Maines, the record finds the iconic trio of Joe Ely, Jimmie Dale Gilmore, and Butch Hancock in classic form, serving up a rollicking collection of twang-fueled, harmony-laden performances full of wry humor and raw heartbreak. While a few songs here are never-before-heard originals, the vast majority of the tracklist consists of tunes the band picked up during their half-century together, some stretching as far back as the group’s earliest performances in the honkytonks around Lubbock, TX, where you might have spotted Willie Nelson or Townes Van Zandt in the audience.

Largely ignored by press and radio, the initial incarnation of The Flatlanders lasted only a few years before disbanding in 1973. In the decades to come, however, Ely, Gilmore, and Hancock would all go on to considerable success as solo artists, and with the 1990 reissue of their long lost debut, The Flatlanders finally received their due. Critics hailed them as visionaries and craftsmen of the highest caliber (The New York Times dubbed their first LP a “founding document of the alternative country movement”), and the trio would spend the next 30 years collaborating and touring on and off again to widespread acclaim.

The Flatlanders - Treasure of Love [LP]
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Vincent Neil Emerson is a torchbearer of the Texas songwriter tradition. He channels the straightforward truth-telling and resonance of his songwriting heroes in Townes Van Zandt, Guy Clark, and Steve Earle into something fresh and distinctly his own. Where his 2019 debut Fried Chicken and Evil Women proved that he is one of the most reverent students of country and Western musical traditions, his follow-up LP, the masterful Rodney Crowell-produced Vincent Neil Emerson, which is out June 25 via La Honda Records/Thirty Tigers, is a brave step forward that solidifies his place as one of music's most compelling and emotionally clarifying storytellers. His songs are cathartic and bluntly honest, never mincing words or dancing around uncomfortable truths.
Raised in Van Zandt County in East Texas by a single mother of Choctaw-Apache descent, Emerson's world changed when he first heard Townes Van Zandt's music. "To hear a guy from Fort Worth say those kinds of things and make those songs was pretty eye opening," the now 29-year-old songwriter says. "I had never heard songwriting like that before." He's spent the better part of the past decade honing his songwriting and performance chops playing bars, honky-tonks, and BBQ joints across the Fort Worth area. His first album Fried Chicken and Evil Women, which he wrote in his mid-twenties and came out on La Honda Records—the label he co-founded that now includes a roster of Colter Wall, Local Honeys, and Riddy Arman—is a snapshot of his growth as a songwriter and stage-tested charm with songs like "Willie Nelson's Wall" and "25 and Wastin' Time" expertly combining humor and tragedy. 
These marathon gigs and the undeniable songs on his debut introduced Emerson to Canadian songwriter Colter Wall, who quickly became a close friend and took him on tour. With Wall's audience, and sold out theater shows on runs with Charley Crockett, Turnpike Troubadours, and many others, Emerson found his niche. "It took a guy from Canada bringing me on tour for people to actually start paying attention," says Emerson. "Before that it was a grind like anything else, just trying to make a living." Crockett is another staunch early supporter of Emerson's and covered Fried Chicken highlight "7 Come 11" on his 2019 LP The Valley.
Like every working musician, 2020 pulled the rug out from under Emerson. With the pandemic shuttering live music venues and cancelling promising tours, he processed the upheaval the only way he knew how: by writing his ass off. His intense and productive writing sessions produced ten finished songs over the course of just a couple of months, a body of work so personal that he knew he would have to name the final product Vincent Neil Emerson. These demos caught the attention of Texas country and folk icon Rodney Crowell, who signed on to produce and record the LP. "Rodney is a hero of mine," says Emerson. "He wanted to make something that serves the songs, as opposed to making a record trying to put focus on production or the playing. It was an honor to work with him." Crowell had similar high praise for Emerson: "if he grows on the public the way he’s grown on me, it’s possible young Vincent will plant the flag of his [songwriting] forebears firmly in the consciousness of a whole new generation." At the studio, Emerson tracked the songs with a crack team of session players put together by Crowell. "Because of them, we were able to get those songs in one take," he says.
The limited edition indie-exclusive vinyl includes a bonus flexi-disc featuring a duet with good friend, Colter Wall. 
Vincent Neil Emerson - Vincent Neil Emerson [Indie Exclusive Limited Edition LP + Bonus Flexi Disc]
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Night Beats, the Texas-born brainchild of Danny Lee Blackwell, are releasing their fifth full-length album ‘Outlaw R&B’ on May 7th via Fuzz Club. Made during the height of the California wildfires (where Danny now resides), rioting in the streets and a nation in lockdown, ‘Outlaw R&B’ deals in a psychedelic and R&B-infused garage-rock sound that’s “bathed in post-apocalyptic bliss”.  With four albums now behind them – their self-titled 2011 debut, 2013’s ‘Sonic Bloom’, 2016’s ‘Who Sold My Generation’ and 2019’s ‘Myth of A Man’ – Night Beats have garnered a reputation as one of the finest purveyors of contemporary rock’n’roll hedonism around. 

Night Beats - Outlaw R&B [Indie Exclusive Limited Edition Bone LP]
$24.98
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Billy F Gibbons

Hardware [LP]

Vinyl: $22.98 Buy

MP3 Album: $9.99 Download

Rock and Roll Hall of Famer and ZZ Top frontman, Billy F Gibbons wants to take you on a desert trip. Hardware is Billy's third release as a solo artist. He compiled a group of a-listers including Matt Sorum (dr), Austin Hanks (gtr) and headed into the California desert to record in Pioneertown. Hardware features the guitar prowess and vocals that have made Billy a legend but it also shows Billy stretching his music landscape past the place where the road ends.

Billy F Gibbons - Hardware [LP]
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Double vinyl LP pressing. 1990 is Johnston's eleventh album, and features a combination of studio recordings, home recordings and live performances. Released the following year, Artistic Vice marked the first time Johnston recorded an album with the use of a full backing band on every track.
Daniel Johnston - Artistic Vice/1990 [Limited Edition 2LP]
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Description: Nearly two decades into her storied career, 9-time GRAMMY-winning singer, songwriter, pianist, and 2020’s most livestreamed artists, Norah Jones is set to release her first full live album ‘Til We Meet Again.The collection presents globe-spanning performances from the U.S., France, Italy, Brazil, and Argentina that were recorded between 2017-2019. The 14 songs featured on ‘Til We Meet Again also span Jones’ entire career from her 2002 debut Come Away With Me (“Don’t Know Why,” “I’ve Got To See You Again,” “Cold, Cold Heart”), 2004’s Feels Like Home (“Sunrise,” “Those Sweet Words”), 2012’s Little Broken Hearts (“After The Fall”), 2016’s Day Breaks (“Flipside,” “Tragedy”), as well as her more recent singles series (“It Was You,” “Begin Again,” “Just A Little Bit,” “Falling,” and the GRAMMY-nominated “I’ll Be Gone”).

The album closes with Jones’ stunning solo piano performance of Soundgarden’s “Black Hole Sun,” a tribute to Chris Cornell that was recorded at the Fox Theatre in Detroit just days after Cornell’s death following a performance at the same venue.

Norah Jones - ‘Til We Meet Again (Live) [LP]
$27.98
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To celebrate the tenth anniversary of Shakey Graves' debut album, Dualtone is proud to release Roll The Bones X on April 2, as a special double-album presentation in a gorgeous high-quality package with a 20-page photo journal. The first disc contains the original studio record, previously only available through Bandcamp where it garnered over 100,000 downloads. The second, never-before-hear 'odds & Ends' disc contains live tracks, demos, B-sides, and more.
Shakey Graves - Roll The Bones X [Gold & Black 2 LP]
$34.98
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Israel Nash

Topaz

CD: $15.98 Buy

MP3 Album: $9.99 Download

Israel Nash is back with 'Topaz', his first album since 2018's critically acclaimed 'Lifted' which deservedly featured in our end of year list for the year. Set for release in March 2021, 'Topaz' is described as "a triumphant rock-and-roll experiment, full of fat horns, gospel choruses, swagger, hope, and pain." Not that we haven't had enough pain for one year!
Israel Nash - Topaz
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Honoring the enduring inspiration of Frank Sinatra, That’s Life is Willie Nelson’s second album of classics made famous by The Chairman Of The Board. Willie’s first ode to Frank, 2018's My Way, earned Willie the Grammy for Best Traditional Pop Solo Album, and That's Life finds Nelson (who has penned a few standards himself) inhabiting 11 more of the most treasured songs in the Great American Songbook including the title track, "Luck Be A Lady,” "Nice Work If You Can Get It," "I've Got You Under My Skin," "You Make Me Feel So Young," and "I Won't Dance" (a duet featuring Diana Krall). Produced by Buddy Cannon and Matt Rollings, That's Life was recorded at Capitol Studios in Hollywood--where Frank Sinatra, created a string of album masterpieces--with additional recording at Pedernales Studios in Austin, Texas. Willie delivers 11 new studio performances, coming alive in a musical landscape animated by lush string and vibrant horn arrangements on an album mixed by recording industry legend Al Schmitt (who's recorded and mixed more than 150 gold and platinum albums and won more Grammy Awards than any other engineer or mixer). The album cover features a brand new painting of Willie and his iconic guitar, Trigger, standing in the glow of a twilight streetlamp, evoking classic Sinatra album covers of yore.

Willie Nelson - That’s Life [LP]
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Re-imagined new version of their 1982 private press classic. Expanded to 21 tracks, including 14 alternate takes and unissued performances. Contains new liner notes from Austin American-Statesman music writer, Peter Blackstock"The best band in town was Uncle Walt's Band. " That's what Jimmie Dale Gilmore remembers about the trio of Walter Hyatt, Champ Hood, and David Ball circa 1980. Originally released as a private pressing in 1982 on the band's own Lespedeza label, Recorded Live was a document of their legendary shows at Waterloo Ice House in Austin, Texas. While those shows began around 9:30 PM and often continued past 2 AM, only 14 tracks recorded over 4 nights, were captured and released to share the magic of the three virtuoso singers and players.
Uncle Walt's Band - Recorded Live At Waterloo Ice House
$16.98
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El Capitan is Will Johnson's 7th studio album, released less than a year after Wire Mountain. While this is a collection of songs written on the road, they're given a polished studio treatment, albeit a bit more subdued and restrained than Wire Mountain. El Capitan is Johnson's second album with the carefully-curated Austin label Keeled Scales, but his third recorded with Britton Beisenherz at his Austin studio Ramble Creek Recording.
Will Johnson - El Capitan [Indie Exclusive] (Dusklight Vinyl) [Colored Vinyl] [Indie Exclusive]
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The planets align this October as the mighty Sun Ra Arkestra, under the direction of the maestro Marshall Allen, release their first studio album in over twenty years, 'Swirling'. Recorded at Rittenhouse Soundworks in Philadelphia, the new recording represents the continuation of a heartfelt rebirth of the Arkestra under Allen's guidance since Sun Ra left the planet in 1993, gaining new generations of followers from their regular touring across the globe. With a big band line-up featuring long-standing Arkestra members including Danny Ray Thompson (RIP), Michael Ray, Vincent Chancey, Knoel Scott, Cecil Brooks, Atakatune (RIP), Elson Nascimento and Tyler Mitchell, the album is a full-blooded celebration of Sun Ra's legacy.

Sun Ra Arkesttra - Swirling
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Sir Woman

Bitch EP [Gold Vinyl]

Vinyl: $15.98 UNAVAILABLE

MP3 Album: $4.99 Download

'Bitch' is the debut EP from Sir Woman, the new project from Wild Child and Glorietta singer Kelsey Wilson. Wilson put together Sir Woman to explore the music she's been more in tune with in recent years: Soul, R&B, Gospel, Funk and 70s radio pop. Her first two singles "Highroad" and "Making Love" were independent smashes on Spotify, racking up over 3 million plays in less than a year, and Sir Woman's concerts became instant hits in her hometown of Austin, TX.

Sir Woman - Bitch EP [Gold Vinyl]
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This 4xLP set distills the very best of the subscription-only digital album series A Dream in the Dark into an epic chronological live compilation that doubles as an Okkervil River songbook, presenting the greatest hits of Will Sheff's celebrated band in live, alternate, expanded and re-imagined versions, as captured in sweaty dive bars, lavish concert halls, and festival stages across the world. Packaged in a gorgeous quadruple-sleeved hardback booklet and limited to only 2000 copies worldwide.

Okkervil River - A Dream In The Dark: Two Decades Of Okkervil River Live [Limited Edition 4 LP]
$50.99
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2020 release from the Americana outfit. Stranger is the follow-up to 2018's A Message from the People Revisited.

The Band of Heathens - Stranger [LP]
$22.98
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