Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.
CD: $27.98 PRE ORDER
Since the early 90s Sweden’s Opeth have stretched the boundaries of heavy music. From the progressive death metal the band began with on classics like “Orchid” and “My Arms, Your Hearse” to the records like “Blackwater Park” and the band’s recent record, 2016’s “Sorceress”, Opeth has continually invited their growing audience along with them as they grew into the musically respected band they are today. Filmed and recorded in 2017 at Red Rocks Amphitheatre outside of Denver, “Garden of the Titans (Opeth Live at Red Rocks Amphitheatre)” is a 2-CD/BLU-RAY + DVD release (along with several vinyl color formats) consisting of tracks spanning the band’s nearly 30 year career.
Oh Pep! have returned with their second full-length that takes their alt-folk to a whole new level of delicious pop. Chock full of memorable hooks, sing-along moments I Wasn't Only Thinking About You…, proves itself as a career-defining feat. The band gets its Oh from Olivia 'Liv' Hally (vocals, guitar) and its Pep! from Pepita Emmerichs (violin, mandolin), who met at secondary school in Victoria. Their harmonies are sweet, with lyrics that are thoughtful, deep, funny and poetic.
Presenting, Sì: Andrea Bocelli’s first album of new material in 14 years. It’s a set of powerful, emotional songs, some featuring interpolations of classical themes (from, for example, Bach and Massenet), and an all encompassing positive message of the power for good of love, family and music. The album will also be featuring sensational duets with globally renowned artists.
Modern Rock N’ Roll band Greta Van Fleet to release highly anticipated new album, Anthem Of The Peaceful Army, on 10/19 via Lava Records. Album includes current single “When The Curtain Falls,” which is approaching top 5 airplay at Active Rock radio and is building at Alternative radio. They will re-launch their nearly sold out headlining tour on 9/11 in Canada. Greta Van Fleet recently set a record as the first band in 15 years to hit #1 airplay at Active Rock radio with 2 consecutive singles!
Summer Salt is an Austin, Texas- based rock band of best pals. Self- deemed “coral reef rock ,” Summer Salt delivers a retro blend of bossa nova and 60’s pop with a modern twist. They create the perfect soundtrack for chillaxin’ by the pool. Band mates Matt Terry (vocals and guitar), Phil Baier (bass), and Eugene Chung (drums), and MJ Tirabassi (formerly The Walters), have self- released 3 EP’s and have gained a cult following through touring and a strong online presence.
Stay Out Late is ultimately, the end result of understanding who we are, and more importantly, who we are not.
This will be our 15th year as a band, and our 5th record overall. In the years preceding the making of this record, we all had to define what it meant for us to be happy making music. There are certain mechanisms and tropes we all fall into as a result. And as hard as we may try to emulate what we consider to be higher art, or rather, classic music; we always end up with a Buxton record.
Sergio couldn't write for almost 2 years after 'Half A Native'. The answers to "why" had run dry. We all saw each other, hung out and everything was like normal. I can't really pinpoint the moment it all made sense again. The question had suddenly changed to "why not" and we were back in the studio making demos. There was a lurking sense that nobody would ever hear these songs, and that lead to a sort of creativity I'm not sure we'd really experienced before. All ideas were on the table, and more importantly they stayed on the table.
There are a handful of truly great masterpieces and the attempt of achieving that is one of the most daunting and exhausting pursuits any artist can take on. In the van we're constantly educating ourselves and finding new and in many cases old points of inspiration. Whether it be Mark Hollis, HC McEntire, Mickey Newbury or rediscovering the genius of Bette Midler, we find ourselves at the mercy of our own limitations of expression. Yet somehow in our most vulnerable project, we're simultaneously the most comfortable in our skin as we've ever been.
The core of this record is about being in it for the long haul, looking back, and being able to accept it all. We can only hope that the listener can in some way share and make tangible the joy that went into making this record.
Live From the Ryman was primarily recorded during the group's six sold out nights at Nashville's legendary Ryman Auditorium in 2017. The album features 13 live versions of songs from their last three critically acclaimed, award-winning studio albums - Southeasten (2013), Something More Than Free (2015), The Nashville Sound (2017).
State of Euphoria is the fourth studio album by the American thrash metal band Anthrax. It was released on September 19, 1988 through Megaforce/Island Records. The album was produced by Anthrax and Mark Dodson, with Alex Perialas engineering and reached No. 30 on the Billboard 200 chart in late 1988. The songs "Who Cares Wins", dealing with the plight of the homeless, and "Antisocial" were released as singles with accompanying music videos. For the 30th Anniversary, UMe is releasing the album newly remastered by the bands long time drummer Charlie Benante and featuring previously unreleased outtakes from the bands own archive and rare demos on 2 LPs
Semisonic’s 1998 hit album, Feeling Strangely Fine, is celebrating its 20th Anniversary this year! Featuring the #1 Billboard Modern Rock Track “Closing Time” and globally charting “Secret Smile”, this unique collector’s edition contains rare b-sides from the album recording sessions. This album is available on 180-gram double vinyl black wax and limited-edition gold vinyl.
Vinyl: $24.98 PRE ORDER
25th anniversary reissue of The Cranberries’ debut album that has sold over 5,000,000 in the US and over 600,000 in the UK. They were one of the biggest bands of the nineties and this album includes their global hits “Linger” and “Dreams”. The album has been remastered at Abbey Road (under the supervision of the band’s Noel Hogan) and is now available on vinyl.
With their electrifying 5th album now on the brink of its release, Amaranthe take another leap in their sonic evolution. Their most focused work to date, HELIX proves the band has refined their melodic sensibilities ever further whilst retooling their cutting-edge metal assault to be as massively aggressive as ever.
Armed with a dozen pop metal anthems to die and an album with unprecedented crossover potential, Amaranthe is ready to tear down the age-old walls separating metal and mainstream.
The Eclipse Sessions, John Hiatt’s newest album, offers up his strongest set of songs in years. Long celebrated as a skilled storyteller and keen observer of life’s twists and turns, Hiatt can get at the heart of a knotty emotion or a moment in time with just a sharp, incisive lyric or witty turn of phrase. The 11 tracks presented in The Eclipse Sessions, from the breezy opener “Cry to Me,” to the stark “Nothing in My Heart,” the lost-love lamentation “Aces Up Your Sleeve” to the rollicking “Poor Imitation of God,” demonstrate that the singer-songwriter, now 66, is only getting better with age, his guitar playing more rugged and rootsy, his words wiser and more wry.
Hiatt goes all in with The Eclipse Sessions. There’s a grit to these songs—a craggy, perfectly-imperfect quality that colors every aspect of the performances, right down to Hiatt’s vocals, which are quite possibly his most raw and expressive to date. “They ain’t pretty, that’s for sure,” he says about the creaks and cracks that punctuate his phrases in songs like “Poor Imitation of God” and “One Stiff Breeze.” “But I don’t mind a bit. All the catches and the glitches and the gruffness, that sounds right to me. That sounds like who I am.” The Eclipse Sessions is the sound of an artist not only living in but also capturing the moment.
It's been a couple of years since we heard from Justin Courtney Pierre. When we last left off, his celebrated rock band Motion City Soundtrack decided to take a hiatus following a victory lap in support of their sixth album, Panic Stations. This culminated with a Riot Fest performance and a sold-out, career-spanning show at The Metro in Chicago in September of 2016. In reality, what he's been doing lately hasn't been terribly exciting bio fodder: He's been in Minneapolis, mowing the lawn, cultivating tomatoes, taking care of his daughter and figuring out who he is if he isn't the guy fronting Motion City Soundtrack. “I guess the jumping off point for this album was that I wanted to see if I could just write everything myself and perform as much of it as I could,” Pierre says of the impetus for his first solo album, In The Drink. When it came to recording the songs, it made perfect sense to enlist longtime collaborator and Motion City Soundtrack guitarist Josh Cain to produce In The Drink. “Working with Josh on this album was super fun because we have been working together for 20 years and basically share a brain. But it didn't have the same dynamic of Motion City Soundtrack in the sense that at the end of the day I got to call all the shots,” Pierre says. Musically, In The Drink sees Pierre evoking his usual influences like Pavement, Superchunk, The Flaming Lips, Jawbox, Fugazi, Sonic Youth, Dinosaur Jr., Nirvana, more Jawbox, Tom Waits, The Carpenters and Eddie Money, but through his own unique perspective and sung via his instantly recognizable tenor. From the quirky, anthemic pop of “Anchor” or “I Don't Know Why She Ran Away” to more moody, darker material such as “Moonbeam” (which features guest vocals from Jenny Owen Youngs) and the experimental closer “Goodnight Hiroyuki,” the album is Pierre at his most unfiltered and the results are sublime (even if it sounds nothing like Sublime).
Following a short hiatus ATREYU returned firing on all cylinders with Long Live during 2015. It crashed the Top 30 of the Billboard Top 200 and earned widespread acclaim. The band sold out countless headline shows in addition to sharing the stage with everyone from Slipknot to Linkin Park. After a 2 year tour cycle for Long Live, Atreyu regrouped in Southern California for what would become offering number seven, reuniting with producer John Feldmann who famously helmed Lead Sails Paper Anchor
Tom Morello is living proof of the transformative power of rock’n’roll. As the co-founder of Rage Against The Machine, Audioslave and Prophets Of Rage, and through collaborations with everyone from Bruce Springsteen to Johnny Cash, he has continually pushed the limits of what one man can do with six strings.
But on his latest album The Atlas Underground, he’s transformed his sound into something even he could not have anticipated, blending Marshall stack riff-rock with the digital wizardry of EDM and hip-hop to create the most ambitious artistic effort of his storied career.
The Atlas Underground includes collaborations with Marcus Mumford, Portugal. The Man, the Wu-Tang Clan’s RZA and GZA, Vic Mensa, K.Flay, Big Boi, Gary Clark Jr., Pretty Lights, Killer Mike and Whethan among others. “The riffs and the beats led the way, but the extraordinary talents of the collaborators set my creativity into uncharted territory,” says Morello of the project, which will be released October 12th, 2018 by Mom + Pop Music.
Jim James returns with Uniform Clarity, the My Morning Jacket front man’s second solo album of 2018, produced by Grammy-award winning producer Shawn Everett (Alabama Shakes, The War On Drugs). Uniform Clarity explores the acoustic side of the songs on June’s Uniform Distortion with an intimateness rarely felt in recorded music. Check out Uniform Distorion on CD / LP / Indie Exclusive LP.
A truly unique expanded edition of one of the most iconic albums of all time. This new edition takes us on incredibly personal journey through the entire songwriting and recording process – from the very first writing and demo sessions at John’s home studio at Tittenhurst Park through to the final co-production with Phil Spector – providing a remarkable testament of the lives of John Lennon and Yoko Ono in their own words. 2LP version features brand new stereo mix, outtakes, poster, 2 postcards.
“Desperate Man” Church’s first single off the new album is currently in the Country Radio charts at #15. Co-written by Church with Texas musician Ray Wylie Hubbard as well as collaborating with producer Jay Joyce. The CMA Award winning singer won the Album of the Year in 2016 for Mr. Misunderstood and has reached Platinum status. It included the hit singles- Mr. Misunderstood, Record Year, Kill A Word, and Round Here Buzz. Desperate Man will contain 11 Tracks.
“Excitement for new music from my favorite artists is a feeling I can remember from my formative years. The unknown and the possibilities of the anticipation are one of the true joys of music,” shares the North Carolina native. “Well, even though how we discover songs from our favorite performers may have evolved, the feeling remains the same.”
A highly personalised sociopathic gem delivered as a futuristic rewriting of how music works, a melodious breeze with a tail wind of venomous din. A ten-track album, her tenth studio set. Enveloping the juxtaposition of the concept of dark sunshine , a brooding solo record creating with friends to expand her off-kilter sonic vision; a squally, squeaky mix of discordant beauty. Feedback and phasing gyrate from simply strummed normality, imagine Dinosaur Jr and My Bloody Valentine cranking up a Dylan couplet. Messing with both extremes of the sonic spectrum: atonal and arrhythmic, a unique sound and a glorious return to form for one of alternative rock s true innovators. Sometimes the most subversive thing I can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we ve heard before, twisted into different shapes, and sometimes a story is lived a thousand times before we can ride it like a roller coaster. Nothing wholly unfamiliar is gonna make you look twice. When you can describe a record as being deceptively anything, you re hinting at the sociopathic nature of music. Something I love. Imagine truly buying your own sunshine and charm, but also your darkness and violence; the two sides of your psychology showing each other off in relief. Songs can do that...we can t, really. Darkness we ve seen. Kristin Hersh, July 2018
NOW Merry Christmas brings you the best 20 Christmas tracks all on one CD! The updated album now includes songs from Sam Smith, Bruce Springsteen and Kelly Clarkson as well as classics from Frank Sinatra, Nat King Cole and Bing Crosby
Stardust Birthday Party is about human evolution. Specifically, one humans evolution: mine, Ron Gallo. That’s the name my parents gave me. Hi.
At one point, I was a very lost mid-twenties person living in Philadelphia, in a relationship with someone struggling with mental health issues and crippling heroin addiction. I was asleep. I didn’t know how to handle my life. I was also writing songs for HEAVY META - my “frustrated with humanity” album. I laugh about it all now, but at the time it all felt like an absolute nightmare. It was the perfect doorway to look inside the place I’d been avoiding forever: myself.
Stardust Birthday Party is about what is happening underneath all of this life stuff. My path inward. The details of my path are pointless because everyone’s path is different. It is about me sitting with myself for the first time and confronting the big question “WHAT AM I, REALLY?” It’s about the love and compassion for all things that enters when you find out you are nothing and everything. I think at one point I wanted to change the world, but now I know I can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. And that’s what this album is about, it’s me dancing while destroying the person I thought I was, and hopefully forever.
In the liner notes of John Coltrane’s album A Love Supreme (which we pay tribute to on this album) he wrote: “During the year 1957, I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music.”
That’s it. That is the pure essence of creativity. Someone embodying what they have realized about themselves and the world that surrounds them. That is why this album exists.
Thank you for letting me share this with you. Ron Gallo
By most bands’ fifth LP, the sound is pretty set. Parameters established. Refinement dissipated in favor of to-formula execution of what’s worked in the past. Fair enough. All Them Witches go a harder route.
In 2017, the Nashville four-piece offered what might’ve otherwise become their own template in their fourth album, Sleeping Through the War. Also their second for New West Records behind 2015 mellow-vibing Dying Surfer Meets His Maker, it brought a larger production value to dug-in heavy psych blues jamming, with oversight from producer Dave Cobb (Jason Isbell, Sturgill Simpson).
After exploring new ground through their early work on 2013’s Lightning at the Door and 2012’s Our Mother Electricity as well as Dying Surfer, the band had arrived at something new, sprawling, and grander-feeling than anything before it.
So naturally in a year they’ve thrown that all to the Appalachian wind, turned the process completely on its head and gone the absolute other way: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Take that, expectation.
The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have ever recorded and another redefinition of who they are as a band. Introducing keyboardist/percussionist Jonathan Draper to the fold with McLeod, bassist/vocalist Charles Michael Parks, Jr., and drummer/graphic artist Robby Staebler, All Them Witches’ All Them Witches isn’t self-titled by mistake.
It’s the band confirming and continuing to develop their approach, in the shuffle of “Fishbelly 86 Onions,” the organ-laced groove of “Half-Tongue,” the tense build of “HJTC” and the fluid jam in closer “Rob’s Dream.”
It’s a reaction to being a “bigger” band. To playing bigger shows, bigger tours, etc. From the sustained consonants in Parks’ vocals to McLeod’s commanding slide in “Workhorse” and drifting melancholy at the outset of “Harvest Feast,” All Them Witches is their laying claim to the essential facets of their identity.
And most crucial to that identity is its shifting nature. All Them Witches didn’t get to this point by resting on laurels, and if anything, the urgency of these tracks – fast pushers and sleepy jams alike – is among their greatest strengths.
It’s a rawer delivery, as stage-ready as the band itself, and as ever, it captures All Them Witches in this moment. Is it who they’ll be tomorrow? Who the hell knows? Check back in and we’ll all find out together. That’s the whole idea.
Rod Stewart will release his 30th studio album – “Blood Red Roses” – September 28th on Republic Records! The album highlights Stewart’s acclaimed songwriting roots – blending the poignant observation, self-reflective introspection and playful swagger which established him as one of the world’s best-selling artists of all time. “Blood Red Roses,” a deeply personal 13-track collection of originals and three covers, is quite simply peak Rod Stewart. The album’s first single, “Didn’t I” is about the damage drugs can do from a parent’s’ point of view. This new album, his first in three years, follows international bestsellers “Another Country” (2015) and “Time” (2013) and will be released nearly 50 years to the date of when he signed his very first solo recording contract.
Over 30 years after the remix album Vital Idol was released and was certified platinum with over 1M sold, made 'Mony Mony' a global smash, and practically invented the dance-rock remix genre in the 80's, comes this modern day volume 2...Revitalized! This compilation of all brand new remixes of Billy's classic hits and some lesser known gems features Moby, Crystal Method, Paul Oakenfold, RAC, Cray, and more. 11 remixes including the hits Rebel Yell, White Wedding, Eyes Without a Face, Flesh For Fantasy, and Dancing With Myself.
Centered around Butler’s virtuoso guitar stylings and powerful, progressive lyricism, HOME draws upon a remarkable variety of musical genres, spanning folk, blues, funk, classic rock ‘n’ roll, and beyond. Out September 28, HOME is a message of redemption, a reflection of the inner and outer worlds Butler was experiencing and observing during this chapter of his life. The John Butler Trio is guitarist/vocalist John Butler, bassist Byron Luiters and percussionist Grant Gerathy. Packaging is Double LP White Vinyl.
Recorded in a church in New Orleans, and produced by T-Bone Burnett, Jon Batiste’s major label debut is a stunning showcase of the brilliant pianist and vocalist. Primarily just Jon and his piano, Hollywood Africans includes standards, unexpected covers, and original songs. This release displays Batiste’s dynamic talents and highlights his musicality and virtuosity on his instrument.
Joyce Manor are back with a new album, entitled Million Dollars To Kill Me. Frontman Barry Johnson along with co-founding guitarist Chase Knobbe, new drummer Pat Ware—(“Awesome new drummer,” adds Johnson)—and longtime bassist Matt Ebert, wrote enough songs to fill a full-length, and then worked to get songs lifted from emails between Johnson and one of his musical hero Impossibles’ guitarist/vocalist Rory Phillips, with whom he had been co-writing long distance, to match the ones written at full volume. (“Bedroom charm versus live rock band,” Johnson explains.) Their next step was a new step: their first time recording outside their L.A. hometown, at Converge’s Kurt Ballou’s GodCity studio in Salem, Massachusetts. They recorded daily 10-to-6 and then slept right upstairs in bunk beds: “Kinda felt like camp,” says Johnson. “It was a pleasure—I would recommend it to anyone.” If 2016’s Cody was about growing up, then Kill Me is about what happens next—the reckonings with love, money, doubt and confusion, and the hope that persists despite it all.
Richard Reed Parry’s Quiet River of Dust, is a meditative, widescreen musical experience with Beach Boy harmonies and a hypnotic pulse. Layered songs that move in a linear fashion, following a current rather than circular composition. Japanese folk myths, death poems and British folk music are tributaries flowing into a river of avant-garde composition and traditional song craft, written and performed by a member of the Grammy-winning rock band, Arcade Fire. Being released as two volumes, Quiet River of Dust Vol. 1 will be available on the start of the autumn equinox, September 21 2018. Quiet River of Dust Vol. 2 is coming out next year on the spring equinox 2019. Long before he joined Arcade Fire in 2003, Richard Reed Parry grew up in a thriving folk music community in Toronto, where house parties were full of singing. While a student of electroacoustic music and contemporary dance in university, he formed the instrumental ensemble Bell Orchestre, who have released three albums. In 2014, he released an album of biologically inspired compositions, Music for Heart and Breath, on the prestigious Deutsche Grammophon classical label. The genesis of these songs came after Arcade Fire’s first tour of Japan in February 2008. Parry stayed on for weeks after the last show, heading to a monastery for some solace in “the biggest silence you’ve ever heard.” One day he was walking alone in a massive, snow-covered cedar forest when he heard distant voices, voices that sounded a lot like his father’s folk group back in Toronto, Friends of Fiddlers Green. (Parry was 18 when his father died in 1995.) “There was no reason for something to sound like full-throated, British-Isle folk singing there,” he recalls. “I walked and walked but I could never get closer to where the music was coming from.” The ghostly experience inspired the song “On the Ground,” which in turn inspired the rest of the song cycle. When it came time to record “On the Ground,” he enlisted his father’s former colleagues on concertina, Northumbrian pipes and fiddle. For a musician raised in a musical family and environment, collaboration and community are essential parts of the process. Guest performers on this project include Parry’s partner Laurel Sprengelmeyer of Little Scream, Stef Schneider of Bell Orchestre, Dallas Good of the Sadies, Yuka Honda of Cibo Matto, Amedeo Pace from Blonde Redhead, and The National’s Aaron and Bryce Dessner.
Singer/Songwriter and music producer William Fitzsimmon’s album Mission Bell is a chronicling of the tumultuous last year of his life - particularly of the separation from his second wife. Sonically, Mission Bell is Fitzsimmon’s first analog tape-centric album. The sounds are raw, real, and tangible. The familiar comforts of acoustic guitars are present but now joined generously by synthesizers, electric guitars, drum loops and violins.
"On The Corner Where You Live" is the latest album from Australian band The Paper Kites, a follow up to "On The Train Ride Home" which was released earlier this year. Produced by Peter Katis (The National, Interpol, Middle Kids) the album builds upon the romantic, dusky mood the band perfected on twelvefour (No. 1 debut on the ARIA chart) and includes standout tracks “When It Hurts You" and "Deep Burn Blue"
The Paper Kites Double Deluxe Edition is two LPs: the newly released "On The Corner Where You Live" as well as the April-released "On The Train Ride Home". "On The Corner Where You Live" which was produced by Peter Katis (The National, Interpol, Middle Kids) builds upon the romantic, dusky mood the band perfected on twelvefour (No. 1 debut on the ARIA chart) and includes standout tracks "When It Hurts You" and "Deep Burn Blue". "On The Train Ride Home" is a mostly acoustic, achingly beautiful collection of songs. (Gatefold, gold/silver vinyl, includes poster.)
Thrice created Palms with a free-form and fluid approach to the album’s sonic element. The result is their most expansive work to date, encompassing everything from viscerally charged post-hardcore to piano-driven balladry. To carve out that eclectic sound, Thrice enlisted trusted producer Eric Palmquist for the recording of the percussion and vocal tracks, and self-produced all of the guitar parts on Palms. “When we track our own stuff we tend to be far less neurotic about getting every note perfect,” says singer Dustin Kensrue. “It’s more about getting the right emotion out of the performance, so that it connects on a deeper level.” Kensrue, co-founded Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998. Hailing from Orange County, California, the band formed when three of its members were still in high school, making their debut with the kinetic punk/hardcore hybrid of the 2000 album Identity Crisis. Their breakthrough arrived with 2003’s The Artist in the Ambulance—Thrice’s third full-length, whose singles “All That’s Left” and “Stare at the Sun” each landed on the Billboard Alternative Songs chart. Palms is the band’s first release since signing to Epitaph in early 2018, and the album matches its raw passion with a measured intensity, a rare feat for an album so informed by the volatility of the times. “Even though some of these songs are really aggressive-sounding, I wanted to make sure they never felt like finger-pointing, especially at a time when there’s so much talking past each other,” says Kensrue. Within that approach, Thrice reveal their profound commitment to making an enduring impact on the listener.
With his new album Songs of Resistance 1948 - 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Over a forty-year career, Ribot has released twenty-five albums under his own name and been a beacon of New York’s downtown/experimental music scene, leading a series of bands including Los Cubanos Postizos and Ceramic Dog. Since his work with Tom Waits on 1985’s Rain Dogs album, though, he is best known to the world as a sideman, playing on countless albums by the likes of Elvis Costello, John Mellencamp, Norah Jones, the Black Keys, and Robert Plant and Alison Krauss’ Grammy-winning collaboration Raising Sand.
Tony Bennett and Diana Krall celebrate their shared love of the music of George and Ira Gershwin on their new collaborative album, LOVE IS HERE TO STAY, set for a September 14th release.
LOVE IS HERE TO STAY is a subtle, sophisticated and beautifully rendered love letter to The Gershwins’ music and their status as one of the premiere songwriters of the American popular standard. It is a masterclass in vocal delivery and phrasing and the command that Bennett and Krall display of the material in both their duets and solo tracks makes it appear effortless, belying the honed skill of the vocalists. The duet tracks include “S’Wonderful,” “I’ve Got Rhythm,” “They Can’t Take That Away from Me” and “Fascinating Rhythm,” among them. “Fascinating Rhythm” was Tony Bennett’s first physical recording in 1949, made under his then stage name, Joe Bari, which he revisits as a duet with Krall for this project.
Richard Thompsons new album, 13 Rivers, is the artists first self-produced record in over a decade. 13 Rivers is a very stripped down, bare-bones recording and according to Thompson the album is a reflection of current events that have happened in his life. This has been an intense year for myself and my family, getting older doesnt mean that life gets easier! There are surprises around every bend.
I think this reflects in the immediacy of the stories, and the passion in the songs. Sometimes I am speaking directly about events, at other times songs are an imaginative spin on what life throws at you. The music is just a mirror to life, but we try to polish that mirror as brightly as possible. The album was recorded at Boulevard Recording in Los Angeles, California. 13 Rivers features Richards regular accompanists, Michael Jerome and Taras Prodaniuk, as well as Thompsons guitar tech, Bobby Eichorn, on second guitar.
Each track on the album was recorded in analog, with minimal overdubbing. Boulevard is a really funky-looking studio, says Richard, but it sounds great. It used to be called The Producers Workshop, and was owned by Liberace, whose ghost is reportedly still hanging around. Steely Dan records were done there, and The Wall by Pink Floyd was mixed there. Clay Blair, the engineer, is a Beatles nut, and has every piece of Beatles gear he can lay his hands on - so if things sound a bit like Abbey Road, so be it!
13 Rivers consists of thirteen tracks. It is an album as much about growth as it is about reflection. Says Thompson, I dont know how the creative process works - I suppose it is some kind of bizarre parallel existence to my own life. I often look at a finished song and wonder what the hell is going on inside me. We sequenced the weird stuff at the front of the record, and the tracks to grind your soul into submission.
Mothers attempt to exist in two places at once - both singular and collaborative, sprawling and concise, present and distant. Kristine Leschper, songwriter and founding member of the project, explains that it is in the space between opposites that she finds herself. The multifaceted is, by nature, fragmented - each facet reflecting a slightly different perspective of the whole. On their latest record, Render Another Ugly Method, the band attempts to gain an expanded view of its surroundings through splintered sound, thought, and image. Leschper began exploring songwriting when she moved to Athens, Georgia as a teenager. Inspired by the growth that studying art allowed her and energized by the buzzing southern town, she started to perform publicly in 2013 and quickly developed local acclaim for her stark, unflinchingly vulnerable songs. During this time, she met many local artists and musicians, among them Matthew Anderegg, whom she quickly recognized as an artistic kindred spirit and friend. The following year they began working together to flesh out and arrange a collection of songs she had written, which would become the project’s 2016 debut release, When You Walk A Long Distance You Are Tired. Released in 2016, the album kicked off a sprawling eight months of touring across the US, UK and Europe, as the group honed their take on left-of center indie rock with an explosive and surprising live show that displayed how forceful the songs translated to a full-band setting. " Within Mothers, Leschper and Anderegg have remained a creative constant, with other collaborators changing over time. Render Another Ugly Method sees the remnants of Leschper and Anderegg, Chris Goggans and Drew Kirby in musical conversation, through cut-up songs that were torn apart and rebuilt over and over again.
Adult contemporary is characterized by its exceptional euphony. In skill, it effortlessly mingles sounds. In intent, it envelops itself in harmonies. In spirit, it has the beguiling ability to disarm listeners. That’s why L.A.’s Milo Greene, the always-evolving indie-pop band, chose the genre as its muse—even naming their third album, Adult Contemporary.
140g Double Vinyl, single jacket with 16 tracks (14 songs + 2 instrumentals).
Paul McCartney invites you on a musical journey to Egypt Station, estimated time of arrival September 7, 2018 by way of Capitol Records. Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping NEW. Preceded by two of its tracks just released as double A-sides--plaintive ballad “I Don’t Know” and raucous stomper “Come On To Me”—Egypt Station was recorded between Los Angeles, London and Sussex, and produced (with the exception of one Ryan Tedder track) by Greg Kurstin (Adele, Beck, Foo Fighters).
Of the forthcoming album’s enigmatic title, Paul says, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make.., Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”
True to the inspiration behind its title, Egypt Station’s 14 songs combine to convey a unique travelogue vibe. Between the opening and closing instrumentals “Station I” and “Station II,” each song finds Paul capturing a place or moment before transporting the listener seamlessly to the next destination. Stops along the way include an acoustic meditation on present day contentedness (“Happy With You”), a timeless anthem that would fit on virtually any album of any McCartney era (“People Want Peace”), and an epic multi-movement closer clocking in at seven minutes with a song suite structure harkening back to the days of Paul’s previous combos (“Despite Repeated Warnings”). The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now--with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.
Alina Baraz surprises fans with a new 9-song album prelude, The Color of You, that includes 8 new songs and "Electric" feat. Khalid. The prelude is her first extended release since the chart-topping Urban Flora EP and 2017's viral hit, "Electric" featuring Khalid. Using color as a metaphor and a means of describing the discovery of new emotions, the project sees Alina thrive with her trademark vocal effervescence while exploring new sensual and striking production directions. The Color of You thematically explores young love and musically captivates with an allover bigger sound, reflective of today's updated pop genre, a mix of R&B and electronic styles.
Unfortunately there were some manufacturing delays on the Alina Baraz The Color of You merchandise. All CD and LP's will now street on September 7th. Thank you for your patience.
Across two decades, eight albums, and a multitude of singles, splits, and EPs, Alkaline Trio has built a reputation as a defining act in punk rock’s modern era. Formed in Chicago by vocalist-guitarist Matt Skiba in 1996, the band would come into its own with its debut album Goddammit in 1998. Since then, the band has continually evolved, incorporating new influences with each record while achieving artistic, critical, and commercial success along the way. It’s been 5 years since Alkaline Trio released their last studio album, My Shame Is True. In that time, they’ve toured the world, sold over a million records, including a 20th Anniversary – 8 LP live box set, recorded on their 2014-15 Past Live tour. Since those Past Live shows, Andriano and drummer Derek Grant both released solo albums, and Skiba joined blink-182, releasing the chart-topping album California with the band. Alkaline Trio’s live shows have always been thrilling due to the fact that, even as the band ascended through the ranks of punk, they always retained the feeling of three friends excited to be on stage together. “When I think of a Trio live show,” says Skiba, “I always go back to the humble beginnings of the band, and I want that to always be in this band.” Alkaline Trio closed 2017 with a coveted opening slot for The Original Misfits, a band Skiba describes as his “first love,” Alkaline Trio is primed to step back into the spotlight. “We have the wind at our backs, it seems,” says Skiba. “Every aspect of the band—be it business or artistically or whatever—it feels like the Gods are in our corner.” Andriano agrees, and says that he’s ready to make the band’s best record yet. “I wanna be a band that people want to hear new stuff from. Because I feel like I’m still in a band that wants to write good, new music.” “Is This Thing Cursed?” will prove that good, new music is worth the wait.
Saintseneca’s Zac Little has been thinking a lot about memory. Not necessarily his memories, though they creep in often, too. Rather, he mulls over the idea of memory itself: its resilience, its haziness, how it slips away as we try to hang on, the way it resurfaces despite our best efforts to forget. Memory is the common thread running throughout the Columbus, OH folk-punk band’s fourth album, Pillar of Na, arriving in late summer via ANTI- Records. Following 2015’s critically lauded Such Things, the new album’s name is rooted in remembrance, referencing the Genesis story of Lot’s wife who looks back at a burning Sodom after God instructs her not to. She looks back, and God turns her into a pillar of salt. “Na,” meanwhile, is the chemical symbol for sodium. “Nah” is a passive refusal and the universal song word. It means nothing and stands for nothing. It is “as it is.” Musically, Pillar of Na is Saintseneca’s most ambitious album to date, with Little aiming to incorporate genre elements he’d rarely heard in folk. “I wanted to use the idiom of folk-rock, or whatever you want to call it, and to try to do something that had never been done before,” Little explains. I told Mike Mogis I wanted Violent Femmes meets the new Blade Runner soundtrack. I’m looking for the intersection between Kendrick Lamar and The Fairport Convention.” - SAINTSENECA WILL TOUR THE WORLD IN SUPPORT OF PILLAR OF NA, THEY JUST COMPLETED A TOUR WITH HOPALONG - PRODUCED BY MIKE MOGIS (BRIGHT EYES, RILO KILEY)
Passenger is Mike Rosenberg, the Brighton-born singer/songwriter known for busking his way to the global hit “Let Her Go” which topped the charts in 19 countries. Produced by Rosenberg, along with longtime collaborator Chris Vallejo, the new album is largely inspired by the North American landscape and geography, both musically and lyrically, and taps into Rosenberg’s family roots in New Jersey. This brings a fresh new approach and sound, and speaks to the road going traveler in all of us.
TASH SULTANA is a dynamic young artist who has commanded world attention since homemade videos of Tash jamming went viral. A true virtuoso, Tash was soon selling out massive theaters globally and playing at the world's biggest festivals - no mean feat for an artist who just a year before was recording songs on a go pro in a bedroom. The virtuosic playing of over 18 instruments, vocals that shine with a magical quality and the natural gift for melody that Tash possesses needs to be seen to be believed. Tash has sold over 200K tickets globally with 50K in the US, is selling out theaters and clubs around the world, played major festivals including Coachella, Lollapalooza, Bonnaroo, ACL and more, and amassed hundreds of millions of streams globally on her Notion EP. Tash has received 4x Aria award nominations and multiple APRA nominations.
Steve’N’Seagulls is a Finnish band playing bluegrass versions of classic rock tracks, such as their viral hit of AC/DC’s Thunderstruck, with an arsenal of instruments ranging from accordion, banjo, Cajon, double bass and so forth. On their last album, Brothers In Farms, the band hit #1 on the Billboard Bluegrass Albums chart . With another landmark album under their belt it’s time for the Gulls to tour again ‘til the wheels fall off the wagon!
In celebration of the 50th Anniversary of The Band’s landmark debut album, Music From Big Pink is released in a limited edition of two black vinyl LPs that feature a new stereo mix of the album, produced by Bob Clearmountain from the original four-track analog master. This new mix achieves a striking clarity and incorporates some previously unreleased chatter from the studio sessions. For the LP, Chris Bellman cut the vinyl lacquers for the album’s new stereo mix at 45rpm at Bernie Grundman Mastering, expanding the album’s vinyl footprint from one LP to two.
2018 marks the 40th Anniversary of Bob Marley & The Wailers’ KAYA. Recorded in part during Marley’s and the band’s 1977 exile in London, KAYA is very much the sibling record to EXODUS. Fittingly, as Ziggy Marley revisited the original session recordings for last year’s EXODUS 40 celebration, this year sibling Stephen Marley revisits the original session recordings to commemorate KAYA, bringing a fresh perspective to this suite that’s quietly referred to as the ‘Peace Treaty’ album.
After 20-plus years, 10 full-length releases, countless sold out shows, & over 1 million albums sold worldwide, Nonpoint endure through sustaining an unbreakable bond among themselves & to a diehard fan base all over the globe. On 2018’s aptly titled tenth offering, X, the quintet not only maintain the momentum, but also amplify the intensity. Signature grooves hit with haymaker force bolstered by hip-hop cadences, thrashed-out six-string precision, & unshakable melodies. Includes 3 BONUS tracks.
Hypochondriac, the third full-length album from San Diego band The Frights, is an album full of addictively catchy songs about fear and frustration. “I’ve gotten better with time, but I’m pretty paranoid about most things, especially health issues—I think everything’s killing me,” says Mikey Carnevale, vocalist/guitarist for The Frights. “That, mixed with anxiety, means that I can be a real baby. All of these songs address this in one way or another.” The album is their first full-length for Epitaph Records, who signed The Frights in early 2018. Produced by FIDLAR frontman Zac Carper, Hypochondriac follows The Frights’ 2016 album You Are Going To Hate This and marks a period of major creative growth for the band (which also includes bassist Richard Dotson, drummer Marc Finn, and guitarist Jordan Clark). “I wrote every song on an acoustic guitar, which is something I made a point to do,” says Carnevale. Throughout Hypochondriac, The Frights build a brilliant tension between their shiny hooks and painful lyrics, their goofball spirit and melancholy outlook. In the end, the album unfolds as their most emotionally honest work so far, just as the band intended it to be.
The power of words isn’t lost on longstanding Americana triumvirate The Devil Makes Three—Pete Bernhard, Lucia Turino, and Cooper McBean. For as much as they remain rooted in troubadour traditions of wandering folk, Delta blues, whiskey-soaked ragtime, and reckless rock ‘n’ roll, the band nods to the revolutionary unrest of author James Baldwin, the no-holds barred disillusionment of Ernest Hemingway, and Southern Gothic malaise of Flannery O’Connor.
In that respect, their sixth full-length and first of original material since 2013, Chains Are Broken, resembles a dusty leather-bound book of short stories from some bygone era. As the band began writing ideas for Chains Are Broken, they veered off the proverbial path creatively. Instead of their typical revolving cast of collaborators, The Devil Makes Three stuck to its signature power trio, with one addition. This time, they invited touring drummer Stefan Amidon to power the bulk of the percussion.
Another first, they retreated to Sonic Ranch Studios in El Paso, TX a stone’s throw from the Mexican border to record with producer Ted Hutt [Dropkick Murphys].
The incorporation of new sounds as well as the experimentation in space finds the Devil Makes Three crafting a new yet still familiar sound. Coupled with a continued focus on in-depth lyricism that tells a story in every song, Chains Are Broken is a liberating, rump-shaking collection of past, present and future.
The brainchild of Matthew Logan Vasquez (Delta Spirit), Glorietta was born of a desire to collaborate with friends that Vasquez has collected over the years. Those friends; Noah Gundersen, Kelsey Wilson (Wild Child), David Ramirez, Grammy-winner Adrian Quesada, and Jason Robert Blum came together over the course of a week in a rented house in Glorieta, NM. "We chose Glorieta because it was isolated enough to feel like we were at camp" said Vasquez, "the only requirements were vaulted ceilings and a jacuzzi. The days were long with the tape running constantly as the players bought songs in various stages of completion to their new family of collaborators. Midway through the sessions the group was joined by a guest appearance from Nathaniel Ratliff, who drove straight through the night to join the party. The result is their self-titled debut record; a beautiful mix of voices from six band leaders, that fit perfectly together.
Recorded mainly in Neil Finn's Auckland studio, Lightsleeper bursts with melody and the trademark euphoric flips that are the Finn family trademarks. When Neil's iconic pop sensibility meets Liam's lo-fi atmospherics, it's produces a feeling of intimacy and awe that makes it easy to wonder why the dynamic father and son duo haven't written together sooner. The simple Finn family ethos of making music with friends and family continues right through to the personnel recruited for the album. Lightsleeper features the touring band, Sharon Finn (Neil's wife, and Liam Finn's mother) plays bass on two of the songs, Elroy Finn (Liam's brother) plays drums on seven, good friend Connan Mockasin returns for four and legendary Mick Fleetwood turns up to play on ''Anger Plays A Part'', ''Any Other Way'' and ''We Know What It Means''. The unmistakable spirit of musicians at their peak, bound together by a still-hot desire to make music that is brewed within the bones, love, quiet revelation and the perfectly-evoked euphoria of being alive is what makes Lightsleeper such a gorgeous progression in the Finn family musical history.
Recorded in LA, Pasadena and Joshua Tree, With Animals is the second album by Mark Lanegan and Duke Garwood, two artists who've spent their careers stalking the peripheries and mapping sounds of the small hours. As befits a record called With Animals, these dusty songs feel like they were created in the company of the denizens of the night. Analogue and dust flecked, it's as if Lanegan and Garwood have been holed up in a '60s recording studio while the apocalypse rages outside. Over the last decade, Lanegan and Garwood have worked in tangent on 2013's Black Pudding as well as on Lanegan's solo records (2012's Blues Funeral and 2017's Gargoyle after which Garwood toured as part of Lanegan's band).
In celebration of the 40th anniversary of the original Hot August Night, Hot August Night III brings Neil back to Los Angeles’s historic Greek Theatre in 2012 to perform 31 of his greatest hits. Over 2 hours and 20 minutes of music and memories. DVD features video of the entire performance in the same sequence as the audio discs, plus a bonus behind the scenes featurette with band and crew.
JUNO nominated, Polaris Prize shortlisted Great Lake Swimmers frontman Tony Dekker set out to specifically make an album without any acoustic guitar. Recorded in the 145 year old Bishop Cronyn Memorial Church in London, Ontario and produced by Chris Stringer (The Wooden Sky, Elliot Brood, Timber Timbre), "The Waves, the Wake" releases on August 17, 2018 via Nettwerk.
Sweetener is the fourth album from Ariana Grande, the Grammy Award-nominated, multi platinum, record-breaking superstar that has emerged as one of the most magnetic and massively successful performers in pop music today. The album features the number 1 smash 'no tears left to cry,' as well as 'the light is coming (feat. Nicki Minaj)' and 'God is a woman.' With the release of 'no tears left to cry,' she became the first artist in music history to see the lead single from her first four albums debut in the Top 10 on Billboard Hot 100. By the age of 24, Ariana Grande delivered three platinum-selling albums in addition to nabbing four Grammy Award nominations and landing eight hits in the Top 10 on the Billboard Hot 100 chart. Since making her full-length debut with 2013's Yours Truly (featuring the game-changing, triple-platinum smash 'The Way'), Grande has brought her striking vocal presence to a genre-blurring breed of pop, taking on soul, and electronic music with equal nuance and assurance. Her 2014 sophomore effort My Everything garnered a Grammy Award nomination for Best Pop Vocal Album and spawned the 6x-platinum hits 'Problem' and 'Bang Bang' (a Grammy nominee for Best Pop Duo/Group Performance). Grande embraced a more uncompromising vision than ever before in the making of 2016's Dangerous Woman and wrapped up her widely lauded 'Dangerous Woman Tour' in support of the album in 2017, performing 85 arena shows worldwide. Through the years, the longtime actress and former Broadway star has proven the scope of her talent by appearing on Scream Queens and Hairspray Live! and showcased her comedic chops by hosting Saturday Night Live. Grande has also earned numerous accolades from the MTV Video Music Awards, iHeartRadio Music Awards, and American Music Awards (including the highly coveted Artist of the Year prize). She has also graced the prestigious magazine covers of TIME s Next Generation Leaders, FADER, and British Vogue.