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Parquet Courts

Sympathy For Life [LP]

ON SALE $28.98 Vinyl: $20.99 Buy

Parquet Courts' thought-provoking rock is dancing to a new tune. Sympathy For Life finds the Brooklyn band at both their most instinctive and electronic, spinning their bewitching, psy- chedelic storytelling into fresh territory, yet maintaining their unique identity. Built largely from improvised jams, inspired by New York clubs, Primal Scream and Pink Floyd and produced in league with Ro- daidh McDonald (The xx, Hot Chip, David Byrne), Sympathy For Life was always destined to be dancey. Unlike its globally adored predecessor, 2018"s Wide Awake! the focus fell on grooves rather than rhythm. 'Wide Awake! was a record you could put on at a party,' says co-frontman Austin Brown. 'Sympathy For Life is influenced by the party itself. Historically, some amazing rock records have been made from mingling in dance music culture ' from Talking Heads to Screamadelica. Our goal was to bring that into our own music.'

Parquet Courts - Sympathy For Life [LP]
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Tattoo You celebrates 40 years with the release of a brand new Super Deluxe 5 LP Boxset which includes the newly remastered version of Tattoo You, Lost & Found: Rarities, and Still Life: Wembley Stadium 1982. Also included is a 124-page book featuring over 200 rare photos from recording sessions and their world tour, plus interviews with producer Chris Kimsey and photographer Hubert Kretzscmar. The package includes a special lenticular sleeve.

The Rolling Stones - Tattoo You: 40th Anniversary Edition [5LP Box Set]
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On their self-titled fourth album, La Luz launch themselves into a new realm of emotional intimacy for a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl.To help shape La Luz, the band found a kindred spirit in producer Adrian Younge. Though primarily known for his work with hip-hop, soul, and jazz acts, Younge saw in La Luz a shared vision that transcended genre. "We both create music with the same attitude, and that's what I love about them," he says. "They are never afraid to be risky and their style is captivating. It was an honor to work with them."The result is an album that is both the most naturalistic and psychedelic of the band's career. All the elements of classic La Luz are still present-the lush harmonies, the impeccable musicianship, the gorgeous melodies-but it's a richer, earthier iteration, replete with inorganic sounds that mimic the surreality of nature-the humming of invisible bugs, the atmospheric sizzle of a hot day. After spending the last few years living in rural northern California, Cleveland's lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one.With sounds ranging from ghostly electric guitar shimmers, charging fuzz-guitar rock, soulful organ-driven dream-funk, galactic synths, and breezy '70s folk-pop, La Luz is an album that celebrates love-of music, of friendship, of life in all it's forms. -Mariana Timony
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This newly discovered live-recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane’s group.

John Coltrane - A Love Supreme: Live In Seattle [LP]
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FUTURE PAST is the highly anticipated 15th studio album from Duran Duran and boasts esteemed producers Erol Alkan, Giorgio Moroder and Mark Ronson behind the board. It features special guests Graham Coxon of Blur on guitar, Mike Garson from David Bowie's band on piano, and guest vocals from Lykke Li, with more exciting collaborations to be announced soon

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Following on from the successful An Idiot Prayer live album and livestream event released this year, Nick Cave Productions & BMG announce B-SIDES & RARITIES PART I & II to be released internationally on October 22, 2021.

B-SIDES & RARITIES PART II was compiled by Nick Cave & Warren Ellis and features 27 tracks from Dig, Lazarus, Dig!!! in 2006 to 2019s Ghosteen. Also features 19 rare and unreleased tracks including first recordings of “Skeleton Tree,” “Girl in Amber,” “Bright Horses” and “Waiting for You.”

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Conceptualized and written during the chaotic fall months of 2020, Hiss Golden Messenger's O Come All Ye Faithful-recorded shortly after the widely hailed Quietly Blowing It-is a meditation on grace, loss, hope, and community. Explains songwriter M.C. Taylor, "Big, brash holiday music-the type that we hear in big-box stores in the middle of December-has never resonated with me, and this past year it felt absolutely dissonant. I wanted to make a seasonal record that felt more in step with the way that I, and so many others, experience this time of year: quiet, contemplative, searching, and bittersweet."
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Jarvis Cocker has announced the release of a new album titled Chansons D'Ennui Tip-Top, which will consist of covers of classic French songs. Cocker has subsequently released the album's lead single, a cover of Christophe's 1965 song "Aline." The cover was originally featured in the first trailer for Wes Anderson's latest film The French Dispatch, and the new album is meant to be somewhat of a companion piece to the film.
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On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. 

Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson’s San Francisco. ‘Somewhere’ opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on ‘Bodies’ and ‘Try’ sits in a lineage with cult bands like Asylum Party. ‘The Garden’ is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas ‘Ship To Shore’ could be a lost Oppenheimer Analysis B-side, and the album’s closer ‘Brighter and Bigger’ catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury’s atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard’s Sympathy for the Devil, as in ‘Preoccupation’, the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a shared humanity.

Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.

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In Pond’s universe nothing stays still for long. Although no one who heard 2019’s “Tasmania” could possibly describe its pulsating psych - pop as straight, Pond wanted to try a more spontaneous way of working for their next record.

Taking a leaf out of krautrock outliers Can’s book, at the start of 2020, Pond embarked on a series of totally off-the-cuff jam sessions from which songs and ideas could be pulled out.

Given the pace at which ideas whizz past your head, it makes for a dizzying listen. Opener Song For Agnes explodes out the speakers like an intergalactic rock opera, running a synapse-tingling gauntlet through bubbling synth pop, 80s hair metal and blissed out saxophone before you know what’s hit you.

It’s an apposite curtain-raiser for an album that can encompass pounding techno (Human Touch), elastic hipped robo-funk (America’s Cup), tripped out motorik (Czech Locomotive) and acres more besides without even topping for breath. Take lead single Pink Lunettes, which opens up thumping like ESG eight hours into a session at Berghain before climbing aboard a gargantuan synthship and disappearing off over the horizon.

Lyrically, too, 9 takes Pond into uncharted territory. Allbrook’s songs here take a more impressionistic tack than before, resulting in both the hilarious one-liners within Human Touch’s gonzoid thrash (sample lyric: “she was jacking a car but she seemed quite nice so I let her use the toilet in my place”) and the social and environmental concerns of blissed out closer Toast, which addressed both last year’s bush fires and the appalling wealth divide in Allbrook’s childhood home in Western Australia.

Above all though, what you get from “9” is a sense of creative abandon and just plain fun. If it was only a fraction as enjoyable to make as it is to listen to then they must have been having a hoot.

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After a four-year hiatus exploring ambient and meditation music, Danish multi-instrumentalist Anders Rhedin has returned to his indie roots. Dream Work, his third album as Dinner, is a lush collection of synth and guitar-laden indie pop that expertly channels Ryuichi Sakamoto, early British indie, and the sound of water.

Like most worthwhile pursuits, the path to Dream Work hasn’t been straight. After signing to Captured Tracks in 2014, he released a series of synth-based avant-pop albums and toured the world with the likes of Mac Demarco, Sean Nicholas Savage, Prince Rama, and King Gizzard, all while splitting his time between Berlin, LA and his native Copenhagen. This whirlwind period ended when, following the release of 2017’s New Work, Rhedin relocated to Copenhagen and took a step back from the Dinner project in order to explore his long standing personal interest in ambient production and guided meditation. Over the last few years, he’s released a series of ambient releases under his own name geared towards meditation, sleep, and relaxation. He’s also led live guided sound baths and meditations at art museums, churches, and rooftops all over the world.

The time away proved fruitful - returning to the Dinner project with fresh eyes, Rhedin sought not to reproduce his previous style, but rather to integrate these two components of his body of work. As a result, Dream Work sounds at once classic and entirely new; a deft balance of Rhedin’s trademark electro-pop with the meditative and organic elements of his ambient work. From the melancholy acoustic guitar and downtempo synth melody of “Spirit Voices” to the ethereal refrain on “Connection”, Rhedin washes his pop songwriting in dark, dreamy textures. These textures lend cohesion to the far-reaching collection - Dinner effortlessly floats from Stereolab-like electric guitar (“Anima”) to twinkling synth-pop (“Midnight In My Head”) to fluid ambient (“Drøm”) in the span of just 34 minutes. Contributions from label mates Molly Burch and Charlie Hilton as well as Lina Tullgren, Nicolai Koch help bolster this quality: much like Rhedin himself, Dream Work feels well-traveled even when it’s standing in place.

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The Replacements' 1981 Twin/Tone Records debut, SORRY MA, FORGOT TO TAKE OUT THE TRASH, heralded the Minneapolis-based band's competing tendencies toward indelible genius and reckless abandon. The 'Mats' legendary founding line-up - lead singer/songwriter and guitarist Paul Westerberg, drummer Chris Mars, and brothers Bob and Tommy Stinson (lead guitar and bass respectively) - unleashed a thrilling, dynamic sound on the album with now-classic songs like "Takin' A Ride," "Shiftless When Idle," and "Customer."

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We're celebrating the 40th anniversary of SORRY MA, FORGOT TO TAKE OUT THE TRASH this fall with a 4CD/1LP set that offers a remarkable document of The Replacements' formative years. Of the set's 100 tracks, 67 have never been released before, including the first demos the band recorded in early 1980, as well as a professionally captured concert from January 1981. Along with a newly remastered version of the original album, it also uncovers many unreleased rough mixes, alternate takes, and demos from the band's first 18 months together. The LP included in the set, titled Deliberate Noise, presents an alternate version of the original album using these previously unreleased tracks.

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SORRY MA, FORGOT TO TAKE OUT THE TRASH (DELUXE EDITION) is presented in a 12 x 12 hardcover book loaded with dozens of rarely seen photos. The set was produced by Twin/Tone Records co-founder Peter Jesperson, Rhino's Jason Jones, and Replacements' biographer Bob Mehr, who received a Grammy for Best Album Notes for his work on the band's acclaimed 2019 boxed set Dead Man's Pop. Mehr again penned the detailed liners that accompany this set, which features new interviews with The Replacements. Former Replacements manager Jesperson also provides a remembrance of the Sorry Ma era.

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The boxed set opens with a remastered version of the original album that's been expanded with the non-album B-side, "If Only You Were Lonely." From there, a second disc, titled Raised in the City, delves into the group's very first recordings ("Try Me," "She's Firm," "Lookin For Ya"), as well as studio demos for album tracks (including "Shutup" and "I Hate Music"), outtakes ("Shape Up," and "Get On The Stick," among them) and rare basement recordings ("Lie About Your Age," "Johnny Fast"). A handful of these appeared on Rhino's 2008 reissue of Sorry Ma, but more than a dozen included on the new set have never been released.

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Four outtakes on the collection's third disc, Tape's Rolling, debuted on the same 2008 reissue, but here they're joined by more than two dozen unreleased recordings. Highlights include electrifying alternate versions of "Johnny's Gonna Die" and "Love You Till Friday," alternate mixes for "Rattlesnake" and "More Cigarettes," plus Westerberg's home demos of "You're Pretty When You're Rude" and "If Only You Were Lonely."

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The Deluxe Edition ends on a high note with the earliest professional live recording of The Replacements. The previously unreleased concert, dubbed Unsuitable for Airplay, was captured by Twin/Tone's mobile unit on January 23, 1981, at the 7th St Entry in Minneapolis, MN. A portion of the show was later broadcast on the local community radio station, KFAI.

The Replacements - Sorry Ma, Forgot To Take Out The Trash: Deluxe Edition [4CD/LP]
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Let It Come Down is the fourth album by the rock band Spiritualized, released in 2001. It was recorded and produced at Abbey Road and AIR Studios. It took Jason Pierce, Spiritualized's lead singer, guitarist and sole constant member four years to write, perform, produce and release. The album utilizes 115 session musicians, including orchestra and London Community Gospel Choir.

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It's been just a few months since Guided By Voice's faux rock opera Earth Man Blues garnered four-star and five-star reviews, with Rolling Stone proclaiming that it "squarely hits all the marks that make Guided by Voices great-again and again and again.""Again and again and again", is perhaps GBV's credo, with Robert Pollard's never-ending supply of fascinating and supremely catchy rock. Just when one thinks one's got them pinned down, album number thirty-four opens with bizarre percussion, mariachi trumpets, strings and acoustic guitar. The adventurous spirit pervades yet another killer album from the greatest and most versatile GBV line-up. The golden boys (Doug Gillard, Bobby Bare Jr, Mark Shue, Kevin March) can do no wrong. Hooky singles "My (Limited) Engagement", "High In The Rain" and "Dance of Gurus" intermingle with occasionally dark lyrics and the oddest of GBV oddballs, the ridiculous "Razor Bug", "Psycho House", and the "Maintenance Man Of The Haunted House". The horns and strings return intermittently, with "The Bells Get Out Of The Way" going full Burt Bacharach. It's Not Them. It Couldn't Be Them. It Is Them! Is a creative tour-de-force full of surprises from the most prolific and captivating band on the planet.
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Limited marbled magma colored vinyl LP pressing. 2014 album from Chicano Batman. Includes fan favorites "Cycles of Existential" and "Magma".
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MUSIC OF THE SPHERES – The new album from the British band, Coldplay, will be released later this year on all DSPs, vinyl and CD and cassette. The band's ninth LP, produced by Max Martin, features twelve tracks, five of which are represented by emojis. In May, the band released “Higher Power” - the first single from Music Of The Spheres - which has been streamed more than 160 million times and was performed live in New York on the Today Show, Macys 4th of July Spectacular and The Tonight Show with Jimmy Fallon . The band have also revealed the imminent release of an album track called “Coloratura” to be followed by a new single in September.

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Newly mixed by Giles Martin and Sam Okell in stereo as guided by the original "reproduced for disc" version by Phil Spector.

The Super Deluxe Edition includes 27 unreleased session recordings, a 4-track Let It Be EP, the 1969 unreleased 14-track "Get Back" stereo LP mix by Glyn Johns, and a 100-page hardback book with an intro by Paul McCartney, track-by-track recording information, and many unseen photos, notes, and more.

A slipcase box set houses the 4 LPs, 12" EP, and hardbound book.

The Beatles - Let It Be: Special Edition [Super Deluxe 4LP + 12in EP Box Set]
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8 x GRAMMY-winning artist FINNEAS returns with a new song, “A Concert Six Months From Now,” which is the first track from his debut solo album, Optimist. The album features 12 new, never before heard tracks, plus the previously released, “What They’ll Say About Us,” a heartbreaking ballad written in lockdown as a moving dedication to human strength and connection when faced with life’s tribulations. FINNEAS will also be heading out on tour in North America in the fall of 2021.

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In 2018, David Gordon Green’s Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than$250million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter’s direct involvement since1982’sHalloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies.

Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The2018Halloweenmovie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave SmithOB-6, bowed guitar, Roland Juno, Moog, Roland System1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

Standout tracks like “Unkillable” and “Rampage” feature skittering synths over deep four on the floor bass that create a full psychosis of dread before the guitars smash into the song like a semi creating a confusion over whether to headbang, dance, or run for you life. More tragic songs like “Michael’s Legend” and “Strode’s at the Hospital” showcase exquisite and delicate piano playing and prove the range of orchestration this team is capable of executing with mastery and vision. Like all of Carpenter’s legendary soundtracks Halloween Kills features incredible standalone music that like their Lost Themes trilogy of music made for imaginary films can be enjoyed thoroughly with or without the context of the film.

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Xenia Rubinos is a New York City based artist who's been revered for her innovative voice and maze-like knack for melody. Una Rosa is Rubinos' third album, her second on Anti- Records, following up her critically acclaimed Black Terry Cat (2016).Xenia Rubinos dips in and out of genre and structure to create movingly powerful songs. Her powerhouse vocals stem from a combination of R&B, Hip-Hop and Jazz influences, all delivered with a soulful punk aura. Pitchfork has lauded the radiant singer as "a unique new pop personality" while The New Yorker described her work as "rhythmically fierce, vocally generous music that slips through the net of any known genre."Having previously collaborated and toured with acts as diverse as Battles, Deerhoof, Man Man and Tune-Yards, Rubinos' energetic live show echoes some of the larger than life icons she admired as a child like Nina Simone and Erykah Badu, while wielding a space in music that is utterly her own. "I think my sound is a collage of different music coming together on a visceral level, connecting the dots with my voice and imagination," she said.Una Rosa is produced by Rubinos along with her longtime collaborator and drummer Marco Buccelli, and is full of color- drawing much of it's multichromatic sound from the bright colors of pop art, which Xenia was immersed in during the writing process.
Xenia Rubinos - Una Rosa [Indie Exclusive Limited Edition Summer Sky Wave LP]
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Lu's Jukebox is a six-volume series of mostly full-band performances recorded live at Ray Kennedy's Room & Board Studio in Nashville, TN. Each volume features a themed set of songs by other artists curated by the multi-Grammy award winner, Lucinda Williams. The series aired as ticketed shows through Mandolin in late 2020 with a portion of ticket sales benefitting independent music venues struggling to get by through the pandemic.

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Lu's Jukebox is a six-volume series of mostly full-band performances recorded live at Ray Kennedy's Room & Board Studio in Nashville, TN. Each volume features a themed set of songs by other artists curated by the multi-Grammy award winner, Lucinda Williams. The series aired as ticketed shows through Mandolin in late 2020 with a portion of ticket sales benefitting independent music venues struggling to get by through the pandemic.

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In contrast to 2019's Diviner, a record that very much favoured the inner world, Moondust For My Diamond sees Hayden Thorpe moving into a more natural visual and sonic palette, gazing outward on the world. Produced by Richard Formby and Nathan Jenkins (Bullion), Thorpe has made an album that is galvanising, reassuring, elegant, seductive: it oozes Big Cosmic Energy.

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GRAMMY-winning UK artist James Blake has announced his first new full-length album in 3 years, Friends That Break Your Heart, due out September 10 via Republic Records and featuring the new single, "Say What You Will." Blake calls this a concept album and worked closely with artist Miles Johnston to design cover art that is a visual encapsulation of the emotions brought forth throughout the body of work. James Blake has also announced dates for his 2021 Fall Tour.

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Friends! I am so pleased to announce A Night At The Little Los Angeles - the 4-track version of Sundowner. Recorded at home and in my back shed - aka The Little Los Angeles - in suburban Kansas during the summer and winter seasons of 2017 and 2018. This is quite simply the sound of me alone in a room with a four-track to catch my songs as they fell out of my mouth. When I later went into a proper studio to make Sundowner my goal was to capture the essence of these initial recordings, and here you will now have access to the very essence I was chasing. In many ways, this feels like a proper album to me, as it's my initial attempt to capture the Kansas sunset and put it into sound, where as Sundower was an attempt of an attempt. I love and am proud of them both, of course, but am happy to - for the first time - share this vulnerable side of my songwriting process with the public. Many of my favorite recordings have been made inside of an artist's home without regard of the outside world, but instead deep in their own world that they're creating in real time. And with that - I'd like to invite you into my own little world here and now and ask you to please... step inside of... and spend A Night At The Little Los Angeles!
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Thrice

Horizons/East [LP]

Vinyl: $23.98 Buy

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To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from THRICE over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

Since forming THRICE with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility.

Thrice - Horizons/East [LP]
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Nashville’s Caitlin Rose will celebrate the 10-year anniversary of her debut album “Own Side Now”with a deluxe, fully remastered version of the record.

Rose released “Own Side Now” in 2011 to instant acclaim from critics who praised her crystal clear vocals and ingenious lyricism equal parts heartbroken and defiant.  The album comes in an embossed gatefold jacket and includes an 80’s style hologram sticker, lyric insert and a bonus 7” single with the unreleased tracks “Only Lies” and “Whatchoo”. 

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Why Do Birds Sing? is the 5th studio album from the textbook American cult band, Violent Femmes. It was their last studio album with original drummer, Victor DeLorenzo. Featuring the fan favorite “American Music,” which reached #2 on Billboard’s Modern Rock Chart, as well as a cover of Culture Club’s “Do You Really Want To Hurt Me.” “The momentum of the song [“American Music”] and the album that spawned it provided a springboard for the band to bona fide cult status.” – Rolling Stone.

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Almost two years since the release of Sam Fender’s critically acclaimed debut album, Hypersonic Missiles, debuted at #1 on the UK album chart, he now readies its follow up. Seventeen Going Under is a coming-of-age story. It’s the story of a young teen losing his innocence, but then finding strength to stagger blindly into adulthood and all that entails.

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Following nearly two years of global touring in support of their adventurous and acclaimed album, The Wilderness (2016), Explosions In The Sky paused on the future to reflect on the past. Celebrating their 20th year as a band with a pair of remastered reissues of early beloved classics – How Strange, Innocence(2000) and The Rescue (2005) – they embarked on a memorable series of anniversary concerts in 2019. It was around then that Explosions In The Sky was approached to craft the score to a new documentary about a place with which, as native Texans, they were very familiar: Big Bend National Park.

That documentary, Big Bend: The Wild Frontier of Texas, premiered on PBS in the United States as well as on a variety of networks in other countries in early 2021. The hour-long film intimately follows the lives of native animals amid expansive aerial views of the iconic desert landscape that makes up one of the grandest natural wonders in the world. The band set these sights to an inspired, melodic, and meaningful blend of acoustic guitar, slide guitar, strings, piano, bells, and drums that feels as alive and diverse--and vast and lonely--as the place it depicts.

Big Bend (An Original Soundtrack for Public Television) takes that mesmerizing score and recontextualizes it as a stand alone album. Those brief cues have been expanded and transformed into a thoughtful, gorgeous full-length album that recalls some of the band’s most magical and memorable moments from their storied history.

Big Bend: The Wild Frontier of Texas is a film that explores the past and present of the vast, complicated landscape that still holds countless mysteries yet to be uncovered. In Big Bend (An Original Soundtrack for Public Television), Explosions In The Sky pursue a similar approach to their own past and present, and find inspiration in all that has yet to be discovered.

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Brandi Carlile's new album, In These Silent Days, October 2021 via Low Country Sound/Elektra Records. It's the follow-up to her 2018 album By The Way, I Forgive You, and she recorded it at Nashville's RCA Studio A with producers Dave Cobb and Shooter Jennings. Tim Hanseroth (vocals, bass), Phil Hanseroth (vocals, guitar), Cobb (guitar, percussion), Jennings (piano, organ, synth), Chris Powell (drums, percussion), and Josh Neumann (strings) all appear on the album, and Jess Wolfe and Holly Laessig of Lucius make a guest appearance, adding backing vocals to "You And Me On The Rock."

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Austin indie folk duo make their Grand Jury debut with True Love. Recorded over winter 2020 in LA with Andrew Sarlo (Big Thief, Bon Iver, etc.). This album is about growth and nostalgia. Both band members got married. One had a kid. They’ve found themselves individually away from the band, but settling into their most creatively fertile moment as a duo. Artwork by Bradley Pinkerton (Harry Styles, The Weeknd, etc.).

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Asleep At The Wheel is celebrating their 50th Anniversary with the release of Half A Hundred Years. The nineteen tracks feature original band members, current band members and guest artists. The special guest artists are Lyle Lovett, George Strait, Lee Ann Womack, Willie Nelson, and Emmylou Harris. Tracks 1 - 11 are new songs featuring the original band members. Tracks 12 -16 are old songs featuring the current band members and Asleep At The Wheel alumni. Tracks 17 - 19 are songs from the vaults that have never been released and track 14 features the current and the two previous female band members.

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